Sentences with phrase «showing cultural influences»

At the latter, the Great Story of a small Island - Nation through 100 Objects revealed a Greek theatrical mask and an Islamic book showing cultural influences from various invaders, simple peasant clothing from Gozo that the locals wore while the main island of Malta was going through a cultural revolution and a she - wolf statue feeding the twin Romanesque characters of Romulus and Remus.

The book's title reveals its strategy; it seeks to demonstrate the relevance of the Bible by showing its cultural influence, above all in literature, but also in music, art, politics and religion.

This exhibition is inspired by the vague sense of insecurity and threat and shows the cultural influence of individual and collective anxiety towards experiences and events.

Not exact matches

To that end, African - American women are leaving an indelible imprint on America's economy, social consciousness and cultural landscape, and they're showing no signs of slowing as they become more and more aware of that influence.

Instead of having to posit a direct, psychological, often mysterious effect on disaggregated individuals, the investigator is able to show that ideas are actually produced by specific sets of people who have access to necessary material and cultural resources, are influenced by particular organizational constraints, and bring their ideas into contact with an audience that has reasons to be receptive.

Perhaps a retrospective look from a greater historical perspective will show that the Niebuhr report reflects the end of a phenomenon of which William Rainey Harper's study marked the beginning: the influence on Protestant theological schooling of major themes in the «progressivist era» in American cultural history.

Evidence shows that cultural influences and implicit and explicit gender stereotypes can influence hiring and promotion decisions - often to the benefit of men (this can be true for both women or men evaluators).

While showing up in their finest African attire and cultural - influenced interpretations, a plethora of fans across...

[Feature] Film Society Lincoln Center - Lineup For 45th Dance On Camera Festival Announced (Dec 8, 2016)[Interview] The Resident Artist - #Spotlight: In Conversation with Mickela Mallozzi (Nov 23, 2016)[Interview] Rudy Maxa's World with The Careys - 12 November 2016, Hour 2 (Nov 12, 2016)[Award Nomination] Taste TV - 8th Annual Taste Awards Finalists & Honorees Announced (Nov 8, 2016)[Feature] Travel With Val - How To Dance with Mickela Mallozzi (Nov 4, 2016)[Feature] Skirting The Rules - I Succeeded in Hosting My Own Travel Show Without Any TV Experience (Nov 3, 2016)[Feature] UPROXX - How To Travel The World Solo, According to Seven of Our Favorite Globe Trotters (Nov 1, 2016)[Feature] Greenwich Academy - Scholarship Breakfast (Oct 28, 2016)[Mention] NIAF.org - NIAF 41st Anniversary Gala Review (Oct 21, 2016)[Interview] The Barretender Podcast - Mickela Mallozzi: Part 1 (Oct 16, 2016)[Interview] The Barretender Podcast - Mickela Mallozzi: Part 2 (Oct 16, 2016)[Feature] CT Post - «Bare Feet with Mickela Mallozzi»: TV Host Dives Into Dances of The World (Oct 2, 2016)[Feature] The Adventure Sum - Bloggers Giving Back: How To Use Your Influence For Social Good (Sept 29, 2016)[Feature] WhereTraveler.com - How To Travel Like A Local: 17 Essential Tips From Travel Pros (Sept 1, 2016)[Interview] Around The World Beauty - Mickela Mallozzi Experiencing The World One Dance At A Time (Aug 15, 2016)[Interview] The Italian - American Podcast - IAP 22 - Mickela Mallozzi on Hard Work and Making Our Ancestors Proud (Aug 7, 2016)[Interview] National Endowment for the Arts - Art Works Podcast «Mickela Mallozzi» (Aug 5, 2016)[Feature] American Express OPEN - Motivational Monday (Jul 19, 2016)[Feature] WhereTraveler - 7 Great Destinations For Cultural Dance Experiences (Jul 19, 2016)[Feature] Travel With Val - Mickela Mallozzi's «Bare Feet» Series Returns to TV (Jul 11, 2016)[Mention] The Italian American Podcast - Is Our Reverence For La Famiglia Genetic?

Perhaps because horror game designers show a greater cultural awareness and are more willing to incorporate influences from other media into their work.

In summer 2015, the Museum of Modern Art, New York, presented Yoko Ono: One Woman Show, 1961 - 71, which reinforced her influence as one of the most important cultural change agents.

At the Katzen Arts Center June 14 through August 17 is «Continental Drift (Being Here and Being There),» a solo show by Judy Byron examining cultural influences on her identity as an artist.

