Sentences with phrase «showed higher object»

«We found that male chimpanzees showed higher object manipulation rates than females, but their object manipulation was dominated by play.

Not exact matches

The video, taken from the cockpit camera, shows a glowing object traveling at high speeds while rotating and includes audio of Navy pilots struggling to process what they are seeing.

Taken with the orbiting Chandra Observatory, it shows the hottest, most violent objects in the galaxy: black holes gobbling down matter, gas heated to millions of degrees by dense, whirling neutron stars, and the high - energy radiation from stars that have exploded, sending out vast amounts of material that slam into surrounding gas, creating shock waves that heat the gas tremendously, generating X-rays.

NASA has confirmed that new data from this trio of high - energy telescopes, and archival data from Chandra, Swift and the European Space Agency's XMM - Newton observatory, all show that the object has the properties of a magnetar, making it only the 30th known.

These computer simulations of a spiral galaxy show that the proposed High Definition Space Telescope would provide sharper images of distant objects than the existing Hubble telescope (left).

Events for the younger set included a tour of «the fourth dimension» — a room full of hypercubes and other higher dimensional objects that gave me a touch of vertigo; a chamber of robots that you could teach to play football; a demonstration of forensic science involving (real) guns and a (fake) cadaver in a staged crime scene; a live cooking show in which physicists, chemists, and anthropologists explained the science and origins of food; and a walking tour through the natural history of excrement featuring — you guessed it — a dizzying array of animal feces.

The idea is that is if enough heat built up inside the burning house, objects stored higher up will show different types of damage than those closer to the floor.

«We expect that future observations with wider bandwidth and higher resolution will show us the whole picture of our target object in further detail and achieve even more remarkable results,» says Takano.

The primary shows weaker alkali lines than field dwarfs of similar spectral type, but still consistent with either a high - gravity dwarf or a younger object of hundreds of millions of years.

Dogs with high Aβ concentrations showed significant learning impairments on delayed non-match to position (DNMP), object discrimination, and reversal learning compared to dogs with low Aβ concentrations.

The new high - resolution simulations show that an oblique impact by an object with 10 percent the mass of the Earth can eject sufficient iron - free material into Earth - orbit to yield the Moon, while also leaving the Earth with its final mass and correct initial rotation rate.

The Buncombe County board of education was accused of showing insensitivity toward Native Americans after parents complained of the mascots and other Indian - themed objects used to promote school spirit at Clyde A. Erwin High School in Asheville.

I was shown the way that point of view shapes understanding of the object of inquiry when I recently examined freehand maps of the world drawn from memory by a group of preservice teachers.1 As might be expected, the vast majority depicted North America in the center of the map and with a relatively high degree of accuracy and detail.

For his ninth solo show with the gallery, Hoberman draws upon his time spent in the Desert Heights neighborhood of Twentynine Palms, California, in the high desert near Joshua Tree National Park, combining found object constructions, two - sided prints, and virtual reality in an immersive environment.

Past group shows and screenings include: Rêve du Pierre, curated by Alexandra Fau, Centre Pompidou, Paris (screening)(2016); Night Walk, with Erin Shirreff, deCordova Sculpture Park and Museum, Lincoln, MA (2015); A Night of Philosophy, Ukrainian Institute of America, New York, NY (Screening)(2015); The Daily Show, Bureau, New York NY (2015); The Built Environment: Lower Side in Istanbul, Mixer, Istanbul, Turkey (2014); It Narratives: The Movement of Objects as Information, Franklin Street Works, Stamford, CT, USA (2014); A Tale of Two Islands: Beatrice Gibson with Alex Waterman, and Frank Heath, High Line Art, NY, NY (2014); Two Hours Two Minutes, The Power Plant, Toronto, Canada (2014); Kool - Aid Wino, Franklin Street Works, Stamford, CT, USA (2013); Matter Out of Place, Kitchen, NY, NY (2012); Somebody has stolen our tent, Simon Preston Gallery, NY, NY (2012); The Way Things Go (Part 3), Frutta, Rome, Italy (2012); Single Channel, Soho House, Miami, FL, USA (2011); Forcemeat, Wallspace, NY, NY (2011), and Suddenly: Where We Live Now, Cooley Gallery — Reed College, Portland, OR and Pomona College Museum of Art (2008, 2009).

