Sentences with phrase «showing recent installations»
Beyond the focus on the pathological and therapeutic aspects of art, this exhibition attempts to reflect the depth of her trajectory and also her contemporaneity, by showing recent installations, such asI'm Here, but Nothing (2000), as well as others created specifically for the occasion, such as Infinity Mirrored Room — Filled with the Brilliance of Life (2011).
http://www.museoreinasofia.es/ Not exact matches
Recent aerial photographs obtained by Teslarati show that Teslaâ $ ™ s installation of its rooftop solar array for Gigafactory 1 outside of Reno, Nevada...
Recent projects encompass commissions, artist residencies, and educational programs, and include the acclaimed exhibition @Large: Ai Weiwei on Alcatraz; International Orange, a group show honoring the 75th anniversary of the Golden Gate Bridge; Presidio Habitats; and a series of land - art installations by Andy Goldsworthy currently on view in the Presidio.
The Armory Show (New York) features over 200 international galleries and shows both 20th and 21st century artworks in a primary gallery show as well as several areas of the show that feature more specific themes such as 20th century work, recent work from emerging artists, and large - scale installation artwoShow (New York) features over 200 international galleries and shows both 20th and 21st century artworks in a primary gallery show as well as several areas of the show that feature more specific themes such as 20th century work, recent work from emerging artists, and large - scale installation artwoshow as well as several areas of the show that feature more specific themes such as 20th century work, recent work from emerging artists, and large - scale installation artwoshow that feature more specific themes such as 20th century work, recent work from emerging artists, and large - scale installation artworks.
The show will include new commissions together with selections from Domanović's recent video, sculpture, and installation work.
Aside from his recent film installation at the Boiler, he has had solo painting shows at Pierogi and Sometimes Works of Art (James Siena's project gallery in Chinatown).
During her talk, Fernández, a 2005 MacArthur Foundation Fellow and recipient of many prestigious works, will reflect on her new works, including her recent show at Massachusetts Museum of Contemporary Art, «As Above So Below,» a large - scale exhibition in which Fernandez combined graphite and gold to make a series of immersive, interconnected installations.
MARTHA MYSKO (* 1982) is a recent Cranbrook graduate whose first show at the gallery in 2012 included room - size sculptural installations and wall works assembled from found domestic matter: painted carpets, outdated TVs and iMacs, half of a couch.
March 2011 Early Drawings Atelier de Merz, Staten Island, NY March 2011 Early Paintings Deep Tanks, Staten Island, NY Aug. 1986 Detente, an installation Hey Viv's, Staten Island, NY Apr. 1983 Recent Paintings Brooklyn Waterfront Artists Open Studio Show Apr. 1982 Three Fates, an installation Brooklyn Waterfront Artists Open Studio Show June 1981 Paintings Mason Gross School of the Arts, Rutgers University Apr. - May 1981 Paintings Livingston Art Gallery, Rutgers University Apr. 1980 Paintings & Color Xerox Prints Douglass College Library, Rutgers University
The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.
Featuring sculptors Michael Dean, Helen Marten, multimedia artist Anthea Hamilton and photographer and installation artist Josephine Pryde, this year's prize looks a much more balanced show than in recent years.
PLAYTIME thus follows on from Julien's acclaimed nine screen installation Ten Thousand Waves (2010)- currently on show at MoMA, New York - which offers a response to the Morecambe Bay tragedy of 2004, where twenty - three Chinese cockle pickers were lost at sea, and Western Union: small boats (2007), which explores the perilous voyages of those attempting to cross the Mediterranean from Africa to gain entry into «fortress Europe» a story that has tragically dominated the news headlines once again in recent months.
Attempting to recreate the show's installation with as much fidelity to the original as possible (akin to what the Barnes Foundation pulled off in Philadelphia), the new exhibition — titled «When Attitudes Become Form: Bern 1969 / Venice 2013» — promises an audacious engagment with the relatively recent past in a city in love with history.
As one stands between Pyramids of Light (2002/2003), Blue Pacific (1975) and In Search of Moby Dick No. 3, Fata Morgana in Search of Moby Dick (1976), the gallery has a striking similarity to Dan Flavin and James Turrell's light installations at the recent Light Show at the Hayward Gallery.
On 24th Street, All the Boys (2016) is a powerful response to recent police brutality and the deaths of black men and women; while on 20th Street, viewers find the ghostly video installation Lincoln, Lonnie, and Me (2012), and Scenes & Take (2016), a series of photographs picturing the artist before the sets of TV shows like Scandal and Empire — both shows feature black leads — shedding light on the current state of the entertainment industry.
