Sentences with phrase «showed works by living artists»

Interestingly, once the Whitney finally opened as a museum, it briefly had a policy of not showing work by living artists so as not to wade into the messy territory of influencing the market.

Not exact matches

Open studio showing new works of three artists featuring large scale abstract paintings by local educator Mike Irwin, contemporary abstract still life paintings by Jeanne Dentzel, and printmaking, assemblage and conceptual riddles in his numerous works on paper by local educator and arts activist Dug Uyesaka.

Chris Ofili portrait by Malick Sidibe in Oct. 6, 2014 issue of The New Yorker IN ADVANCE OF CHRIS OFILI»S first solo museum show in the United States, New Yorker writer Calvin Tompkins traveled to Trinidad where the artist lives and works.

A major new exhibition of works on paper by Howard Hodgkin, one of Britain's most celebrated living artists, form the basis of a new show honouring the artist's 80th birthday.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

Bringing together four contemporary African artists living in the United States this group show engenders a discussion about history, fact, and fiction through paintings, drawings, and sculptural works by ruby onyinyechi amanze (b. 1982, Nigeria), Duhirwe Rushemeza (b. 1977, Rwanda), Sherin Guirguis (b. 1974, Egypt), and Meleko Mokgosi (b. 1981, Botswana).

Et al.'s current show features icy but wonderfully conceived new work by Aaron Finnis, another artist of British background, though born in the Bay Area and living here now.

Featuring works by Emma Amos, Jeff Donaldson, Jae Jarrell, Wadsworth Jarrell, Loïs Mailou Jones, Barbara Jones - Hogu, Samella Lewis, Lorraine O'Grady, Howardena Pindell, Faith Ringgold, Lorna Simpson, and Carrie Mae Weems, among many others, the show presents a diverse group of artists who lived and worked at the intersection of art production, political activism and social change.

The show is an attempt to engage with the immorality inseparable from the African diaspora, by a working artist whose life is indivisible from it.

Organized by CAMH curator Dean Daderko, this group show brings together single -, multi-channel, and installation - based video works by four artists who breathe new life into the medium's familiar documentary parameters.

His first show at Kate MacGarry is a chance to catch up, or be surprised for the first time, by an artist whose work is full of life, humour and pathos.

With particular strengths in colonial portraiture, the Hudson River School, American Impressionism, and the Ash Can School, also not to mention the important mural series The Arts of Life in America by Thomas Hart Benton, the Museum relies heavily on its permanent collection for exhibitions and programming, yet also displays a significant number of borrowed shows and works by emerging artists.

The final chapter, Living Labor (2013), which was produced for the artist's solo exhibition at the Pérez Art Museum Miami, and will be shown at the Palais de Tokyo and Institut français» off - site exhibition in Chicago, curated by Katell Jaffrès and entitled Singing Stones, is sited in New York, where five undocumented workers tell of exploitative working conditions, indignity, and invisibility in the United States.

This Friday, May 22nd, 2015, Park Life Gallery in San Francisco will present Jug Life: New Contemporary Still Life, a group show curated by Andrew Schoultz and Patrick Martinez featuring the work of close to 70 artists including:

The show is an installation by the Berlin - based artist Omer Fast that includes video and film, including a 2016 work inspired by the life and work of German photographer August Sander.

Angel of History is the first solo show in Poland by Aura Rosenberg, an American artist living and working in New York and Berlin.

Founded in 1946 by a group of artists including Roland Penrose, Peter Watson, and Herbert Read, the ICA continues to support living artists in showing and exploring their work, often as it emerges and before others.

The Brooklyn - based artist (he used to live in Columbus, Ohio) currently has several works on view at Housing, Bed - Stuy's newest art gallery, which lives in American Medium's old haunt, and shows the work of black artists, curated by black artists.

Although they are currently displayed together on loan to Tate Modern in London, the artist's estate has made life easier for future curators by stipulating that the works can either be shown together or separately.

A promised and provocative distraction from those cold and wet January blues is presented in the form of the generously reflective Miró and Life in General — a solo show of new works by the institutional conceptual artist, John Baldessari.