2016 — Bohrer, Ashley, The Commodified Built Environment, Red Wedge, August 2015 — Derrick, Andy, Friday Feature, Matthew Woodward, ArtSquare, December Hartigan, Phillip, Seeing the Art For the Trees, Hyperallergic, August Daignault, Kristina, With Matthew Woodward, Inside the Artists» Kitchen, May 2014 — Hartigan, Phillip A, Expo Chicago Fails to Inspire, Hyperallergic, October, Obaro, Tomi, What I'm Doing This Weekend, Matthew Woodward, Chicago Magazine, October Juarez, Frank Art365, Matthew Woodward, May Hildwine, Jeriah, Matthew Woodward, Review, ArtPulse Magazine, April 2013 — Hall, Sarah Elise, Art - Rated, Matthew Woodward, Interview, November Klein, Paul, Art Letter, The Huffington Post, October Sherman, Whitney, Playing With Sketches, Rockport Publishing, October 2012 — Meuller, Rachel, Meticulous Chaos, Be Nice Art Friends, July Taskaporan, Erol, Matthew Woodward, Interview, Neo Collective, July Gumbs, Melissa, View From the Birth Day at the Chicago Cultural Center, Examiner, July Amir, Matthew Woodward's Decaying Drawings, Beautiful / Decay, May Dluzen, Robin, Catalogs of Anonymous Forms, Chicago Art Magazine, April Debat, Don, Unveiling the Unique, Chicago Sun Times, March Mutts, Lost at E Minor, New Art, January 2011 — Vora, Manish, Iconomancy: The Magic of Art, Art Log, November Pocaro, Alan, Keeping Your Balance in the Windy City, Art Critical, October Hausslein, Allison, Fanmail, Dailyserving, November Marszalek, Norbert, One Question, Neotericart, October New American Paintings, Number 95, Midwest Edition, June Cook, Greg, Contained at BCA, The New England Journal of Aesthetic Research, April James, Damian, More Than a Whisper in the Ear, Bad at Sports, January 2010 — Blau, Lilly, Love and Real Estate, The Huffington Post, November Himebauch, Adam, Matthew Woodward, Veoba Magazine, November Pitts, Johnathan, Look What They Found, Baltimore Sun, July Duquette, Laura, Featured Artist, Artery Magazine, May Duquette, Laura, How WNY Has Influenced His Work, Buffalo Rising Magazine, May Pocaro, Alan, Selections From the INDA 5, Aeqai, April Franz, Jason, International Drawing Annual 5, Manifest Gallery, March Solamo Tony, Barrington Hills Courier - Review, January Barber, John, Medium Magazine, Outside Infinity, February Avedesian, Alexi, Vellum Magazine, Spirits, January 2009 — Reed, Marliana, Invisible City Magazine, Issue 6, November Lacy, Rebecca, MuseMemo Magazine, Hauntingly Beautiful, October Abram, A, Spillspace Magazine, All the Wild Horses, September Kohn, Iliana, Lost At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart, Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retro?

The show looks at cross - cultural influence and divergence — both historical and recent — between countries such as Cuba, Brazil, South Africa and Angola, as well as other regions such as Mozambique, and Namibia; featured artists born in or living between these countries or in the diaspora.

Shown alongside these paintings are the next generation of acclaimed contemporary artists whose works built on and opposed those formative attitudes, and reflect the cultural and societal influences of their time.

Making a parallel between then and now, the show will highlight the role of female artists (or lack thereof) in the movement through the works of Magda Cordell and will examine the ways the relocation of certain artists influenced their art on grounds of cultural shifts.

Miami's collectors are often perceived as having a far too looming influence on the city's cultural institutions, so of course you'll get your fill of private collection showings.

Holcombe: I will be doing more studio visits with the artists and doing video interviews, writing on individual works like highlighting a piece, talking more about historical influences or cultural influence on the artist, things that show that this is a deliberate practice.

Both the original shows are representative of the revolution from below that characterized the New York art world in the postmodernist era, particularly the influence of punk and street cultures on an emerging generation of artists involved less in conceptual than social and cultural issues.

Amended and rearranged after its first installment, the show will explore the impact that Mexico had on Artaud's work, as well as the influences that his creative practice has had on different generations of artists, filmmakers and other cultural practitioners.

Selected by gallerist Rhonda Long - Sharp, the show's eight participating artists are internationally recognized for their mastery of material and for their unique ability to address issues about how society uses language to express cultural influences on human interaction.

Venturing away from his last exhibition at Freight + Volume, There's a Riot Goin» On, a self - described «rogue's gallery» of musical and cultural icons of the 1970's, Song of the Earth shows the artist honing a complex synthesis of influences involving poetry and song lyrics to experience and memory.

The artistic practice of Rosa Doornenbal shows an interest in formal, cultural and social aspects that influence the appreciation of objects in everyday life.

Now for his solo show at OUTLET, Berman brings us splices of artistic cultural influence from Japanese Ukiyo - e prints to Aztec myths, with an interplay between fact, memory and fiction, reflecting upon his own history of displacement and relocation.

Including sculpture, painting, installation and photography, the show explores the diverse cultural influences and thriving creative practices in the two great continents that were once conjoined as the prehistoric landmass of Pangaea.

Drawing from cultural movements including Négritude and the Harlem Renaissance, the show expands on Négritude founding father Léopold Sedal Sénghor's 1939 essay Ce que l'homme noir apporte, and its idea of «rhythm being at the center of Africa's system of thought and experience, influencing the continent and diaspora's cultural production.»

Every part of the city reflects the aestethic, cultural, political and philosophical values influenced by the production of architectural form, and shows fragmented pieces of urban life.

«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003

These shows have brought into the spotlight the work of artists who travelled through and were affected by the same cultural influences that spawned and fed the AbEx movement.

But as experimental studies show, it's possible to disable or blunt culture's heuristic influence: when people's cultural identities are affirmed, they don't experience the threatening affective response, or are less influenced by it, as they consider information that challenges beliefs that pre-dominate in their group; when they can't discern a consistent connection between the cultural identity of advocates and positions on some risk issue, they can't simply adopt the position of the advocate whom they perceive as having values most like theirs.»

In line with the positive influence of social support, the maintenance of close ethnic community ties has also been shown to be a protective factor to mental health in children and adolescents, alongside cultural and religious traditions which assist to restore continuity in the past and present (Punamaki, 1996; Rousseau, 1995; Sack, 1995).

Most are related to our upbringing, cultural influences, and a fear of what might happen if we show how we really feel about things, people, and even ourselves.

Some of the workbook's best moments are vignettes that show Dr. Korn's efforts to address sensitive topics, assess cultural influences and build therapeutic rapport with a variety of clients.

Child gender and child health status at birth were included as part of the analytic design because boys have been shown to have higher rates of aggressive behavior than girls and cultural norms are thought to influence the expectations for maturity and limits of acceptable behavior (Campbell, 2002).