Sentences with phrase «showing museum installations»

Gerhard Richter's life and art interrelate in Atlas in a multilayered way: banal subjects such as a toilet roll [Sheet: 14] are juxtaposed with horrifying Holocaust images [Sheets: 16 — 20]; serial landscape pictures are lined up with intimate family photographs; colour samples attached to source images can be found as well as photographs showing museum installations.

Not exact matches

Calle's work has been shown at international venues including the Musée d'Art Moderne de la Ville de Paris, MoMA (New York), the Guggenheim Museum (New York), The Tate Gallery (London), Crossing the Line Festival 2011, and recently a site - specific installation in Greenwood Cemetery (Brooklyn) for Creative Time.

In addition to Mark di Suvero at Crissy Field, other site - specific projects during this period will include a city - wide exhibition including newly commissioned, site - responsive artworks at Los Altos in fall of 2013; a multi-location display of Doug Aitken's Empire trilogy (2008 — 14) in 2014, showing all three video installations simultaneously for the first time; and off - site presentations of the museum's ongoing SECA Award shows and New Work series.

Polish artist Pawel Althamer, who in April closed his exuberant, expansive installation, performance, and sculpture show at the New Museum, to which museum visitors were invited to contribute, took his roving party to Socrates Sculpture Park in Long Island City last Friday night to mark the... ReaMuseum, to which museum visitors were invited to contribute, took his roving party to Socrates Sculpture Park in Long Island City last Friday night to mark the... Reamuseum visitors were invited to contribute, took his roving party to Socrates Sculpture Park in Long Island City last Friday night to mark the... Read More

Exhibition: Tania Bruguera at Museum of Modern Art Cuban artist Tania Bruguera's Untitled (Havana, 2000), a live performance and video installation conceived for the Havana Biennial in 2000, will go on show this weekend at MoMA.

Installation view at the «Scorching Sun of Tibet: Contemporary Tibetan Art Show» at the Songzhuang Art Museum, Beijing, 2010.

CATALOGUES 2016 Marnie Weber, The Day of Forevermore: Synopsis, Script, Storyboard, introduction by Paul Bernard, 96 pages, Museum of Modern and Contemporary Art (MAMCO), Geneva, Switzerland 2015 Unicorn Girl, written by Darcey Steinke, illustrated by Marnie Weber, Spirit Sister Publication 2010 Marnie Weber, The Cinema Show A Film Retrospective and Installations, texts by Yves Aupetitallot, Doug Harvey, and Stephanie Moisdon, artist interview by Mike Kelley, 125 pgs, 73 color ill., Le Magasin Centre National d'Art Contemporain de Grenoble, France 2007 Sing Me A Western Song, text by Annie Buckley, 40 pgs., 24 color ill., Patrick Painter Gallery, Santa Monica, CA 2005 Marnie Weber, From The Dust Room, texts by Julie Joyce, Amy Gerstler, Darcey Steinke, 56 pgs., 37 color ill., Luckman Gallery, California State University, Los Angeles, CA SOLO ALBUM RELEASES 2008 Marnie Weber, Lonely Soundtracks, 1993 — 2008 2005 Songs Forgotten: Selections From Marnie Weber 1989 — 2004 1996 Cry for Happy.

IN 1988 — Certificate of Excellence, New York ’88 International Art Competition, Art Horizons Exhibition, Larchmont, NY 1986 — Certificate of Excellence, North Coast Collage Society Exhibition, Hudson, OH 1986 — Honorable Mention, Nepenthe Mundi Society Exhibition, Kansas City, MO 1986 — Certificate of Excellence, Metro Art International Exhibition, Greene Street Gallery, Scarsdale, NY 1986 — Favorable Review by art historian & New York Times critic Mr. Hilton Kramer, Ultrasound, R.H. Love Gallery, Chicago, IL 1985 — New Jersey Chapter Award, 2nd Place, American Artists Professional League Exhibition New York, NY 1985 — Personal invitation by internationally known modern master, Kenneth Nolan, to work on the installation of his show 1984 — MWS Letters Award, Midwest Watercolor Society, Neville Public Museum, Green Bay, WI 1983 — Internorth Foundation Award, Midwest Watercolor Society, Davenport Art Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend Museum of Art, West Bend, WI

For this solo show, the Mexico City — born, Dallas - based artist will fill the Newark Museum's main galleries with large - scale chromatic installations conceived specifically for the space.

In this discussion, Kate Fowle, Chief Curator of Garage Museum of Contemporary Art, will talk with artist Rashid Johnson about his installation Within Our Gates, which is on show in Garage Atrium.

Elisa has shown her photography and multimedia textile video installations of performance at the Brooklyn Museum, Bronx Museum, Whitney Museum, Momenta Art, C24 Gallery and Soho20 Gallery in New York.

In this show, the artist's first one - person exhibition in the United States since his «Possibilities» show at the P.S. 1 Museum in June 1989, FRANZ WEST will exhibit a series of new sculptures and an installation which includes a video made in collaboration with the Austrian film - maker BERNARD RIFF.