Born in California, 1977 Lives and works in New York City EDUCATION 2007 - 2009 MFA, Columbia University 1995 - 1999 BFA, Rhode Island School of Design EXHIBITIONS 2011 Andrea Rosen Gallery, New York, NY, «A Thousand & One Nights,» March 18 — April 23 2010 Laurel Gitlen, New York, NY, «In Here,» July 9 — August 13 Museum 52, New York, NY, «Preconceived Iconography,» Apr 7 — May 9 2009 Andrea Rosen Gallery, New York, NY, «The Perpetual Dialogue,» December 12 — January 23, 2010 SculptureCenter, Long Island City, NY, «In Practice Fall» 09,» September 13 — November 30 Brown Gallery, London, «Evading Customs,» group show curated by Lumi Tan and Peter J. Russo, September Socrates Sculpture Park, Long Island City, NY, «EAF09: 2009 Emerging Artists Fellowship Exhibition,» with Ninh Wysocan, September 2009 - March 2010 Bard College, Annandale - on - Hudson, NY, «The Special Affect,» video screening co-curated with Summer Guthery, May The Fisher Landau Center for Art.

The Royal Academy's Summer Show might lean on the traditional side with plenty of nudes, still lifes and landscapes, but alongside work by established artists, unknowns are given space.

As Sally Morgan Lehman, Founder and Director at Morgan Lehman Gallery explains, for The Armory Show the gallery is structuring their booth around a single installation by a young New York City artist who constructs her work around the premise of combining opposite notions and using that new concept as a foundation for her reinvented Baroque still lives or the 18th century Roman Ruins after Giovanni Battista Piranesi.

The gallery shows contemporary art, predominantly by artists living and working in Los Angeles and New York.

Alongside a room devoted to Jeremy Deller's Iggy Pop Life Class, we will show contemporary work in diverse media by various artists including numerous Royal Academicians who continue to interrogate the practice of working from life, among them Jenny Saville, Chantal Joffe and Gillian WearLife Class, we will show contemporary work in diverse media by various artists including numerous Royal Academicians who continue to interrogate the practice of working from life, among them Jenny Saville, Chantal Joffe and Gillian Wearlife, among them Jenny Saville, Chantal Joffe and Gillian Wearing.

Two Centuriesincluded four works by Barthé, one of several living artists in the show.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

Artists who have lived and worked in the Caribbean, as well as artists living abroad who responded to the rich visual tradition and history of the area are shown side - by Artists who have lived and worked in the Caribbean, as well as artists living abroad who responded to the rich visual tradition and history of the area are shown side - by artists living abroad who responded to the rich visual tradition and history of the area are shown side - by - side.

Coney Island Visions of an American Dreamland, 1861 — 2008 WNPR, Feb. 13, Coney Island and Bushnell Park's Carousel Artistry by Mallory O'Donoghue The Boston Globe, Feb. 12, Atheneum assembles a first - rate installation by Sebastian Smee WNPR, Feb. 12, Wadsworth Explores Coney Island, the «Microcosm of the American Experience» by Ray Hardman The Modern Art Notes (MAN) Podcast, Feb. 12, No. 171: Dennis V. Geronimus, Robin Jaffee Frank by Tyler Green WNPR, Feb. 11, Where We Live, An Arts Wheelhouse Examines Connecticut Museums The Boston Globe, Feb. 10, Coney Island comes to the Wadsworth Atheneum by Mark Feeney Apollo Magazine, Feb. 10, Five favourites from the Wadsworth Atheneum's new galleries The New Yorker, Feb. 9, Change Artist: The works of Piero di Cosimo by Peter Schjeldahl The Art Newspaper, February 2015, Wadsworth Atheneum restores spaces it very nearly lost by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum Openings

By some fortuitous coincidence just a few steps separate «Joan Mitchell: The Last Paintings» at Cheim & Read from «Matta: A Centennial Celebration» at Pace Gallery and each show explosively refutes any notion of youthfulness being the province of the young while giving new life to the phenomenon known as «old age style» — used to distinguish formal characteristic of late works by Titian, Rembrandt, or Cézanne, where the artist just wants to get to the heart of the matter and sloughs off all the fine finish he had needed to impress his audience in earlier yearBy some fortuitous coincidence just a few steps separate «Joan Mitchell: The Last Paintings» at Cheim & Read from «Matta: A Centennial Celebration» at Pace Gallery and each show explosively refutes any notion of youthfulness being the province of the young while giving new life to the phenomenon known as «old age style» — used to distinguish formal characteristic of late works by Titian, Rembrandt, or Cézanne, where the artist just wants to get to the heart of the matter and sloughs off all the fine finish he had needed to impress his audience in earlier yearby Titian, Rembrandt, or Cézanne, where the artist just wants to get to the heart of the matter and sloughs off all the fine finish he had needed to impress his audience in earlier years.