Recent projects include the eight - part permanent installation The Matter of Time at the Guggenheim Bilbao (2005) and a survey exhibition at The Museum of Modern Art, New York (2007) twenty years after his first survey show there in 1986.
PC: William Pope.L's recent show at MOCA was an inspiration for the installation design for Niki, Lucy, Lola, Viola.
The Institute of Contemporary Art, London is now hosting Woodman's first solo show in the UK, which features her recent forays into painting and mixed - media installations — evidence that even at 85, she is still searching for new ways to express herself.
In his largest showing ever, Da Corte presents a retrospective of recent works plus the new installation «Lightning,»...
Some of her own recent exhibitions and projects include a permanent installation at the High Desert Test Site, a 2006 solo museum show at the L.A.C Lieu Arte Contemporain in Sigean, France, and a 2007 solo show at Galerie Jacques Girard in Toulouse, France.
Works such as Bully (2010), which is a method acting class that re-enacts one man's experience of being bullied, or the more recent Fear and Loathing (2014) are present in the show together with previous pieces such as the video installation Secrets and Lies (2009) in which a group of men and women, anonymously describe intensely personal experiences wearing masks.
The Modern Art Museum of Fort Worth is showing «FOCUS: Kamrooz Aram,» an installation of Aram's recent sculpture, collage and painting.
Meanwhile, SculptureCenter presents Leslie Hewitt's solo show «Collective Stance,» which involves two film installations, recent sculpture, and photolithography — a process most often associated with the production of circuit boards and microprocessors.
In «Vendor» (2012), a recent work exhibited at Bloomberg SPACE (part of a two - site show also at the ICA, London), Sawtell created an installation from online images that she repeatedly encountered during her residency at Bloomberg News Agency in London.
The exhibition brings together historic works, installations or photo - compositions, many of which have never been shown in Europe before, paintings, and drawings from the 1980s - 1990s, as well as major recent installations.
Following the enormous success of his most recent installation «Nutsy's», shown last summer at the Deutsche Guggenheim in Berlin, this exhibition alludes to many things Connecticut: Alexander Calder; David Smith; Josef Albers; Yale University; President George W. Bush; affluent suburbs; and McDonald's.
Free Roses continues within this trajectory and presents a cinematic and spatial mise - en - scène that, more than any other recent contemporary show, brings questions and conversations about the relationship between art, architecture, site, and installation to the forefront.
Sea Country Spirits, an ethereal installation of 32 spirits, was acquired by the National Gallery of Victoria (NGV) Women's Association for the NGV, Melbourne, and was exhibited in its recent group show Who's Afraid of Colour?
Following recent installations at the 56th Venice Biennale, the Garage Museum of Contemporary Art in Moscow, and MoMA PS1, she is finally getting her first gallery show at Gagosian, and boy, did she knock it out of the park.
This acclaimed solo show, organized by the Whitney Museum of American Art and now on view at the Dallas Museum of Art, looks back on her 20 - year career through more than 60 works and objects, from early pieces made in the mid-1990s to more recent installations and paintings.
Gallery, Jamaica Center for Arts & Learning, Queens, NY 2011 Solo show: Takafumi Ide solo exhibition, The Gallery, Onondaga Community College, Syracuse, NY 2010 Solo show: Takafumi Ide / Life is fleeting; therefore, life is beautiful, AC Institute, New York, NY 2010 Solo show: Emotional Echo: Separation, ISE Art Gallery, ISE Cultural Foundation, New York, NY 2010 Solo show: Sunroom Project, observe, Glyndor Gallery, Wave Hill, Bronx, NY 2010 Solo show: decipher, Second Street Gallery, Charlottesville, VA 2009 Mapping Memories, Beili Liu and Takafumi Ide, Castle Gallery, The College of New Rochelle, NY 2009 * Alpan International 2009, Alpan Gallery, Huntington, NY 2009 Young Artists Exhibition, Tamada Projects Temporary Contemporary, ISE Cultural Foundation Tokyo, Japan 2009 Solo show: propagate: a light / sound installation, Hartnett Gallery, University of Rochester, NY 2008 In Residence: Recent Projects From Sculpture Space, Elizabeth Foundation of the Arts, New York, NY 2007 * Projects «07, The Carriage House at Islip Art Museum, East Islip, NY
Entitled Walhalla, after the imaginary Arcadian place in Norse mythology, the show spans the gallery's entire space, encompassing a newly commissioned site - specific installation, as well as recent sculpture and painting.