2007 Brooks, Amra, «Our Favorite Shows and Artifacts» LA Weekly, December 26, 2007 Brooks, Amra, Must See Art, LA Weekly, December 12, 2007 Bedford, Christopher, Critic's Picks, Artforum.com, 2007 Banai, Nuit «Introducing», Modern Painters December 2007 Huberman, Anthony, «I Heart Information», Afterall, Autumn / Winter 2007 Nickas, Bob, «Steven Parrino», Artforum, September 2007 Smith, Roberta, «In These Shows, the Material is the Message», The New York Times, August 10, 2007 Coburn, Tyler, «'' Build it High: Laying Bricks», Art Review, July and August 2007 Persman, Joanna, «In the Borderland Between Abstraction and Figuration», Svenska Dagbladet, June 2, 2007 Landes, Jennifer, «A Show With Chutzpah», The East Hampton Star, May 2007 Beasley, Mark, «Music is a Better Noise», Frieze, April 2007 Klein, Jennie, «Bunch Alliance and Dissolve», Art Papers, March / April 2007 Saltz, Jerry, «Non-Specific Objects» Modern Painters, March 2007 «Viva», Modern Painters, March 2007

Study on the Amazing Comeback of Dr Freud (2005), for instance, shows a naked, turbaned man in high heels standing vulnerable against a wall in a forest setting, its title suggesting at once a specific event, a romanticised account and the vagaries of the unconscious that were Freud's object of study.

At the moment, the high - ceilinged parlor, painted a soothing shade of pale yellow with white trim that runs from Gothic to proto - Weiner Werkstette, is the site of a rather too - tame sculpture group show in which the common thread is the use of eccentric materials and found objects.

«For the Diebenkorn show, the values were so high we needed the assistance of the U.S. government to cover the objects in order to borrow the pieces, insure them for their values, and tour them.»

He has shown his work internationally, including exhibitions at New Galerie, Paris; Higher Pictures, New York; Exile, Berlin; Institute of Contemporary Art, London; Carlos / Ishikawa, London; China Art Objects, Los Angeles; and in a variety of noninstitutional contexts on the Internet.

In addition to discs there are coloured pennants (of cloth), with weights on them, which fly at high speed ---- and various solid objects, bits of hose, springs, etc. -LSB-...] I had this in Paris the spring of 1933 and showed it to Massine ---- along with many other things, and it's what I wanted to do for the Ballets Russes.

This is a show that has made much use of high - tech cutting tools on objects normally venerated for their age.

Adam Pendleton has been included in significant exhibitions in America and Europe including the Palais de Tokyo's La Triennale (2012), where his video installation BAND was presented following its premiere at The Kitchen, New York (2010); Ecstatic Alphabets / Heaps of Language, MoMA, New York (2012); Greater New York, MoMA PS1, New York (2010); The Generational: Younger Than Jesus, New Museum, New York (2010); Afro - Modernism: Journeys through the Black Atlantic, Tate Liverpool (2010); Manifesta 7, Trentino - South Tyrol, Italy (2008); After 1968: Contemporary Artists and the Civil Rights Legacy, High Museum of Art, Atlanta (2008); Object, The Undeniable Success of Operations, Stedelijk Museum, Amsterdam (2008); Manifesto Marathon, The Serpentine Gallery, London (2008); Sympathy for the Devil: Art and Rock and Roll Since 1967, Museum of Contemporary Art, Chicago (2007); Performa 07, New York (2007); Talk Show, ICA, London (2007); Resistance Is, The Whitney Museum of American Art, New York (2007); Frequency, Studio Museum of Harlem (2005 - 06); and Double Consciousness: Black Conceptual Art Since the 1970s, Contemporary Arts Museum, Houston (2005).

The topics of VernissageTV's PDF Magazin No. 19 are Istanbul Biennial 2011, Louise Bourgeois at Fondation Beyeler in Basel, Carsten Nicolai at The Pace Gallery in New York, Yutaka Sone's solo show at David Zwirner in New York, Phase 2 of The High Line Park in New York, Sarah Sze's Highline Public Art Project, Simon Rodia's Watts Towers, the Found Objects photo series by Didier Leroi, Frieze Sculpture Park 2011, and reviews by Lee Sharrock of the group show Air I Breathe and the Frieze Week in London.