Antiques and The Arts Weekly, Nov. 18, Historic John Trumbull Paintings Go Up At Wadsworth Atheneum Hartford Business Journal, Nov. 7, Loughman aims to reconnect Wadsworth to community by John Stearns New York Times Style Magazine, Oct. 20, The Renaissance Artifact Collections That Are Back in Style by Gisela Williams Boston Globe, Oct. 17, Face to face with «The Old Man and Death» by Sebastian Smee Hartford Courant, Oct. 13, Sky Dives, Space Travel Subject of Dulce Chacón's «Fallen Angels» At Wadsworth by Susan Dunne Hartford Courant, Oct. 13 Artists Define Their Femininity In Bruce, Wadsworth Exhibits by Susan Dunne CTNow, Oct. 2, Wadsworth Splendor IX Gala by Alex Syphers Hartford Courant, Sep. 19, Photography Exhibits At Atheneum, Real Art Ways, Lyman Allyn by Susan Sunne Hartford Courant, Aug. 21, Wadsworth Atheneum Begins Free Admission For Hartford Residents by Susan Dunne Hartford Courant, June 14, Wadsworth Atheneum Exhibit Confronts Violence Against African - Americans by Susan Dunne WPKN, May 28, Live Culture with Martha Willette Lewis Episode 15 featuring Vanessa German The New York Times, April 15, Gothic to Goth: Exploring the Impact of the Romantic Era in Fashion by Susan Hodara The Wall Street Journal, April 5, «Gothic to Goth: Romantic Era Fashion & Its Legacy» Review by Laura Jacobs Hartford Courant, March 24, Wadsworth's «Gothic to Goth» Celebrates Romantic - Era Fashion by Susan Dunne The New York Times, March 10, Poets Give Voice to Art in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeed!

SYRA Arts and The Untitled Space are pleased to present the group show, «Debunking Orientalism,» featuring works by emerging and established artists who live and work out of Egypt, from Cairo, Beheira, Sohag and Alexandria.

Wurm once described his work as engaging with «the difficulty of mastering life,» and several of the characters who populated the show are defined by the form of physical restraint, or lack, under which they labor - from the armless would - be onanist in Telekinetischer Masturbator, 2009, to the related pair of vaguely human figures Jakob / Big Psycho VII and Big Gulp Lying, both 2010) whose incomplete «bodies» are bound in sweaterlike garments with disconcertingly vaginal openings - extending and elaborating the distortions of the artist's Pilobolus - like 1992 performance documentation 59 Positions.

This month, Phillips — whose googleability went way down after Tom Hanks portrayed a certain real - life hero, Captain Phillips, first name Richard — will have his first solo museum show in the United States, a survey of old and new work at Dallas Contemporary called «Negation of the Universe,» which will be joined by his headline - grabbing public sculpture Playboy Marfa, the neon - lit, 40 - foot - tall roadside sign commissioned by the magazine and broadcasting the artist's queasy fusion of commercialism and art.

The show will be focusing on new works by the 78 - year old American artist Susan Weil, a respected figure in modern art history whose life story is truly extraordinary.

This is a commissioned work, conducted by a choreographer, theorist and artist, and whose brief, according to the curator, was «to show how one can transform that idea of crossing [the virtual and physical worlds] or living between these spaces.»

Wolfgang Weileder, German - born artist who has long lived and worked in the UK, is the protagonist of Meridiano, an exhibition curated by Gino Gianuizzi, which shows twelve works from the series of Seascapes in the spaces of MAMbo Permanent Collection.

Opening in conjunction with Vox Humana, a live art performance by these same artists at the Los Angeles Convention Center during the L.A. Art Show 2010, this exhibition will showcase more than 25 works of art, including the unveiling of Mear One's monumental sculpture entitled «Pillar of Consciousness.»

