More recently Ordovas has
shown Painting from Life: Carracci Freud, which was curated in collaboration with the Dulwich Picture Gallery, and featured an important Carracci loan from their collection, as well as Movement and Gravity: Bacon and Rodin in Dialogue, which explored the importance of Rodin in Bacon's work and was the first exhibition dedicated to these two artists.
Not exact matches
As van Gogh pointed out, the sentiment in this
painting is «far
from all theology,» but he wanted to
show that though he had rejected institutional religion, he remained profoundly religious and firmly believed in a spiritual
life after death.
What did work and
showed the potential the film had if it could get away
from the conventional treatment of its subject, was the extraneous artistic shots of Frida's
paintings brought to
life in a surreal manner ala MTV filming techniques.
She also doesn't shy away
from the reality of
life during the Great Depression,
showing stark views of poverty and hardship that are matched well with Green's evocative
paintings.
The
painting, Scenes
from the
Life of Moses,
shows a boy holding a tiny dog with round head, large eyes, big ears, and other characteristics similar to the Chihuahua.
It involves competitive bidding and countdowns to auction ends, much like eBay, and looks like you will be able to monitor auctions online
from the Forza auctions page, too - they explain: «The cool thing is that browsing these auctions once the game goes
live is like going to a virtual car
show — each one of these cars will likely have been modified, tuned,
painted, and otherwise customized in some fashion.
Tuck writes that: «the
paintings in this
show alternate between the quiet and the chaotic: landscapes that are represented like in comics and topographical maps — on a soft colored ground lines are drawn with
paint, the figures are much smaller than
life size and feel like quotes
from movies... [Richter] draws seamlessly
from our common cultures of art, entertainment, violence, music, etc., and plants these things in his
paintings.»
In this lesson, professional portrait artist Keith Morton
shows you his methods for
painting a portrait
from life in acrylics.
Bloomfield at 60Six: Jenny Bloomfield, a native Briton who
lives in the Bay Area, allows some feeling of struggle to emerge
from the
paintings she
shows at Gallery 60Six.
ACQUISITION In early January, the Brooklyn Museum announces the acquisition of its first Beauford Delaney
painting, «Untitled (Fang, Crow, and Fruit),» a 1945 oil on canvas still
life (
shown above), purchased
from Michael Rosenfeld Gallery with money
from the museum's African American Purchase Fund.
Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary
Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New
Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art
Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art
Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women
Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New
Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair»,
shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair»,
shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair»,
shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group
Show, Artist's Space, New York, NY 2006 — «AAF»,
shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair»,
shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative
painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New
painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards
from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group
Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still
Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student
Show», National Arts Club, New York, NY
The
show focuses on her
painting, ranging
from early works
from the 1950s to her later work during the final years of her
life.
Barth
lives in New Jersey, commutes
from there to Baltimore, where she teaches, and her
paintings seem to
show manifold aspects of this journey.
Paintings from his most recent series, «Shock and Awe» (2011 - 2012), will be the subject of a solo
show opening in April 2014 at
Life on Mars Gallery, Bushwick.
With a focus on works
from the period between their first meeting in 1955 until their separation in 1979, the exhibition
shows how Mitchell and Riopelle, who
lived together in Paris, then in Vétheuil in the Seine valley, developed unique but related bodies of work while they were engaging in a vigorous exchange about abstraction and
painting.
In the recent Piero della Francesca
show at the Frick there was a
painting of a bishop wearing a cape covered with small images
from the
life of Christ («Saint Augustine,» 1454 - 69).
Tate Modern's new exhibition, Henri Matisse: The Cut - outs, opens tomorrow, and it's already been hailed as the exhibition of the year — a colourful,
life - affirming
show of the artist's bold, abstract collage works, which he created when health problems prevented him
from painting.
Rashid Rana
from Pakistan, represented by Leila Heller Gallery,
showed large C - prints of classical
paintings with oriental subject matter and opulent still -
lives that have been rephotographed, overlaid by a digitally produced grid and partially obscured.
There, there were a few memorable highlights, such as mirror
paintings by Michelangelo Pistoletto
from the 1970s and 80s,
shown by the Repetto Gallery; striking portraits and still -
lifes by Wayne Thiebaud,
shown by Allan Stone Projects; small
paintings by Gerhard Richter and Alexej von Jawlensky in the Galerie Ludorff's booth; and Yayoi Kusama's glittering collages, reminiscent of precious stones,
shown by Omer Tiroche Gallery.