Leckey has exhibited his videos, multi-media installations and collages widely and has had solo shows at the Serpentine Gallery, London (2011); Milton Keynes Gallery, Milton Keynes, U.K. (2010); Kölnischer Kunstverein, Cologne, Germany (2009); Le Consortium, Dijon, France (2007); Portikus, Frankfurt (2005); and Migros Museum, Zurich, Switzerland (2003).

During her talk, Fernández, a 2005 MacArthur Foundation Fellow and recipient of many prestigious works, will reflect on her new works, including her recent show at Massachusetts Museum of Contemporary Art, «As Above So Below,» a large - scale exhibition in which Fernandez combined graphite and gold to make a series of immersive, interconnected installations.

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

Among the works by Jian - Jun Zhang will be Sumi - Ink Garden of Re-Creation Installation Drawing # 2 (2002), a sumi - ink drawing — a preparatory sketch of his major installation in The Fourth Shanghai Biennale at the Shanghai Art Museum — depicting his scholar's rock sculptures, a variation of which was shown in Chinese Window at Kunstmuseum Bern in 2010 and will be featured in Ink Art: Past as Present in Contemporary China at the Metropolitan Museum of Art in New York opening in DeInstallation Drawing # 2 (2002), a sumi - ink drawing — a preparatory sketch of his major installation in The Fourth Shanghai Biennale at the Shanghai Art Museum — depicting his scholar's rock sculptures, a variation of which was shown in Chinese Window at Kunstmuseum Bern in 2010 and will be featured in Ink Art: Past as Present in Contemporary China at the Metropolitan Museum of Art in New York opening in Deinstallation in The Fourth Shanghai Biennale at the Shanghai Art Museum — depicting his scholar's rock sculptures, a variation of which was shown in Chinese Window at Kunstmuseum Bern in 2010 and will be featured in Ink Art: Past as Present in Contemporary China at the Metropolitan Museum of Art in New York opening in December 2013.

Her movies and installations have been shown at art and film spaces internationally, including the Museum of Modern Art, New York; MuMOK, Vienna; the Hammer Museum, Los Angeles; Wavelengths at the Toronto International Film Festival; Forum Expanded at the Berlinale, and in the 2012 Whitney Biennial, among others.

Danish - Icelandic artist and designer Olafur Eliasson, whose installations we have often featured on the site, is opening a solo show at Denmark's Louisiana Museum of Modern Art entitled «Ri

Numerous institutions have shown his work: the Dia: Beacon, New York this year, the Whitney Museum of America Art, New York in 1977 and 2013, the San Diego Contemporary Art Museum in 2008, the Dia: Chelsea, New York in 1999, the MoCA of Los Angeles in 1993, the San Francisco MoMA in 1985, the MoMA, New York in 1970,... He produced the installation for the United States Pavilion at the Venice Biennale in 1976.

The first solo show in an Italian museum of Chinese artist Ding Yi will propose a journey of about forty paintings and drawings, a sculpture and an installation that requires the interaction of visitors, which aims to bring the public closer to the man considered to be the most important abstract painter in contemporary China, by presenting his complex artistic practice and evolution from the nineties to the present day to the public.

She was also included in the 2014 Texas Biennial, had a solo show at Women and Their Work, and her mixed media installation, Paper City, is part of the Biennial: 600 Sculpture exhibition at the Amarillo Museum of Art.

This travelling show from Anchorage Museum in Alaska, highlights work by eleven, contemporary Indigenous artists of various tribal affiliations whose works include ink drawings, video, digital photography, multi-media installation and textiles.

Now, following an ambitious architectural installation at the Garage Museum in Moscow, Johnson is poised to show his eager audience where that new swerve in his work can go.

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

In the past several years, his multichannel video works have evolved into ambitious, large - scale installations shown in museums around the world.

His first US retrospective «Juan Downey: The Invisible Architect» was held last year at MIT's List Visual Arts Center and the Bronx Museum of the Arts, and the Tamayo show presents many of the same works, including «Plato Now», «The Invisible Eye series», «Video Trans Americas», and many beautiful topographical drawings and installations.

This welcome reappraisal continues apace this month with the opening of a quartet of mini shows at MoMA (April 14 — August 5) spotlighting different major series from the»60s and»70s — including his famous installation The Store (1961 — 64)-- to be followed at the Walker Art Museum this September with «Claes Oldenburg: The Sixties,» a battleship of a survey organized by Vienna's MUMOK museum (and coming complete with catalogue essays by famed art intellectuals like Benjamin BucMuseum this September with «Claes Oldenburg: The Sixties,» a battleship of a survey organized by Vienna's MUMOK museum (and coming complete with catalogue essays by famed art intellectuals like Benjamin Bucmuseum (and coming complete with catalogue essays by famed art intellectuals like Benjamin Buchloh).

Damaged Emergency Blanket (for A.W.), installation view, The Nothing That Is: A Drawing Show in Five Parts, Contemporary Art Museum - Raleigh, Raleigh, NC, 2015, 50 x 50 inches, gold and silver leaf on distressed paper

He also avoided participating in museum shows when he could, preferring to create his installations outdoors or at unconventional urban locations.

