Sentences with phrase «showed real acting»

Not exact matches

Standing in stark contrast to how most expect a leader to look and act, Gen. McChrystal's mentor shows that real leaders should be defined not by outward appearances, but by actual performance.

In 1949, the year that a 20 - year bear market pattern in real stock prices (not shown) ended, the U.S. Justice Department cited AT&T for maintaining a monopoly that violated the Sherman Act.

Much of the movie plays out like a thrilling — and tragic — underdog sports story, but its surprise third act shows that the real story of Bill McCartney isn't just about faith and success: It's about personal redemption.

We are not Christ, but if we want to be Christians, we must have some share in Christ's large - heartedness by acting with responsibility and in freedom when the hour of danger comes, and by showing a real sympathy that springs, not from fear, but from the liberating and redeeming love of Christ for all who suffer.

The Real Tom, since you want everyone on here to act like they are scholars, then please, show me your scholar abilities, and prove to me that God does not exist.

«The series is about dreams, fears, conflicts, battles, the search for meaning and the need for love of a pope, seen through Sorrentino's unique vision capable of creating worlds that are at the same incredible and more real than reality itself,» said Lorenzo Mieli and Mario Gianani, whose Italian - based Wildside company will act as the show's co-producer...

This is an incredibly difficult question to answer for a variety of reasons, most importantly because over the years our once vaunted «beautiful» style of play has become a shadow of it's former self, only to be replaced by a less than stellar «plug and play» mentality where players play out of position and adjustments / substitutions are rarely forthcoming before the 75th minute... if you look at our current players, very few would make sense in the traditional Wengerian system... at present, we don't have the personnel to move the ball quickly from deep - lying position, efficient one touch midfielders that can make the necessary through balls or the disciplined and pacey forwards to stretch defences into wide positions, without the aid of the backs coming up into the final 3rd, so that we can attack the defensive lanes in the same clinical fashion we did years ago... on this current squad, we have only 1 central defender on staf, Mustafi, who seems to have any prowess in the offensive zone or who can even pass two zones through so that we can advance play quickly out of our own end (I have seen some inklings that suggest Holding might have some offensive qualities but too early to tell)... unfortunately Mustafi has a tendency to get himself in trouble when he gets overly aggressive on the ball... from our backs out wide, we've seen pace from the likes of Bellerin and Gibbs and the spirited albeit offensively stunted play of Monreal, but none of these players possess the skill - set required in the offensive zone for the new Wenger scheme which requires deft touches, timely runs to the baseline and consistent crossing, especially when Giroud was playing and his ratio of scored goals per clear chances was relatively low (better last year though)... obviously I like Bellerin's future prospects, as you can't teach pace, but I do worry that he regressed last season, which was obvious to Wenger because there was no way he would have used Ox as the right side wing - back so often knowing that Barcelona could come calling in the off - season, if he thought otherwise... as for our midfielders, not a single one, minus the more confident Xhaka I watched played for the Swiss national team a couple years ago, who truly makes sense under the traditional Wenger model... Ramsey holds onto the ball too long, gives the ball away cheaply far too often and abandons his defensive responsibilities on a regular basis (doesn't score enough recently to justify): that being said, I've always thought he does possess a little something special, unfortunately he thinks so too... Xhaka is a little too slow to ever boss the midfield and he tends to telegraph his one true strength, his long ball play: although I must admit he did get a bit better during some points in the latter part of last season... it always made me wonder why whenever he played with Coq Wenger always seemed to play Francis in a more advanced role on the pitch... as for Coq, he is way too reckless at the wrong times and has exhibited little offensive prowess yet finds himself in and around the box far too often... let's face it Wenger was ready to throw him in the trash heap when injuries forced him to use Francis and then he had the nerve to act like this was all part of a bigger Wenger constructed plan... he like Ramsey, Xhaka and Elneny don't offer the skills necessary to satisfy the quick transitory nature of our old offensive scheme or the stout defensive mindset needed to protect the defensive zone so that our offensive players can remain aggressive in the final third... on the front end, we have Ozil, a player of immense skill but stunted by his physical demeanor that tends to offend, the fact that he's been played out of position far too many times since arriving and that the players in front of him, minus Sanchez, make little to no sense considering what he has to offer (especially Giroud); just think about the quick counter-attack offence in Real or the space and protection he receives in the German National team's midfield, where teams couldn't afford to focus too heavily on one individual... this player was a passing «specialist» long before he arrived in North London, so only an arrogant or ignorant individual would try to reinvent the wheel and / or not surround such a talent with the necessary components... in regards to Ox, Walcott and Welbeck, although they all possess serious talents I see them in large part as headless chickens who are on the injury table too much, lack the necessary first - touch and / or lack the finishing flair to warrant their inclusion in a regular starting eleven; I would say that, of the 3, Ox showed the most upside once we went to a back 3, but even he became a bit too consumed by his pending contract talks before the season ended and that concerned me a bit... if I had to choose one of those 3 players to stay on it would be Ox due to his potential as a plausible alternative to Bellerin in that wing - back position should we continue to use that formation... in Sanchez, we get one of the most committed skill players we've seen on this squad for some years but that could all change soon, if it hasn't already of course... strangely enough, even he doesn't make sense given the constructs of the original Wenger offensive model because he holds onto the ball too long and he will give the ball up a little too often in the offensive zone... a fact that is largely forgotten due to his infectious energy and the fact that the numbers he has achieved seem to justify the means... finally, and in many ways most crucially, Giroud, there is nothing about this team or the offensive system that Wenger has traditionally employed that would even suggest such a player would make sense as a starter... too slow, too inefficient and way too easily dispossessed... once again, I think he has some special skills and, at times, has showed some world - class qualities but he's lack of mobility is an albatross around the necks of our offence... so when you ask who would be our best starting 11, I don't have a clue because of the 5 or 6 players that truly deserve a place in this side, 1 just arrived, 3 aren't under contract beyond 2018 and the other was just sold to Juve... man, this is theraputic because following this team is like an addiction to heroin without the benefits