While the techniques of the discipline continue to inform his work, in recent years he has increasingly turned to site - specific installations, such as the Roof Garden Commission at the Metropolitan Museum of Art in 2013, or the landscape intervention at the Aga Khan Museum in Toronto that forms part of the new institution's inaugural show.
Recent shows include live performances and installations; «OpenSource Contemporary Arts Festival», London (upcoming), «Premiums», Royal Academy, London (2015), «Bijoux II», Spike Island, Bristol (2014), «After / Hours / Drop / Box», Modern Art Oxford (2013) and performances at Bold Tendencies, Institute of Contemporary Art and ANDOR, all London (2012).
Recent acquisitions to go on show include Untitled 2009 by Martin Boyce, Top Gun 1994 by Fiona Banner, The Generals 2004 by Gary Hume, Untitled Installation (Dotted line) 1993 - 2008 by Ceal Floyer and Threshold to the Kingdom 2000 by Mark Wallinger.
Tang Contemporary Art in Beijing presents Sky Ladder, Shen Yuan's solo exhibition, including installations from the artists recent works never shown in town.
I like my shows to read as a whole installation in the space, - so much so that I titled one of my recent shows The Whole At Galería Agustina Ferreyra in 2015.
This will be Kofie's second solo show with White Walls, and will include 30 recent works including smaller collage case studies on paper, hand painted multiple screen prints, assemblage on wood, paintings on canvas and wood and a large wall installation.
The work further explores an aspect of his practice started with his recent installations «TOGETHER APART», currently exhibited at Kunstverein Braunschweig, Germany and» STAND OFF» as seen in his solo - show at Plymouth Arts Centre, UK in 2015.
In a recent show at ISCP, the artist's first solo show in NYC, Kia Henda exhibited A City Called Mirage, a four - channel video installation and three photographic series that examines the conceptual underpinnings of building a city in the desert.
The show brings together new and recent painting, sculpture, video and site - specific installation from local and internationally - based artists, including Adam Stamp, Andrew Birk, Berk Cakmakci, Bora Akinciturk, Burkut Kum, Emma Stern, Huey Crowley, Lara Joy Evans, Michele Gabriele, Monia Ben Hamouda, Nicole Colombo, Pinar Marul and Vitaly Bezpalov,
Warren Neidich's recent solo show in Berlin, «Each Rainbow Must Retain the Chromatic Signature, it...,» comprised a triad of painting, sculpture, and installation that playfully pointed out the conditions of perception and the ways it can be manipulated and controlled.
Warren Neidich's recent solo show in Berlin, «Each Rainbow Must Retain the Chromatic Signature, it...,» comprised a triad of painting, sculpture, and installation that playfully pointed out the conditions of perception and the ways it can be manipulated...
His recent installation in the exhibition «Helter Skelter» at the Los Angeles MOCA as well as his contributions to this years «Aperto» in Venice and to the critically acclaimed show «Post Human» in Lausanne have established Paul McCarthy as an important force in contemporary sculpture.
A Certain Slant of Light (2014), created for the glass atrium of New York's Morgan Library, reflected the colors of the four seasons, and his recent solo show at James Cohan, My business is circumference (2016), included installations inspired by fog, the light of a passing cloud, and the colors he noted during a hike through Yellowstone National Park.
Two of his more recent installations will also be on show, Notes Towards a Model Opera (2015), about the Cultural Revolution in China, and O Sentimental Machine (2015), produced for the Istanbul Biennale.
Ursuţa's New Museum exhibition debuts a new sculptural installation, Alps (2016), which is presented in dialogue with the artist's recent sculptures, including her series Whites (2015), which has its United States premiere in this show.
His recent exhibitions in London in March and April were a solo show at Vilma Gold and a collaboration with Mika Tajima and New Humans for the South London Gallery, where the main space was transformed in into an installation and film set for live performance, music, video and sculpture.
His most recent book — a catalogue of his last big museum show, Lighter, in Berlin in 2008 — collects photographs of the installations he has made over the past 20 years.
As well as feature - length films, including Sleepless Nights Stories (2011), in recent years his film installations have been shown in institutions such as moma ps1, New York (2007), and Museum Ludwig, Cologne, Germany (2008).