Sentences with phrase «showing older artists»

«Some people would have thought it was a backward step to go with a gallery that was only showing older artists, «says Doig, «but I found that quite exciting, to be the youngest rather than the oldest.»

Not exact matches

OLD ORCHARD CENTER FINE ART PROMENADE: 125 artists exhibit a variety of oils, watercolor and enamels in a juried show; 10 a.m. - 7 p.m. Sept. 18; 11 a.m. - 6 p.m. Sept. 19; Old Orchard Center, Old Orchard Road and Skokie Boulevard, SkokOLD ORCHARD CENTER FINE ART PROMENADE: 125 artists exhibit a variety of oils, watercolor and enamels in a juried show; 10 a.m. - 7 p.m. Sept. 18; 11 a.m. - 6 p.m. Sept. 19; Old Orchard Center, Old Orchard Road and Skokie Boulevard, SkokOld Orchard Center, Old Orchard Road and Skokie Boulevard, SkokOld Orchard Road and Skokie Boulevard, Skokie.

Don't miss this Triangle tradition that features old - fashioned fun, from rides and games, a «Flower and Garden Show,» «Folk Festival,» the Village of Yesteryear's artists and crafters, and the «Field of Dreams,» a miniature farm designed to help children learn how food is grown.

ARTIST IN RODENTS African striped mice (one shown munching on a thorn tree) evolved a new trick for an old protein.

UPRIGHT CLIMBER An artist's reconstruction shows 4.4 - million - year - old Ardipithecus ramidus in action as both a climber and a two - legged walker.

This artist's conception shows the immediate aftermath of a large asteroid impact around NGC 2547 - ID8, a 35 million - year - old star.

The white haze in this artist's drawing shows where a narrow bridge of old stars connects the Magellanic Clouds.

A documentary made about Okinawa showed a 100 year old villager with better fitness levels than an entire film crew less than half her age, a 96 year old martial artist who beat a 36 year old boxing champion (on national American television live) and even a 105 year old woman who easily killed poisonous snakes.

He was 20, performing in a 1986 revival of John Guare's «The House of Blue Leaves» on Broadway, when he picked up a video camera and made a little movie called «Portrait of the Artist as an Old Man» with the show's star, John Mahoney.

It's the old artists vs. corporation storyline, ensconced in the old «getting the band back together» plotline (The Blues Brothers comes immediately to mind), followed by the old «let's put on a show» climax, The Muppets is pretty tired as an idea, made somewhat fresh through enough funny bits to overlook the lackluster storytelling.

In chronological order, it covers the design and evolution of Batman's vehicle in the DC comic books, the early film serials, the 1960s TV show, the cartoons, and all eight movies, with input from various individuals of importance, including Christopher Nolan, Joel Schumacher, Adam West, the TV Batmobile's customizer George Barris, Tim Burton (in seemingly old footage), Batman historians, crew members, stuntmen, comic book artists, Comic - Con attendees, and ventriloquist / Batmobile owner Jeff Dunham.

Fay, who is also a world - leading martial artist, said: «We used a mystical fusion of 4,000 - year - old tabla rhythms by Mohinder and 400 - year - old Japanese sword kata, as well as a Tessan dance (a war dance using fans), to provide a dramatic and rewarding show that thrilled our audiences.»

The first part concerns abysses and shelters of a few kinds, an old Maine storyteller, a man locked in a room with secrets, a gambling martial artist, an adaptive actresses, inside a famous comedy show, and cards dealt out to one's memories.

This April 2017 photo shows 12 - year - old Boston terrier Boogie, owned by Los Angeles based artist Lili Chin.

Whether it's the work of Keith Sonnier and Joe Zucker (both of whom had shows in 2010 at Mary Boone Gallery in New York) or the prototypes of «Rowing Needles» (1970) by Buckminster Fuller, on view at Meulensteen in a recent show that paired Fuller's streamlined pieces with the lumpy «Floor Cushions» of the 33 - year - old artist - designer Eli Levenstein, or the new crop of alternative spaces (like the intimate and racy Honey Space for site - specific art, on 11th Avenue), a»70s esthetic rules.

