Sentences with phrase «shown in the rectangle»

Not exact matches

Why does the picture of the Chocolate Zucchini Loaf show it as being baked in a «loaf» (bread) pan but the instructions say to bake it in a 9 X 13 rectangle «cake» pan?

In the pictures It's shown cut into two but I would actually recommend cutting the rectangles in half again to get thinner slices for a better texturIn the pictures It's shown cut into two but I would actually recommend cutting the rectangles in half again to get thinner slices for a better texturin half again to get thinner slices for a better texture.

The ion conduction pore is highlighted (grey rectangle) and shown in detail on the right.

Back in Murray's office, we click again at the computer, and the display shifts to a series of nested rectangles showing the top global causes of DALYs in 2010.

In another letter, Pauli drew a rectangle on the page, and next to it he wrote: «This is to show the world that I can paint like Titian.

Measurements of one bird show the smallest shifts (red squiggles, right) of the center of pressure on its foot (in rectangles), where its weight is focused when the bird is quiescent, possibly dozing.

As in previous studies, subjects were put inside a PET scanner and shown a slide with color rectangles, and their brain activity was mapped.

As in the previous studies, subjects were put inside a PET scanner, shown a slide with color rectangles, and their brain activity was mapped.

Measurements from one bird show shifts (red squiggles, right) of the center of pressure on its foot (in rectangles) are smallest when the bird is still (possibly dozing).

An illustration with animation showing how working out the area of rectangle helps in finding out the area of triangle.

In a first grade classroom, you might ask students to draw a rectangle and cut it into halves or fourths, using different colored rubber bands to show the dividing line.

If you observe what appears to be empty vertical rectangle boxes in your Word file when you have Show / Hide turned on.

Superimposed on that are rectangles showing four steps of photosynthesis in extreme close - up: molecules of water going into the roots; yellow dots of sunlight filling a green chlorophyll vessel; energy emanating from one side of the chlorophyll vessel and splitting the water into two separate streams of oxygen and hydrogen; and energy emanating from the other side of the chlorophyll vessel, which demonstrates how the sun's energy is «trapped as little packets.»

It's not quite obvious whether Blue Curves from 2009 or Grey Panel II from 1977 should take best in show, but it is curious how different they seem from one another: one a pale grey «rectangle» and the other a deep blue «B».

Hofmann's floating rectangles of color are echoed in Equilibrium (1951), one of the few works in the show that does not swing those full - arm, stately and dignified curves.

Now, twenty - six years later, we are once again showing Large Rod Series: Circle / Rectangle 13 in the same place in the same room as it first appeared in 1988.

You see it in an ink drawing at the start of the show, «Study for Sanctuary» (1941 - 42), which presents three black rectangles that are pushed in and then out by the concentric lines radiating around them, which also suggest stairs and elaborate doorframes.Frank Stella's black - stripe paintings or the early reliefs of Donald Judd come to mind.

On a wall in the same room, a video projection by Argentine artist Ana Sacerdote shows a feverishly evolving panorama of colorful squares and rectangles.

Ground colors at a picture's periphery and a tracery of open rectangles running over areas where canvas tooth shows through probably indicate decisions made early and late in the work's making.

Micchelli writes: «The thickly painted, brightly buzzing circles, rectangles and trapezoids in Analogue Future — which includes conventionally rectilinear canvases as well as several tondos — derive from the 8 - bit graphics of primitive computer programs and video games... While the works in this show, at first glance, come off as paint - as - paint, the longer you look at them, the more their evocation of memory and lost time deepens their impression, even if you are unaware of their origins.

The critic Brian O'Doherty, reviewing a 1961 show at the Leo Castelli Gallery in The New York Times, called Mr. Daphnis «a modern purist concerned with the almost scholastic dialogue of pure colors imprisoned in bands and rectangles.»

Done during the»60s, this selection shows Lukin moving quickly and confidently, from rectangles which protrude along a seam, to rectangles to which another rectangle is attached, to a loopy pink calligraphic form abutting a corner and hugging a wall, to what looks like a big blue tongue with red sides hanging down from the vertical rectangle to which it once belonged, to what looks like an odd model for a table in a upscale diner, but which is clearly non-functional.

Terre verte also figures in two large single - panel monochrome canvases whose composition — a rectangle or square resting on a smaller rectangle — recalls Marden's early monochromes, the bottom area showing the many layers used to build up the painting.

Starting, at the entrance, with a quiet, undated Malevich black rectangle (a delicate little thing almost small enough to put in your pocket), this crowded, clamorous exhibition shows how fertile Malevich's modest painting became — as lifeline, noose, tombstone, and picture of perpetual immanence.

But when he showed a steel and plastic sculpture entitled Intersecting Rectangles in the 1941 American Abstract Artists exhibition, Piet Mondrian encouraged him to proceed along Neo-plastic lines.

The light coming in the window forming a rectangle on the floor shows how Adjaye's design creates artful light patterns in the interiors.

One of the works, Lenticular (2013), exploring train of the Planet through figures of self - taught astronomer, filmed at an old observatory in Dundee, is shown in this book together with its installation view of dome shaped and rectangle channels to feature its sculptural presence, while Aurora (2013) is enhanced the work's rather powerful charms by showing images in various sizes.

In the figure below, I've excerpted the North American sector of the D06 location map (left panel), which shows the CNWT region as a large rectangle with four red location dots.

The red rectangle indicates the region of the high resolution image shown in Figure 6b, below (Kaleschke and Spreen, University of Hamburg).

Hi, I have installed the 3 fonts in the use - on - desktop folder and tried each, but the icons just show as rectangles.

Shown in Antique - Burnished Brass finish and Natural Paper Rectangle shade - Roll over image to zoom