Sentences with phrase «shown as a work of art»

That Proun is being shown as a work of art amongst such great artists is absolutely thrilling, and a milestone to the whole «games as art» discussion.

Invented in secret in the privacy of Oiticica's New York loft in the early 1970s, they were not shown as works of art until 1992, twelve years after Oiticica's death, when the first and third in the series — CC1 Trashiscapes and CC3 Maileryn — were exhibited as part of the first traveling retrospective of the artist's work.3 Prior to that exhibition, Oiticica's New York sojourn was little analyzed due to the perceived paucity of his artistic production between the years 1970 and 1978.4 The 1992 presentation of the Cosmococas was revelatory in this regard: not only did these quasi-cinemas demonstrate the continuity and conceptual elaboration of key aesthetic concerns within Oiticica's work (the vertiginous passage from painterly to narcotic «pigment» in service of the sensorial is surely the most striking of these animating threads), they indicated the artist's pointed engagement with the avant - garde artistic culture of New York.

Not exact matches

But it also shows that just as we have other «non-rational» (not necessarily irrational) behaviors such as love, the desire to work cooperatively, art, and music, this is just another thing that people have as part of their personality.

But it also shows that just as we have other «non-rational» (not necessarily irrational) behaviors such as love, the desire to work cooperatively, art, and music, this is just another thing that a person can have as part of their personality.

I sat down at the computer again to try to find a few words to say how I find God in this daily place and in this work, how I only learned to pray when I began to pray with my hands and my attention on purpose and how most of prayer to me now is listening and abiding, how I believe it would be nice to have a lovely housekeeper and a clean house and to create amazing soaring art with all of the white space of an uncluttered life and glorious heights of transcendent spirituality, I guess, but I need the God who sits in the mud and in the cold wind, in the laundry pile and in the city park, who embodies grief and joy, wisdom and patience, loneliness as companionship, renewal with simplicity and a good deep breath, and who even now shows up in the unlikeliest and homeliest of lives too, as a sacrament of and blessing for the ordinary things.

In 1931, while he was working on his celebrated Bible etchings for art dealer Ambroise Vollard (1931 — 39, 1952 — 56), he first showed a naked Isaac stretched out for ritual slaughter, Abraham with his knife raised, and the angel pointing to a ram caught not in «a thicket,» as the usual reading depicts, but in the roots of a tree.

They could work as art pieces by themselves with nothing tacked up to them, especially to show off the kind of intricate, pretty or vintage fabrics that we all have in our collection but don't know what to do with... Thanks for the inspiration Vicky and Jennifer!

However, his work was interrupted by the Korean War, for which he did two years service in Germany; his time there was mainly spent putting on Soldier Shows, which, as he would later remark, gave him his introduction to show business.While working on Venice, a 28 - minute documentary that juxtaposed contemporary views of the city with paintings by the masters, Ivory was introduced to art from India's golden age.

British Academy of Film and Television Arts winner Gina McKee is well - known in her native Britain for her work on such television series as OUR FRIEND IN THE NORTH, THE BRASS EYE, and THE LENNY HENRY SHOW.

The show can be quite instructive on the basics of art theory and gender studies, but, at the same time, it also works as a sendup of people susceptible to their own B.S.

The artful work of production designer Meredith Boswell, art director Rob Simons, and costume designer Lahly Poore - Ericson is impressively displayed in the crowds of performers and audience members at radio shows and concerts, as well as in the domestic sequences.

Waterston, only just breaking into the film world's consciousness thanks to excellent work in Paul Thomas Anderson's Inherent Vice, does not have nearly as much to work with (this is very much Moss» film), but she continues to show a knack for the art, and should have a long, satisfying career ahead of her.

, does not have nearly as much to work with (this is very much Moss» film), but she continues to show a knack for the art, and should have a long, satisfying career ahead of her.

The Bens are a great fit for Star Wars, as they showed in Join the Resistance, and Mike has done such great work on both covers and the Obi - Wan issues of the flagship Star Wars title, that we couldn't be happier to have him back doing art for us.»

The study, part of the Program on Education Policy and Governance Working Papers Series at Harvard University, found that students moving from grade 5 into middle school show a «sharp drop» in math and language arts achievement in the transition year that plagues them as far out as 10th grade, even risking thwarting their ability to graduate high school and...

Positive comments from some recent users of this book include: Most schools are full of documents and data... Dr Slater is among the first to show how they can be used to compare what is said on paper and in interviews... The results will shock you... Dr Slater is a successful high school teacher and an award winning author... and here's why... Fantastic little book, punches well above its weight... Makes it seem so simple... the art of the genius... As an advocate of the What Works agenda, I think this book really is a wake - up call... A fantastic insight into the potential for using documents in research... Nails twenty years of research in twenty minutes... Worth every dime... Every student in my class (6th form) has been told to buy this book... and it's easy to see why... Shines a great big light on the power of documents in research... Surely this is the best book in its field... First class... I kept referring to this book in my presentation last week and the audience was ecstatic... Education research, usually has little effect on me... Until now... This book is formidable... Crushes the concept that education research is rubbish... fantastic insight... Blows you away with its power and simplicity... Huge reality check, senior school managers at good schools tell the truth, other's don't, won't or can't, and their students suffer.