and now when I tell him no or he doesn't get his way hes screaming bloody murder.My boyfriend thinks its because i'm pregnant and I've been real moody lately that he senses it and is acting out on it... I do know that infants and young children can sense stress and when your angry even if your not showing it.

There have been «real» filibusters since 1917, like Strom Thurmond's famous Civil Rights Act filibuster, but those were largely for show or to make a point.

«This investigation shows that DOE acts as though the rules don't matter,» Stringer said «We're talking about billions of dollars spent without real oversight, without competitive bids, and without accountability.»

The fact that parts of this act were already ruled unconstitutional by a NY judge, with more still being appealed shows how much real thought was put into it; within the first few weeks of passing this debacle almost all police, armed guards etc. were violating the law because the legislators in their infinite wisdom forgot to exempt law enforcement, not to mention all the people who went to bed and then the next day — due to the fly - by - night method of governing — people woke up breaking the law without having done anything.

After failing to act when Ken Livingstone directly contravened party rules, and dithering over whether to attend the TUC rally, Labour has another leader who'd rather duck a difficult decision than show real leadership.»

But Moya's real target was Cuomo, who the assemblyman said needs to «show true leadership and to bring Senator Dean Skelos back to the table to open up talks on the Dream Act, just as [the governor] has in the past with tough issues like marriage equality and the SAFE Act.

Monifa Bandele, a spokeswoman for Communities United for Police Reform, said Reynoso has shown «real leadership» by ensuring his half of the Right to Know Act will be moving forward.

An online science fiction game may not seem like the ideal place to study human behavior, but physicist Stefan Thurner has shown that the way people act in the virtual world isn't so different from how they act in the real one.

«It is heartening to see such an agreement to curb emissions by so many nations, it shows real concern about the future of the planet and their understanding that now is the time to act.

first off when you lose weight for those who obviously don't know you lose all over especially with cardio your not going to lose weight in just one area why is that before when she was «chubbier» she wasn't showing off her behind but now she is it wasn't big that's why but since lets keep it real she had more help other than a trainer now she's taking butt pics and all that now but a lot of celebs do that they get help in areas and act like they did naturally by going to the gym even some women I know who aren't rich and went to another country to get work done

People will value you more for showing your real self, than for acting to be this rare kind of «perfect» individual with the most perfect life!»

In this 3 part series, you'll see Real Life Dating Situations Acted Out right in front of you to show you exactly:

Created by Dianne Harris, Singlepin acts as a visual icon that people can use to show their commitment to the offline dating community, while acting as a point of conversation when two people wearing them meet in real life.

A great movie with great acting based off the real bank robbers Bonnie and Clyde, that shows that a life of a criminal is no life at all.

A massively charismatic figure on screen despite a real life stature of just 3» 9.5», Mark Povinelli studied at Miami University before beginning an on - screen acting career with roles on TV shows like Fraser, and movies like The Polar Express.