Experience the first - ever exhibition of Brown's three - dimensional Virtual Still
Life paintings shown with the extraordinary collections they evolved
from.
Lovelace, who will be
showing paintings he's made
from 1994 to 2016, captures the
life of the inner city
from memory and «inserts people of color into the language of American
painting» through a style that's been called both childlike and Hopper-esque.
This
painting is so very different
from earlier still
life paintings in American art, which tried to
show the objects as realistically as possible.
Previously
shown at Ateneum Art Museum, Helsinki, the Finnish National Gallery and the Gemeentemuseum, den Haag, the exhibition is arranged chronologically and includes portraits, cityscapes and still
life paintings borrowed
from an extensive list of public and private collections.
A mini retrospective of 18
paintings from 1946 to 1983 at the Bernard Jacobson Gallery in London
shows something of the consistency of Scott's talents over the years and his
life - long devotion to the still
life as subject.
The
show brings together 13 works, dating
from 1985 — 1992, that represent Mitchell's exploration of
painting in the last decade of her
life.
One
shows a dark and erotic clearing, another the tree assaulted with red
paint and the last that Titian - blue tarpaulin, dangling like a spectral ghost
from the bough of a tree:
life, death and resurrection.
She made her
living from landscape
painting, and she would do these but not
show them.
First
shown in a solo exhibition at Metro Pictures, New York, in 1986, this work was one of four figurative
paintings that featured iconic political figures and groups
from the late 1960s and early 1970s, including Angela Davis, the Black Panther leader Kathleen Cleaver, and the experimental troupe the
Living Theatre.
Two of the square
paintings are being lent — one
from Belfast, the other
from Fort Worth in Texas — and a gloriously vibrant watercolour of Bamburgh Castle in Northumberland, a work which spent much of its
life owned by the US Vanderbilt family, is being
shown in a museum for the first time.
Her recent
paintings, mainly depicting brightly coloured landscapes distilled into simplistic, pared - down shapes like Untitled (
shown above), are
painted from memory and recall the artist's childhood in Beirut and her
life in California.
Lately, the jet setting art writer has been pounding
life into the staid blue chip art scene,
from stripping his Madison Avenue space down to cement and drywall to planning an exhibit of Betty Tompkins» seldom -
shown porn
paintings at Art Basel Miami.
3/3/17: 2017 Whitney Houston Biennial: Greatest Love of All 2/22/17: Chashama at SPRING / BREAK Art
Show 2017 2/16 / 17: Trigger Spray Pop Up Shop 2/15/17: Carole A. Feuerman at 55 Broadway 1/24/17: Art On The Windows of Chashama 1351 12/28 / 16: The Graceful Light of Justin Eastman 12/28/16: #NoDAPL: Water Is
Life 12/2/2016: Art Brings Awareness to a Toxic Waste Scandal 12/1/2016: Abstract
Paintings of the Inner World 11/21/16: The Body Through a Storefront Window 11/15/2016: «Special Red» at 325 W. Broadway 11/14/2016: A Transnational Dance Dialogue Comes to Times Square 10/26/2016: New chashama Presentation Space Opens 10/11/2016: Garment District Open Studios 9/15/2016: Open Studios at the Brooklyn Army Terminal 9/7/2016: (Contained) chaNorth Residency Exhibition 6/21/2016: Post 2016 Gala Recap: Highlights 6/14/2016: An Artist, a Real Estate Broker, and a Philanthropist Meet on Broadway 6/8/2016: 2016 chashama Gala 9/9/2015: Brooklyn Open Studios 2015 8/19 / 2015: Harlem Closing Announcement and Closing Reception 5/7/2015: chashama Celebrates 20 Years this June while launching Artist Housing Initiative 4/22 / 2015: chashama Partners with Bank of America to Present Sculptures Made
from Recyclables 9/18 / 2014: Brookyln Open Studios 2014
The
show will include
paintings from landscapes to still
lifes by Emma Ballou, Aubrey Grainger, Ann Lombardo, Keith Mantell, Lucille Berrill Paulsen, Leo Revi, Joanne Rosko, Ms. Skretch, and Pamela Thomson.
by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New
Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant
Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull
Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland,
From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side
Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We
Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A
Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!