This arts documentary shows Kindergarten students learning about music as they work on creating their own compositions with Teacher of Performing Arts Shannon Caldwelarts documentary shows Kindergarten students learning about music as they work on creating their own compositions with Teacher of Performing Arts Shannon CaldwelArts Shannon Caldwell...

Show small sections of various pieces of art by copying portions of famous artwork as well as portions of children's work.

Fan art, or fanart, are artworks created by fans of a work of fiction (generally visual media such as comics, film, television shows, or video games) and derived from a series character or other aspect of that work.

Xbox One Day One Edition games got a lot cooler today when Microsoft detailed the exclusive content for each and showed off new box art for the trio of games that works as a triptych when displayed together.

Working on the game's art is Jesse Jacobs, who has worked on shows such as Adventure Time and Summer Camp Island, while also having a history of working on indie Working on the game's art is Jesse Jacobs, who has worked on shows such as Adventure Time and Summer Camp Island, while also having a history of working on indie working on indie comics.

I am ever in search of some new ideas of how to put good art (hopefully that's what my work qualifies as: — RRB - into the hands of people that aren't going to go to an «art show» but love to have lovely things none the less.

Already by the mid-1960s, painting had lost its authority as the dominant artistic medium and instead galleries had begun to show much more heterogeneous experimental and sometimes politically and socially provocative work in new media (film, video, and photography), as well as confrontational live art and other kinds of participatory and performance - based approaches.

When I first started trying to become an artist, to try to live off my creativity and think of my art as more than just a hobby; my apprehension and my attitude toward my own work showed in the way I presented myself.

By doing so the show emphasizes the creation of art works as a result of intersecting ideas, inventions, practices and individual biographies.

Though the art world may not yet have a satisfactory way of referring to artists like Mullen, who are variously described by such leaky terms as self - taught, outsider, and vernacular, it has, over the past few years, shown more interest in them and is gradually growing the existing market for their work.

The piece is striking, sly, and layered — and for sale as part of a 65 - work benefit show for the storied Foundation for Contemporary Arts that is on view at Zwirner through January 28.

Having just being ready to quit last spring, I then found myself in a position of winning 2 awards and getting selected for the most select juried art show in my country (a big deal), and selling my work there as well.

Drawing class, materials, frames, prints, plus travel to complete works or show art are expenses that I had not considered as more than the cost of a hobby until «business expense» was mentioned.

Revolution of the Eye: Modern Art and the Birth of American Television The Jewish Museum May 1 — Sept. 15 This exhibit provides a look at the way avant - garde art shaped the look of television in the 1950s and»60s with works by Saul Bass, Alexander Calder, Andy Warhol and more, as well as memorabilia and clips from iconic films and television shows, including Batman, The Ed Sullivan Show and The Twilight ZoArt and the Birth of American Television The Jewish Museum May 1 — Sept. 15 This exhibit provides a look at the way avant - garde art shaped the look of television in the 1950s and»60s with works by Saul Bass, Alexander Calder, Andy Warhol and more, as well as memorabilia and clips from iconic films and television shows, including Batman, The Ed Sullivan Show and The Twilight Zoart shaped the look of television in the 1950s and»60s with works by Saul Bass, Alexander Calder, Andy Warhol and more, as well as memorabilia and clips from iconic films and television shows, including Batman, The Ed Sullivan Show and The Twilight Zone.

As it happens, the Williams College Museum of Art in Williamstown, Massachusetts, provided one fine example in the fall of 2016 when it worked with the guest curator Chaédria LaBouvier to present a show and programming around another Basquiat, a modestly sized piece from a private collection titled The Death of Michael Stewart (1983), named for the artist who was killed by New York police officers the year it was made.

A year later, as their country descends into war again, some of those artists are selling and showing their work on their own as contemporary art from the Middle East attracts new curatorial and critical interest.

In 1977, Marcia Tucker even founded a new museum — appropriately enough called the New Museum — whose mission, as idealistic as the time itself, was to show the kind of work excluded from the rest of the art world.

We work based on the vision of continuing to grow and promote their beautiful glass artwork throughout the United States through both traditional avenues, such as art galleries, events, and fine art shows, and nontraditional avenues, such as web marketing and social media.

Think it as if a friend of yours is coming to the show to look at your art and was wondering about it... what it means, how you got your ideas, how you work, etc..

Comprised of a range of works on paper as well as two large - scale sculptures previously shown at last year's Venice Biennale, Moran explores the intersection of American history with that of cultural production — namely jazz and art.

And the Met's pairings overlook Matisse's most majestic struggle as well: they give short shrift to his most important way of revisiting himself — by showing his own most ambitious works in his studio, as part of the drive for an art concerned first and foremost with his art.

His work has been exhibited in numerous group shows, like at Miami Beach Art Photo Expo as a part of Art Basel Miami Beach in 2007.