How this all happens is absolutely fascinating, beginning with the arrival of the FBI and Special Agent Richard DesLauriers (Kevin Bacon), who uses a warehouse to re-create entire city streets and the crime scene; Boston Police Commissioner Ed Davis (John Goodman), who runs the show with nerves of steel; Sgt. Jeffrey Pugliese (JK Simmons), the Watertown cop who finds himself in the middle of a shootout with the culprits; Massachusetts Gov. Deval Patrick (Michael Beach); Dun Meng (an excellent and scene - stealing Jimmy O. Yang), the young Chinese man who was carjacked and kidnapped by the pair, only to turn the tables on them; and of course the Tsarnaev brothers, Tamerlan (Themo Meilikidze) and the younger Dzhokhar (Alex Wolff), who both look and act so eerily like the real thing it is positively chilling to watch them.

There were no real twists / deviations of plot, the acting was good but not show stopping so 3 out of 5 seems fair.

Over at USA Today, Susan Wloszczyna has come to the conclusion that, in a fairly weak year for film with a less - than - competitive Best Picture slate to show for it, the performance categories are where it's at this year: The real action this year is in the acting.

The characters are unrelated in the show, but in real life the brothers are both members of a prolific Mexican acting family.

Freeman got his first real acting break in a 1998 short film, I Just Want To Kiss You, before landing the BBC skit show Bruiser, back in 2000.

The psychological drama stars James Rolleston (The Dead Lands) as one of a group of acting students who use a real - life sex scandal involving a tennis coach, as creative fuel for their end of year show.

In his best performance since Paul Thomas Anderson's 2002 Punch - Drunk Love, the comedian shows there's a real actor behind the clown act he's turned into a successful industry.

What films like The Babadook and Goodnight Mommy show us is that no matter the amount of blood and gore and shock value a film may possess, there is no real substitute for great acting.

McCormick apes Matrix fight scenes for Forbes, who clearly isn't a martial artist and she's also real bored acting in the show.

Frost's Andy choosing not to drink during the pub crawl, or Gary's decision to use the death of his mother as sentimental motivation for the others to join him are moments that really round out the characters, and show that Wright's writing hand and the lead's respective acting skills have a real knack for male camaraderie.

She doesn't let the same thing happen in real life: Hudson shows that not only can she sing, she can act too, reacting to deception and manipulation in the same way as anyone else: by singing.

They're based on real insights from practising school leaders, and show how effective principals act as they progress professionally.

According to the Miami Herald: But the Zuluetas» greatest financial success is largely unseen: Through more than two dozen other companies, the Zuluetas control more than $ 115 million in South Florida real estate — all exempt from property taxes as public schools — and act as landlords for many of Academica's signature schools, records show.

Do we really want to stop this quality lesson planning in favor of scripted sound bytes that act more like a dog and pony show to show evidence of curriculum coverage for school district heads rather than evidence of real learning?

These moves show Ford is «committed to making sure that we are continuing to listen to customers and continuing to act more and more real time like software companies do,» Fields said.

Valiant Entertainment is the second coming of a publisher that was, in its time, one of the real innovators in the comics industry, and the new kids (some of whom are actually the old kids doing a second act) have shown they have a trick or two up their sleeve.

It offers us the tools to become wiser, more relaxed parents — and the inspiration to speak out, act according to our values, show humility, and set the kind of example that will make a real difference in our children's lives.

Offering us the tools to become wiser, more relaxed parents — and the inspiration to speak out, act according to our values, show humility, and set the kind of example that will make a real difference in our children's lives.

My father was working on a magic act for the annual Christmas show at the senior center, and his assistant, the receptionist who had a real gold tooth and false eyelashes as thick as spiders, got the flu.

While its simple to chalk up that act to a child with an active imagination, Clothier's approach is fascinating and she has shown that by approaching situations from a dog's mindframe, we can make real progress in training.

Like how a huge chunk of people on here acted like VR was somehow real after Sony showed off their headset.

The AI themselves also play their part in this: at times they show flashes of brilliance, such as actually defending their lines, and act like real racers, overtaking each and making mistakes, but at other times they exhibit strange behavior, like seemingly not going flat - out on straights.

It was nice to see more than palette swaps, showing some real uniqueness between the acts — although to be honest I found this was a little less apparent on the Mad Gear stages.

It would be 35 minutes later until they showed off something resembling a real game, Forza Motorsport, and the closing act was a story trailer for Call of Duty: Ghosts with no gameplay.

Jurgens was able to act and react to the scene, as well as the show's presenter, in real - time with the on - screen demo replicating her movements instantaneously.

Some may call me a fanboy for defending Nintendo, but I'd say the real fanboys are the ones acting like Nintendo has betrayed them just because Zelda and Samus didn't show up (well, they kind of did, but not in the exact way gamers wanted).