Artists know that understanding the relationships between your work, sales, contacts and showings are important, yet feel burdened by old, outdated or just plain confusing tools to track these things.

KCRW's Art Talk kcrw.com/etc/programs/at In each episode of this twice - weekly radio show, art critics Edward Goldman and Hunter Drohojowska - Philp give listeners a quick glimpse into some aspect of the art world, whether in the form of a firsthand account from a festival or museum, an interview with a contemporary artist or a look back at some older — but still culturally relevant — artist.

Don't worry though I'll show her today This lesson should be easy enough for the younger artists, and fun enough for the old ones.

In response to Younger than Jesus how about a show with one artist each from five year age groups starting at 15 and going as old as possible.

The show seeks to illustrate how leading artists of the 21st century are reinvigorating the still life, a genre previously synonymous with the sixteenth - and seventeenth century Old Masters.

Rail: My first question is how did you get to show with Willard Gallery which was mostly associated with artists of older generations such as Lyonel Feininger, Morris Graves, Mark Tobey, Charles Seliger, and so on?

Abstraction, New Observations, June 1984, No. 24 1984 Is Abstract Painting Regaining its Popularity by Victoria Donohoe, Philadelphia Inquirer, September 14, 1984 1983 Ted Stamm by Sanford Kwinter, Art In America, January 1983, pp. 121-122 1983 Ted Stamm by Stephen Westfall, Arts Magazine, January 1983, p. 3 1983 Ted Stamm at the Far Turn by William Zimmer, Re-Dact 1 by Peter Frank, Published by Willis Locker and Owens, ISBN 093027900X 1982 Ted Stamm, Art Economist, Volume II, No. 14, December 31, 1982, p. 5 1982 Drawing Invitational 1981 by Geynne Vernet, Arts Magazine, February 1982 1982 Two Unprovincial Shows at the Jersey City Museum by Vivien Raynor, The New York Times, New Jersey supplement, October 10, 1982, p. 28 1981 Ted Stamm by Valentine Tatransky, Arts Magazine, February 1981, pp. 35 - 36 1981 Surely Temple Black by William Zimmer, SoHo Weekly News, February 18, 1981, p. 49 1981 Abstraction with a Relaxed Air by David L. Shirey, The New York Times, March 1, 1981, p. 19 1981 Ted Stamm by Tiffany Bell, Arts Magazine, May 1981, p. 8 1981 From the General to the Particular: Some Thoughts on Abstract Painting by Tiffany Bell, Arts Magazine, June 1981, pp. 120-124 1980 Tre Amerikaner i Skaane by by Sune Nordgren, Dagens Nyheter (Stockholm), May 5, 1980 1980 Pool Documentation by Kay Larson, Village Voice, June 2, 1980, p. 85 1980 Jane Highstein and Sensibility Minimalism: A Tissue of Happenstance by Robert Pincus - Witten, Arts Magazine, October 1980 p. 140 1980 La Nouvelle Vogue New Yorkaise est Portee Para La Musie Rock by Daniel Cornu, Tribune De Geneve, December 1980 School's Out by William Zimmer, The SoHo Weekly News, June 11, 1980, p. 61 1980 Old Wine, New Bottles, Bad Year by John Perreault, The SoHo Weekly News, June 18, 1980 1979 Ted Stamm by December Kur, Handelsblatt (Dusseldorf), March 3,1979, p. 21 1979 Entries: Styles of Artists and Critics by Robert Pincus - Witten, Arts Magazine, November 1979, pp. 127 - 28 1979 Where is New York by Peter Frank, ARTnews, November 1979, pp. 59 - 65 1978 Ted Stamm by Tiffany Bell, Arts Magazine, February 1978, pp. 33 - 34 1978 Ted Stamm by Edit De Ak, Artforum, February 1978, pp. 63 - 64 1978 Artful Dodger by Gerald Marzorati, SoHo Weekly News, May 18, 1978, 10 1978 Pittori di New York by Riccardo Guarneri, Visual, April - May 1978, No. 2 - 3, pp. 40 - 43 1978 Ted Stamm at Hal Bromm Gallery by Peter Frank, Village Voice, December 19, 1977, pp. 93, 98 1977 Arts and Leisure Guide by Ann Barry, New York Times, November 27, 1977 1977 Voice Choices by Ali Anderson, Village Voice, December 12, 1977, p. 59 1977 New Museum at the New School by Peter Frank, Village Voice, December 19, 1977, p. 98 1976 Ted Stamm by Barbara Catoir, Das Kunstwerk, January 1976, p. 64 1976 Alternative Arts Spaces: One to one politics for the avant - garde by Stephen Reichard, New York Downtown Manhattan, Akademie Der Kunste - Berliner Festwochen, September 1976, p. 249 1975 Reviews by Susan Heineman, Artforum, March 1975, pp. 62 - 63 1975 Artists Space by Trudie Grace, Art Journal, Summer 1975, XXXIV / 4, pp. 323 - 326.

