The large screens mine the horror film genre to explore fantasies of occult powers in young children, while the small screen simultaneously
shows documentary material from a pilgrimage to visit children who have had authenticated religious visions.
Not exact matches
In 1985, research for a television
documentary showed again that a range of substances could give a false result, including
materials found in cigarette packets and postcards.
He has made a number of
documentaries for Radio 4 and presented the two flagship science magazine
shows, «Science In Action» and «
Material World.»
Bonus
materials carried over from the previous Blu - ray Disc release, include a
documentary narrated by Ed Harris on the issue of space junk that is crowding near - Earth space, and a short additional scene that
shows the other side of a radio communication between Sandra Bullock's character and someone on Earth.
For the supplemental
materials, there's an excerpt from the
documentary Michelangelo Antonioni: The Eye That Changed Cinema; Blow - Up of «Blow - Up», a new
documentary about the film; two interviews with David Hemmings, one on the set of Only When I Larf from 1968, and the other on the TV
show City Lights from 1977; 50 Years of Blow - Up: Vanessa Redgrave / Philippe Garner, a 2016 SHOWstudio interview; an interview with actress Jane Birkin from 1989; Antonioni's Hypnotic Vision, featuring two separate pieces about the film: Modernism and Photography; both the teaser and theatrical trailers for the film; and a 68 - page insert booklet containing an essay on the film by David Forgacs, an updated 1966 account of the film's shooting by Stig Björkman, a set of questionnaires that the director distributed to photographers and painters while developing the film, the 1959 Julio Cortázar short story on which the film is loosely based, and restoration details.
In the superb half - hour
documentary extra, containing the pith of the full interviews which appear on the bonus disc alongside mostly inessential extra
material, Spall tells us how, over two and a half years of art lessons from artist Tom Wright, he
showed some aptitude and ended up «as good as he [Turner] was aged nine».
Episodes of the
show, presented at Sundance, combine
documentaries, poems and cartoons — and the diverse
material contains far more hits than misses
Additionally, all of the bonus
material from the previous release has been included, like the making - of
documentary «Pulp Fiction: The Facts,» the entire «Charlie Rose
Show» interview with Tarantino, a production design featurette, behind - the - scenes montages, deleted scenes, «Siskel & Ebert: At The Movies — The Tarantino Generation,» Tarantino's Palm d'Or acceptance speech at the Cannes Film Festival, and much more.
Amy (Asif Kapadia, 2015) Kapadia's previously
shown himself to be a master at recreating a person from existing
materials — Senna is a brilliant
documentary, and Amy follows hand in glove in what becomes like a forensic reconstruction that precedes tragedy.
From Group
Material co-founder Julie Ault's personal art collection from the 1980s and»90s on view at Artists Space to Fiona Tan's film of the Sir John Soane Museum's antiquities collection at the Philadelphia Museum of Art (echoing Alain Resnais's great 1956
documentary of Paris's national library, «Toute la mémoire du monde») to the Museum of the City of New York's upcoming
show of graffiti art collected by the late artist Martin Wong, artists and institutions are devoting considerable efforts to
showing groups of historical art objects gathered through an idiosyncratic personal vision — with that act of curation being foregrounded as an artistic gesture.
The
show includes a wide range of objects, videos and
documentary materials that trace the career of an artist known for her scandalous performances, often in collaboration with likeminded provocateurs like John Cage, Nam June Paik and Joseph Beuys.
Our primary interest is to place works by the artist in all media as well as
documentary materials such as catalogues, posters and films in institutions with a reputation for their scholarly approach to exhibitions and publications that have already
shown an interest in and provide regular public access to the artist's work.
CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela Curated by Armando Montesinos and Mariano Navarro This project is made up of three simultaneous and complementary exhibitions that map the most significant emerging lines of art critique by reviewing and re-interpreting a series of displays produced at that time,
showing works by Spanish artists present in these exhibitions, and
documentary material to contextualise the different successive episodes.
Having been part of the movement, she felt compelled to use the
material to honor the Feminist Art Movement and the struggles it went through.1 While the
documentary was released in 2010, it is still as relevant as it has ever been, with current research still
showing disparities between the representation and sale of male and female artists.2
Critical Discourses in Spanish Art, 1975 - 1995 is made up of three simultaneous and complementary exhibitions that map the most significant emerging lines of art critique by reviewing and re-interpretinga series of exhibitions produced at that time,
showing works by Spanish artists present in these exhibitions, and
documentary material to contextualise the different successive episodes.
Macuga adds a
documentary film on the Spanish war, and also a bust of Powell at the podium, made in a Cubist style,
showing «a figure who is falling apart morally»; plenty of archive
material.
Featuring an interview with the artist by Anne Reeve and new scholarship by art historian Robin Clark, it also includes reproductions of archival and
documentary material discovered during the curatorial process, from sketches by the artist to gallery invitation cards, early catalogue covers, and historic photographs, as well as installation views of the
show.
Re # 134 — Ah yes living in the UK and sometimes watching Horizon (our BBC sceincy
documentary program) I can see that some of this
material in the popular media is now quoting scientists (peter Wadhams — do a google search for his name and Arctic) who appear to have saisd something that the media likes (always the hype of doom gets a page or two of news) or using the Global Weirding program that Horizon
showed in March to demonstrate that its all true and the climate is changing.
A camera operator captures
material for movies, television
shows,
documentaries, music videos, sporting events, and news events.