Fishman is currently the subject of two large exhibitions: «Louise Fishman: A Retrospective» at the Neuberger Museum of Art acts as the 77 - year - old's first comprehensive show, while «Paper Louise Tiny Fishman Rock» at the Institute of Contemporary Art, Philadelphia displays an entirely different body of work, focusing on sketchbooks, smaller paintings and sculptures, and other rarely - seen items.

The gallery program has mounted exhibitions of contemporary art featuring the work of Richard Prince, Jean Michel Basquiat and Christopher Wool as well as exhibitions dedicated to the history of The New York School, Abstract Expressionism and Pop Art showing the earlier work of Hans Hofmann, Roy Lichtenstein and Willem de Kooniart featuring the work of Richard Prince, Jean Michel Basquiat and Christopher Wool as well as exhibitions dedicated to the history of The New York School, Abstract Expressionism and Pop Art showing the earlier work of Hans Hofmann, Roy Lichtenstein and Willem de KooniArt showing the earlier work of Hans Hofmann, Roy Lichtenstein and Willem de Kooning.

The whereabouts of the painting after the Armory Show is unclear, but in 2005 the work was exhibited in a major Bluemner exhibition that Barbara Haskell organized at the Whitney Museum of American Art in New York, and while the accompanying catalogue indicates that the painting is one of the 1911 — 1912 canvases that Bluemner reworked in 1916 — 1917, it does not identify the earlier painting as the one that was in the Armory Show.

In an essay in the catalogue, Caitlin Julia Rubin (an assistant curator at the Rose who co-curated the show with art historian Katy Siegel, curator - at - large for the museum) writes that Home Sweet Home «suggests the duality of Drexler's home — the spaces where she lived never all that separate from the ones in which she worked — and her own, twinned role as homemaker and artist.»

At Theaster Gates's «But to Be a Poor Race,» his inaugural show at Regen Projects, historical facts and figures are reincarnated as works of art.

Turk's work has been included in many seminal exhibitions including currently the groundbreaking POPLIFE show at Tate Modern as well as the Venice Biennale the 46th International Istanbul Biennial, Istanbul in 1999; Material Culture, Hayward Gallery, London in 1998 and Sensation: Young British Artists from the Saatchi Collection, Royal Academy of Arts, Saatchi Collection, London in 1995.

His abstract work was good, I knew, but mainly of interest as the precursor to greater work — an impression confirmed by the only large - scale Guston show I've ever had a chance to see, a rather skimpy retrospective at London's Royal Academy of Art back in 2004.

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

Five years ago, he curated a show at Colby of such young art stars as Elizabeth Peyton, Peter Doig and Merlin James, who work in the same figurative territory staked out by Katz.

One of the world's most prestigious annual photography events, The Photography Show is the longest - running and foremost exhibition dedicated to the photographic medium, offering a wide range of museum - quality work, including contemporary, modern, and 19th - century photographs as well as photo - based art, video, and new media.

Apsara DiQuinzio, our Curator of Modern and Contemporary Art, and Phyllis C. Wattis, MATRIX Curator, has a number of wonderful small - scale MATRIX shows in the works, and we are doing several borrowed solo exhibitions that are emblematic of the kind of art that we love, such as a survey of Ana Mendieta's films [Covered in Time and History: The Films of Ana Mendieta, on view November 9, 2016, through February 12, 201Art, and Phyllis C. Wattis, MATRIX Curator, has a number of wonderful small - scale MATRIX shows in the works, and we are doing several borrowed solo exhibitions that are emblematic of the kind of art that we love, such as a survey of Ana Mendieta's films [Covered in Time and History: The Films of Ana Mendieta, on view November 9, 2016, through February 12, 201art that we love, such as a survey of Ana Mendieta's films [Covered in Time and History: The Films of Ana Mendieta, on view November 9, 2016, through February 12, 2017].

Viktor Popović's work has been shown in such venues as the Museum of Fine Arts, Split Croatia (2000, 2001, 2006, 2008, 2009, 2011 & 2017); Museum of Contemporary Art, Zagreb, Croatia (2010, 2011, 2015 & 2016); Lauba — People and Art House, Zagreb, Croatia (2011, 2012, 2013); Gallery of Fine Arts — Civic Museum Zadar, Zadar, Croatia (2005, 2010, 2011); Portland Art Center, Portland, Oregon, USA (2006); Glyptotheque — Croatian Academy of Sciences and Arts, Zagreb, Croatia (2003, 2006, 2008, 2009, 2012); Croatian Academy of Sciences and Arts — Department of Prints and Drawings, Zagreb, Croatia (2016); Garis & Hahn Gallery, New York, USA (2014); Kunsthalle Wien Project Space, Vienna, Austria (2012); Istria Museum of Contemporary Art, Pula, Croatia (2008, 2010); MUU Gallery, Helsinki, Finland (2009); Galérie Z, Bratislava, Slovakia (2006); Gallery of Arts, Slovenj Gradec, Slovenia (2002); Casal Balaguer, Palma de Mallorca, Spain (2002).