Recent projects include the eight - part permanent installation The Matter of Time at the Guggenheim Bilbao (2005) and a survey exhibition at The Museum of Modern Art, New York (2007) twenty years after his first survey show there in 1986.

And in 1993, he finally realized the show, which featured 365 strollers bound with twisted hose and configured into the shape of a ship's hull - an installation he called Amazing Grace, which will be re-created at the New Museum in New York in February.

Using a similar technique to his vast site - specific installation Pickett's Charge, which is on show at the Hirshhorn Museum and Sculpture Garden, Washington, D.C., until November 2018, he entombed the horizontal ropes in the paper before re-revealing them through tearing and abrasion of the work's entire surface.

Bandit, Craig Drennen's Working Artist Project exhibition at Museum of Contemporary Art of Georgia (December 2, 2017 — January 27, 2018), is an anti-Christmas, anti-materialism show that includes painting, video and installation.

For his solo show «Ballpoint Drawings,» on view at the Queens Museum of Art through the 30th of this month, Lee created his largest work yet: BL - 090, a 5 - by - 50 foot installation that wraps around a curved wall.

Having conquered the U.K., Prouvost is now taking her offbeat, literarily minded work to the New Museum for her first solo show in the United States, a lobby installation called For Forgetting that will feature a mural, «scattered sculptural elements,» videos, a film, and more.

The installation at the Smithsonian's Hirshhorn Museum is his first solo show in Washington, D.C.

Contemporary Fine Arts, Berlin is showing an installation by Jonathan Meese and Tal R, created by the artists for an exhibition in the Statens Museum for Art, Kopenhagen (October 8th, 2005 — January 8th, 2006).

But aside from James Turrell's popular maximalist light show at New York's Guggenheim Museum in 2013, wherein the artist transformed the museum's famous rotunda into a giant light installation, Light and Space, as a whole, hasn't been explored in a major exhibMuseum in 2013, wherein the artist transformed the museum's famous rotunda into a giant light installation, Light and Space, as a whole, hasn't been explored in a major exhibmuseum's famous rotunda into a giant light installation, Light and Space, as a whole, hasn't been explored in a major exhibition.

Since the 1980s, Feher has exhibited poetic sculptures and installations made from everyday, recognizable materials: his 25 year survey show organized by the Blaffer Art Museum at the University of Houston just concluded its five city tour.

After seeing Mr. Anatsui's exhibition, «Gravity and Grace,» at the Brooklyn Museum last year and his enormous sculptural installation for the High Line in Chelsea, Ms. Rajaratnam said she approached Mr. Shainman, Mr. Anatsui's New York dealer, about a joint show.

Caroline Lathan - Stiefel is an artist who creates large - scale sculptural installations consisting of fabric, pipe cleaners, wire, string, plastic, thread and fishing weights that have been shown in gallery and museum settings, outdoor spaces.

The show premiered at the San Francisco Museum of Modern Art in the fall, but its installation at the Whitney is slightly larger, bringing together over 150 paintings, sculptures, photographs, and drawings by the artist.

Some of her own recent exhibitions and projects include a permanent installation at the High Desert Test Site, a 2006 solo museum show at the L.A.C Lieu Arte Contemporain in Sigean, France, and a 2007 solo show at Galerie Jacques Girard in Toulouse, France.

That piece, an emblematic expression of his community - geared work, will be present in the Polish artist's first major American exhibition when it opens at the New Museum this month, along with a new installation featuring sculptures that the artist will make over the show's duration, to be shown alongside drawings accumulated from the exhibition's visitors.

The Modern Art Museum of Fort Worth is showing «FOCUS: Kamrooz Aram,» an installation of Aram's recent sculpture, collage and painting.

Find out more about some of the highlights, below, which range from museum exhibits, to gallery shows, to outdoor installations.

His work has been shown in numerous exhibitions worldwide, including the Whitney Biennial, the Sydney Biennial, the São Paulo Biennial, the Venice Architecture Biennale, the Seville Biennale, and the Havana Bienal, and is in the permanent collections of the Museum of Modern Art, Institute of Contemporary Art, Boston, Guggenheim Museum, Whitney Museum of American Art, San Francisco Museum of Modern Art, and other institutions worldwide, including a permanent large - scale installation at the Massachusetts Institute of Technology.

A year after the Whitney Museum's show, a new survey of James Lee Byars (1932 — 1997) on view at Perry Rubenstein, Mary Boone and Michael Werner galleries includes a careful selection of sculptures, works on paper, large - scale installations and a performance.

Showing Wilson's interest in methods of display is his installation Love and Loss in the Milky Way (2005), previously on view in the Hammer Museum of Art's Take It or Leave It: Institution, Image, Ideology at in Los Angeles.

For example, in her two - channel video installation Silent among us / The Wake (2008 - 2011), she shows two ways of looking to natural history museums.