Though the show's description never uses the word digital, all of the works are made by a generation of artists whose lives have been marked by the unprecedented proliferation of digital technology over the past three decades.

The Armory Show — Contemporary on Pier 94 is a renowned venue to premiere new works by living artists.

In the fall Pace will present an exhibition of late works by the artist, many of which were first shown at the gallery during Rauschenberg's life.

SELECTED GROUP SHOWS: 2018 Open SpacesKansas City, MO 2018 Color of the Year Presented by Pantone and X-RiteUrban Institute for Contemporary Art, Grand Rapids, MI 2017 Solar Flair: Celestial Bodies in MotionAlbrecht Kemper Museum of Art, St. Joseph, MO 2017Light and ShadowMildred M. Cox Gallery Kemper Center for the Arts William Woods University, Fulton, MO 2017The 19th Annual National Juried Competition,: «Works of Paper» 2017Long Beach Foundation of the Arts & Sciences, Long Beach Island, NJ 2017 - 2018 Teardrops That Wound: the Absurdity of War, George Tsutakawa Art Gallery, Wing Luke Museum of the Asian and Pacific American Experience, Commission Work «Break Into Blossom», In collaboration with Phong Nguyen and Justin Shaw 2016 Vision: An Artist's Perspective, Gutfeund Cornett Art Kaleid Gallery San Jose, CA 2016 Novus Conceptum, Hannah Bacol Busch Gallery Bellaire, TX 2015 Generations: Forty Hues Between Black and White, OCCCA (Orange County Center for Contemporary Art), Santa Ana, CA 2015 Somewhere Between Black and White, Fiber Art Network, Arizona State University, Tempe, AZ 2015 Old Enough To Know Better, Cranes Art Gallery 105, Philadelphia, PA 2014 The 2nd Annual Juried Artist's Book Exhibition, WoCA Projects, Fort Worth, Texas 2014 The Living Mark Verum Ultimum Art Gallery, Portland OR 2014 Subconscious, Flow Art Gallery, St Louis MO 2014 A Dream and a Memory, St. Louis Artist Guild, St. Louis MO 2013 Missouri 50, Fine Art Building Sedalia, MO 2013 Art / Identity, Gallery 263, Cambridge, MA 2013 26th Annual Women's Work, Old Court House, Woodstock, IL 2012 Contemporary Women Artists XVI, Saint Louis University Art Museum, St. Louis MO 2012 UCM Faculty Show, UCM Gallery of Art and Design, Warrensburg, MO 2012 Color!

redew is a group show ritualizing a moment of rebirth, resurrection and renewal in the artists work and lives curated by Maggie Knox and Rosie Gordon - Wallace.

Titled Picha / Pictures — Between Nairobi & Berlin, the first show will show works by children living in Kibera, East Africa's biggest slum, created for the organization One Fine Day as part of the collaboration with artists Zuzanna Czebatul, Zhivago Duncan, Andreas Golder, Amélie Grözinger, Markus Keibel, Caroline Kryzecki, Erik Schmidt, Pola Sieverding, and Ulrich Wulff.

Opening on November 5th the gallery will show a selection of 35 single channel video tapes, all of which were produced by artists living and working in Southern California between the 1970 and 1993.

Each edition of this group show is selected from a public call for online submissions open to all artists living and working in Texas, curated either by a panel of jurors or a solo curator.

The Noguchi Museum was founded in 1985 by Isamu Noguchi (1904 — 1988), one of the leading sculptors and designers of the twentieth century, The museum was the first museum in America to be established, designed, and installed by a living artist to show their own work, according to The Noguchi Museum.

The press release, which begins with a quote on «the division of life into vegetal and relational, organic and animal» by Italian philosopher Giorgio Agamben, presents the show as a kind of intersection between the artists» works: «the liminal spaces of the human experience».

The 70 works by 27 artists from South Korea, Indonesia, the Philippines, Thailand and India comprise the Society's first large - scale showing of living Asian artists, as well as the first major exhibition of contemporary art from selected Asian countries ever organized in the U.S.

A visitor looks at the work of art «Untitled (ochre) 2006» by Irish artist Michael Craig - Martin in the show «Sign of Life», Thursday, June 8, 2006 in the Kunsthaus in Bregenz, Austria.