Other important exhibitions include Adventure of the Black Square: Abstract Art and Society 1915 — 2015 (2015), Whitechapel Gallery, London; The Disappearance of the Fireflies, Collection Lambert, Avignon, France, 2014; Love Story - Anne and Wolfgang Titze Collection, 21er Haus and Winter Palace, Vienna, Austria, 2014; Radical Presence: Black Performance in Contemporary Art, Walker Art Center, Minneapolis, 2014; Joan Jonas & Adam Pendleton, Galeria Pedro Cera, Lisbon, 2014; We Love Video This Summer, Pace Gallery, Beijing, China, 2014; Radical Presence: Black Performance in Contemporary Art, Contemporary Arts Museum, Houston (2013); Ecstatic Alphabets / Heaps of Language, The Museum of Modern Art, New York (2012); Greater New York, P.S. 1 Contemporary Art Center, Long Island City, New York (2010); The Generational: Younger Than Jesus, New Museum, New York (2010); Afro - Modernism: Journeys through the Black Atlantic, Tate Liverpool (2010); Manifesta 7, Trentino - South Tyrol, Italy (2008); After 1968: Contemporary Artists and the Civil Rights Legacy, High Museum of Art, Atlanta (2008); Object, The Undeniable Success of Operations, Stedelijk Museum, Amsterdam (2008); Manifesto Marathon, The Serpentine Gallery, London (2008); Sympathy for the Devil: Art and Rock and Roll Since 1967, Museum of Contemporary Art, Chicago (2007); Performa 07, New York (2007); Talk Show, Institute of Contemporary Art, London (2007); Resistance Is, Whitney Museum of American Art, New York (2007); Frequency, Studio Museum of Harlem, New York (2005 - 06); and Double Consciousness: Black Conceptual Art Since the 1970s, Contemporary Arts Museum, Houston (2005).

This portion of the exhibition — there are three, each with its own curator — was organized by the Chicago artist - gallerist Michelle Grabner, and includes the show's visual and material high point: a central gallery crammed with colorful painting, sculpture, and handmade objects as well as ceramics and textiles.

The overwhelming quantity of sculptural objects presented, although spurring from a valid concept, isn't able to meet the high expectations of a more «professional» public, also because — although with exceptions — the sculptures generally lack of artistic quality or care; thus, their immaterial value isn't enough to justify the «artifacts» overproduction in this show.

Pendleton has been included in significant exhibitions in America and Europe, including Love Story — The Anne & Wolfgang Titze Collection, Winter Palace and 21er Haus, Belvedere, Vienna (2014); La Triennale, Palais de Tokyo, Paris (2012); Ecstatic Alphabets / Heaps of Language, MoMA, New York (2012); Greater New York 2010, MoMA PS1, New York (2010); The Generational: Younger than Jesus, New Museum, New York (2010); Afro - Modernism: Journeys through the Black Atlantic, Tate Liverpool (2010); Manifesta 7, Trentino - South Tyrol, Italy (2008); After 1968: Contemporary Artists and the Civil Rights Legacy, High Museum of Art, Atlanta (2008); Object, The Undeniable Success of Operations, Stedelijk Museum, Amsterdam (2008); Manifesto Marathon, The Serpentine Gallery, London (2008); Sympathy for the Devil: Art and Rock and Roll Since 1967, Museum of Contemporary Art, Chicago (2007); Performa 07, New York (2007); Talk Show, ICA, London (2007); Resistance Is, Whitney Museum of American Art, New York (2007); Frequency, The Studio Museum of Harlem (2005 — 06); and Double Consciousness: Black Conceptual Art Since the 1970s, Contemporary Arts Museum, Houston (2005).

It is clearly showing that: to heat something up, there HAS to be a higher density of excited states in the molecules and atoms that heats, than the object that gets heated.

My simple heat transfer example shows that you believe that an always higher temperature object's temperature increases further solely as a result of the transfer of heat from an always colder object.

To demonstrate the possibilities of a new line of high - performance, 3D printed tiles to build habitable, auxiliary structures in cities where affordable housing is scarce, Archpaper shows how San Francisco - based design startup Emerging Objects created this backyard Cabin of Curiosities which integrates two different kinds of these textured and multifunctional tiles.

All Planck's law shows as graphs depict is that the hotter an object the higher the peak in Visible light.