Opening: Pierre Soulages at Dominique Lévy and Galerie Perrotin A joint exhibition of the 94 - year - old artist, a national treasure in France, who will show new paintings alongside «important postwar work.»

For the current show, the 76 - year old artist has taken photos of pals and players — among them, the collector Leonard Lauder, MOMA director Glenn Lowry, former MOMA President Agnes Gund, Whitney director Adam Weinberg and artists like Cindy Sherman, David Byrne and Jasper Johns — in order to reveal concealed vulnerabilities and personas.

This month - long juried show is open to Virginia resident artists, 18 years old and older.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

The beauty of this show is how the curators seamlessly blend the work of older artists — from an architectural blueprint created by Claes Oldenburg in 1980 to new fiberglass works by original Neo Geo artist Peter Halley — with the work of younger artists who were heavily inspired by the original spatial investigations of these elder statesmen.

THE career of 52 - year - old Los Angeles artist Lavi Daniel has been marked by constant change, so when his work appeared in not just one but two solo shows last month, it came as no surprise that he was once again refocusing and refining his vision of modern abstraction.

Taking the use of the age - old measurement unit the cubit (the length of a forearm) in ancient art forms as a point of departure, this show features artists who have developed their own systematic approaches to artmaking.

Finally, pretend that Koons's concurrent gigantic shows — one at the Battlestar Gagosian on West 24th Street, the other in the West 19th Street branches of the David Zwirner empire — were in less turbocharged environments, and that they constituted any other double show by a 58 - year - old artist.

«I'm going to show a lot of painting and sculpture, with an emphasis on Bushwick artists and older artists who haven't been shown recently,» said Brown.

The Los Angeles - based artist and muralist returns to his old stomping grounds of San Francisco for a brand new solo show, Illuminated Opposition, opening at Hosfelt Gallery in San Francisco on Saturday, December 16, 2017.

Reas's show will feature a mixture of old and new work showcasing the artists ongoing interest in program - as - performance, presenting his software pieces as evolving happenings rather than static works.

Divergence between artists can make for a better and more compelling show than dreary old confluence, and that's the case with Jones» Mixed Use and Blades» Gaudi Ju - Ju, where even the titles seems to come from different planets.

More illuminating figuration could be found elsewhere, where 60 year - old Los Angeles painter Henry Taylor was the breakout artist of the Whitney show; his portrayal of an unarmed Philando Castille — shot and bleeding in his car — was both humane and sobering, a reminder of how little has changed since Till's death in the summer of 1955.

The show explores what dust has meant for art and society, weaving connections among artefacts and documents as far - ranging as old newspaper images, police photographs, postcards and computer generated imagery, as well as works by Surrealist and Conceptual artists.