I will return with more info shortly..., (GuytonWalker), curated by Howie Chen and Tim Saltarelli, IMO, Copenhagen, Denmark Good Friends, (GuytonWalker), Asia Song Society, New York, NY Street Trash, (GuytonWalker), 1 -800-GO-PENSKE, Brooklyn, NY Catalogue of the Exhibition, curated by Bob Nickas, Triple V, Paris, France After Images, curated by Fionn Meade, Musée Juif de Belgique, Brussels, Belgium That's The Way We Do It, Kunsthaus Bregenz, Bregenz, Austria A Painting Show, (GuytonWalker), Autocenter, Berlin, Germany The Luminous Interval, (GuytonWalker), Guggenheim Museum Bilbao, Bilbao, Spain Keeping It Real: Act 4, Material Intelligence, Whitechapel Gallery, London, UK Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, Martin - Gropius - Bau, Berlin, Germany Image Transfer, Richard E. Peeler Art Center, DePauw University, Greencastle, Indiana, traveling to Center for Art, Design and Visual Culture.

1991 Telekinesis, curated by Patrick Painter, Mincher / Wilcox Gallery, San Francisco, California, US 20th Century Collage, Margo Leavin Gallery, Los Angeles, California, US Children in Crisis, Lorence Monk Gallery, New York, US The Readymade Boomerang (Print Portfolio), DAAD Galerie, Berlin, DE L'Art Se Porte Bien, Confort Moderne, Poitiers, FR Metamemphis 1991, Galerie Tanit, Cologne, DE Arte Fiera» 91, Mostra Mercato Internazionale d'Arte Contemporanea Bologna, IT Saga 91, Eric Linard Editions, Grand Palais, Paris, FR The Political Arm, John Weber Gallery, New York, US The Collection of Jason Rubell, Duke University Museum of Art, Durham, North Carolina, US Group Show, Daniel Newburg Gallery, New York, US Poet's Walk (public sculpture), Citicorp Plaza, Los Angeles, California, US The Fetish of Knowledge, Real Art Ways, Hartford, Conneticut, US Artists» Sketchbooks, Matthew Marks, New York, US Solaris, Mai 36 Galerie, Lucerne, CH Tokyo Art Expo, Harumi New Hall, Tokyo International Trade Center, Tokyo, JP Audio Arts, Wiens Laden & Verlag, Berlin, DE Blast Art Benefit, The X-Art Foundation Inc., New York, US Designated Space, Museum Dhondt - Dhaenens, Deurle, BE Franklin Furnace's 15th Anniversary Art Sale, Marian Goodman Gallery, New York, US This Land..., Marian Goodman Gallery, New York, US Tre Opera / 1965 -1975, Primo Piano, Rome, IT Inheritance and Transformation, The Irish Museum of Modern Art, Dublin, IR Tabula Rasa, Biel / Bienne, CH Für die Stimme, Wiens Laden & Verlag, Berlin, DE Group Show, Galerie Edouard Merino, Palais Albany, Monte Carlo, FR Learn to Read Art - An Exhibition of Artists» Books and Multiples From the Permanent Collection of Art Metropole, Basel Art Fair, Basel, CH Multipels en Andere Multipels, De Warande, Turnhout, NL Beyond the Frame / American Art 1960 - 1990, Setagaya Art Museum, Tokyo, JP; The National Museum of Art, Osaka, JP; Fukuoka Art Museum, Fukuoka, JP Metamemphis Exposition, Kunstlerkolonie Museum, Darmstadt, DE Summer Group Exhibition 1991, Leo Castelli Gallery, New York, US A View From The Sixties: Selections from the Leo Castelli and the Michael and Ileanna Sonnabend Collection, Guild Hall Museum, East Hampton, New York, US Artists» Books from A to B: Contemporary Artists» Books, A Center for Book Arts Exhibition, New York, US Group Show, Neues Museum Weserburg Bremen, Bremen, DE Books by Artists, Imschoot, Uitgevers, The Archives, Documentatie / Informatie Hedendaagse Beeldendekunst, Gent, BE Art for Children's Survival, Unicef Auction at Sotheby's, New York, US Topographie I, Wiener Festwochen, Vienna., AT Collage of the Twentieth Century, Musee d'Art Moderne et d'Art Contemporain, Nice, FR Group Show, Galerie Pietro Sparta, Chagny, FR Aussenraum - Innenstadt, Sprengel Museum, Hannover, DE Les Couleurs de l'Argent, Musee de la Poste, Paris, FR Act - Up Benefit, Matthew Marks Gallery and Paula Cooper Gallery, New York, US Jorge Luis Borges, ICA / Amsterdam, NL Wanderlieder, Stedelijk Museum, Amsterdam, NL Group Show, Holly Solomon Gallery, NL Tattoo Collection, Air de Paris X-Mas Show, Nice, FR Arte Americana 1930 - 1970, Lingotto, Torino, IT 1969, Daniel Newburg Gallery, New York, US