1980 Northwest Legacy: Morris Graves
Paintings, Foster - White Gallery, Seattle, WA An American Flower
Show, Heritage Plantation, Sandwich, MA 28th Annual Exhibition, Museum of Art of Ogunquit, Ogunquit, ME Drawings in Saint Paul; Selections
from the Tiriam B. and Malcom E. Leain Collection, Minnesota Museum of Art, MN La Pintura de Los Extados Unidos de Museos de la Ciudad de Washington, Museo Del Palacio de Bellas Arts, Mexico City Still
Life Today, 16th Annual Art
Show, Goddard - Riverside Community Center, New York, NY; American Art in Religion: Vatican Musum, Rome, Italy; Terra Musum of American Art, Evanston, IL
Tate Modern's Henri Matisse: The Cut - outs, has already been hailed as one of the exhibitions of the year — a vibrant,
life - affirming
show of the French artist's abstract collages, which he created when health problems prevented him
from painting.
The exhibition also
shows how this spirit in
painting was fostered by the previous generation,
from Walter Sickert to David Bomberg, and how contemporary artists continue to express the tangible reality of
life through
paint.
The three
paintings that were on view during his
show — Peekaboo, Prom Night (For Bigger Thomas), and Window
Painting — combine collaged materials that the artist hand - stitched into the canvas, with printed images of his family he pulled, without permission, from Facebook, to form works that create tension between formal aspects of painting and the ways in which people live
Painting — combine collaged materials that the artist hand - stitched into the canvas, with printed images of his family he pulled, without permission,
from Facebook, to form works that create tension between formal aspects of
painting and the ways in which people live
painting and the ways in which people
live online.
By some fortuitous coincidence just a few steps separate «Joan Mitchell: The Last
Paintings» at Cheim & Read
from «Matta: A Centennial Celebration» at Pace Gallery and each
show explosively refutes any notion of youthfulness being the province of the young while giving new
life to the phenomenon known as «old age style» — used to distinguish formal characteristic of late works by Titian, Rembrandt, or Cézanne, where the artist just wants to get to the heart of the matter and sloughs off all the fine finish he had needed to impress his audience in earlier years.
In addition to a group of important
paintings from the university's collection, loans of artwork
from several private collections and public institutions, many
shown publicly for the first time in years, provide a unique opportunity to observe the development of the artist's
life and work through drawings,
paintings, and prints dating
from the 1940s to the 1980s.
Hofmann's
life is terrific to read about — a European arriving in America in the 1930s, the schools he set up in New York and Provincetown (many of the artists in the RA
show were his students), his theory of
painting, evolved
from observing the world and analysing the Old Masters, and his sheer, galvanising, gutsy energy.
Transplanted
from Dumbo to Chelsea for the summer, 247365 presents a
show that abandons abstraction and, counterintuitively, explores the reemergence of classical themes — landscape, still
life, and portraiture — in
painting.
While the artist has eliminated (or temporarily set aside, as time will tell) all but traces of narrative
from her working method in larger canvases, she continues to
paint heads, roughly
life - sized (though this
show includes none).
Group Island Press: Recent Prints, Mildred Lane Kemper Art Museum, St. Louis, MO, 2018 Thinking Through Art, Middlebury College Museum of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women
Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary Art, Albuquerque, NM 2017 The Home
Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections
from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February
Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A
Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors
Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's
Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.
Currently on view is Megan Marrin's solo
show Corps, which features seven
paintings of the flower in different stages of its
life cycle,
from peeling to peaking and, finally, to death.
The early
paintings in this group,
from 2011,
show a direct connection to the still
life paintings in that they are larger versions of the small pieces used to create the oil collages.
This
show focuses on Connor's nature based
paintings which offer an artistic escape
from urban
life.
This
painting shows a group of itinerant, socially marginalized circus performers who would have traveled
from town to town to earn a
living.
At her solo
show at Modern Art Oxford earlier this year, Himid featured
paintings from a decade - long series for which she
painted over pages of the Guardian, accusing the «liberal media» of «simultaneously visualising and making invisible black people's
lives».
The
show tackles current topics, ranging
from social media to political activism, using both traditional and new mediums, including
painting, gaming,
live performance and bookbinding.