The National Portrait Gallery's new show surveys the history of old master portraiture, with some surprising insights into the emotional connection between sitter and artist

Atlanta artist Mario Petrirena used found and treasured family objects to create a kind of self - portrait of his life as an evacuee from Cuba when he was only eight years old in his show

Atlanta artist Mario Petrirena used found and treasured family objects to create a kind of self - portrait of his life as an evacuee from Cuba when he was only eight years old in his show The Distance Between at the Museum of Contemporary Art of Georgia (February 25 — April 29, 2017).

One of the most famed and iconic artists from Japan, Yoshitomo Nara just opened a new solo show of older works, «Drawings: 1988 ~ 2018 Last 30 years» at Takashi Murakami's Kaikai Kiki Gallery in Tokyo

In stark counterpoint to the New Museum's wryly titled Younger Than Jesus show featuring artists under 33 years old, Cheim & Read is exhibiting the Abstract Expressionist paintings of seventy - year - old Louise Fishman, an artist who has been dedicated exclusively to painting for over fifty years.

A resulting show was put on at Somerset House with older chess sets by artists including Marcel Duchamp and Yoko Ono and it was a huge success.

Paul McLean's solo exhibition «Code Duello, Old Hick, & A Big Bang» brings the Brooklyn - based artist back to Nashville for the first time in over a decade with a complex, diverse show touching on Andrew Jackson and his Indian Removal Act of 1830.

Highlights include the video Pasa Tiempo (Pastime), which shows the artist stitching an airplane on her hand to express the Cuban peoples desire to travel, and a series of three paintings titled Degradación (Degradation) that is made from fragments of paint that Ms. Quiñones has peeled from the facades of deteriorating buildings in old Havana.

2014 Da Vinci: Shaping the Future, ArtScience Museum, Singapore Primal Architecture, IMMA, Dublin Light Show, Aukland Art Gallery, New Zealand Lexus Hybrid Art, Optika Pavilion, Moscow Victoria Miro at Schloss Sihlberg, Zu?rich Epicentre: Conversations and discussions between artists, Parra & Romero, Ibiza Summer Exhibition, Royal Academy, London MOFO, Museum of Old and New Art, Tasmania 2013 Grand Palais, Paris 2012 KW Institute for Contemporary Art, Berlin National Gallery, Riyadh, Saudi Arabia 2011 Museum of Art / Rhode Island School of Design, Providence, United States Museum of Old and New Art, Tasmania, Australia 2009 Third Moscow Biennale for Contemporary Art, Russia 2008 Musee d'Art Contemporain, Lyon, France Ecole National Superieure des Beaux - Arts de Paris, Paris 2007 Fine Art Society, London 2004 Saatchi Gallery, London

In this show six artists working in a figurative mode — including Dana Schutz, Henry Taylor and past NAP cover artist Keith Mayerson — demonstrate how the oldest of subject matters can, in the right hands, be as relevant as ever.

The show received favorable reviews, and, as Judith Wilson writes, «in rapid succession, mainstream art - world doors began opening to the twenty - six - year - old artist.»

Moreau, the most inventive old - school artist of nineteenth - century French painting, would likely be baffled by the company that eight of his paintings are keeping in Nahmad Contemporary's current show, Les Fleurs du Mal.

«Confections,» a recent group show at New York's Allan Stone Projects (whose proprietor, Allan Stone, is an old friend of the artist and has shown his works at the gallery since the»60s), gathered a handful of artists — Emily Eveleth, Derrick Guild, Richard Hickam, Don Nice, and Lorraine Shemesh — who have done just this.

For a cheeky group show «With friends like you...» — a subtle dig at the Cuban art Establishment — Aquiles covered the façade of their home in a Technicolor cladding of cans while six other artists took over the inside with process - based paintings made with human breath, conceptual sculptures hewn from business cards and palettes, and a sculptural installation by the couple's 17 - year - old son, Bastian Silvestre, that comments on the police - related shootings in the U.S..