Sentences with phrase «shows by different artists»

On 26 February 1972 Beuys presented Information Action as part of his contribution to Seven Exhibitions, a series of solo shows by different artists at the Tate Gallery.

Not exact matches

What initially seems different about Richard Pearce's movie, written by Janus Cercone, is its refusal to get all morally het - up about the fraudulence of Steve Martins road - show evangelist, Jonas Nightengale, a con artist who produces fake miracles with fancy showbiz footwork and the help of backstage computers.

The show itself is designed to highlight the unique qualities of each artist, but no one could have captured those idiosyncrasies better than Demme: in an astonishing tracking shot, the faces of each performer as they interact with each other while singing and dancing to «Drink You Away» appear one after the other, their different expressions all unified by the soulful words of the song.

Slides accurately show different techniques by students as well as practicing artists.

Teaching Artists show students different approaches to writing, often using pieces by acclaimed contemporary poets and lyricists as a starting point, and give students writing prompts to begin the work of crafting individual and group poems.

The Star - friends program features different games and shows, and performances by external artists.

With recent protests by professional football players in mind, the young Chicago - based artist Samuel Levi Jones has curated this group show, which brings together several artists from different generations whose work meditates on the relationship between power structures and persons of color in America.

This show included only four paintings, each by a different artist.

The Whitney has unparalleled holdings by this artist, but this is a different sort of Calder show, wittier and wilier.

At each of the stages of the exhibition tour, namely at WIELS, the Fondation Beyeler and, now, at the MMK in Frankfurt, the show is initially installed by the exhibition's curator Elena Filipovic and, halfway through its duration, is completely reinstalled by a different selected artist whose own practice has been influenced by Gonzalez - Torres.

Joan Semmel looks like two different artists in the group show («Anni Albers, Robert Beck, Cady Noland, Joan Semmel and Nancy Shaver: Black and White Photographs 1975 — 77») curated by Robert Gober at Matthew Marks and in her jewel of a solo («Joan Semmel: Self - Images») at Mitchell Algus.

Working with Sauter, the Art Center presents a group show of new work by the UIC graduate student artists who utilize the affordances of the Art Center's unique media facade in different ways.

It shows, for example, that artists from different cultures living many centuries later return to the same feelings expressed by an Old Master but frame them quite differently.

He explained that he tried to order Mr. Troemel's book, Peer Pressure: Essays on the Internet by an Artist on the Internet, on Amazon, but purchased a book instead by a different Brad Troemel, which he has added to his shelf at home that is dedicated to the wrong books by homonym authors (like by Robin Day, the TV moderator and not the designer and so forth; Mr. Obrist fancies this a kind of evolving group show).

By the late «60s, Minimalism was beginning to show signs of breaking apart as a movement, as various artists who had been important to its early development began to move in different directions.

As per tradition, The Armory Show will present different sectors of its rich exhibition programs, which includes Armory Presents, dedicated to single and dual artist presentations by galleries fewer than ten years old and exhibiting in Pier 94, a section devoted to contemporary galleries.

Décio Vieira's Untitled (ca. 1950s) shows a different approach to the geometric style practiced by the other artists through the use of a softer, less saturated color palette.

The International Postcard Show will feature hundreds of original creations in an array of different media by established and aspiring artists from all over the world.

So we thought it would be interesting to do an exhibition where we showed these different positions, but not as a staged show — in the «80s there were a lot of staged shows, like Kasper himself had done «From Here Out» [a 1984 survey of «two months of new German art»]-- but rather as a quite nonhierarchical exhibition where it would just be a couple of paintings by each artist.

At each of the stages of the exhibition tour, the show was initially installed by the exhibition's curator Elena Filipovic and, halfway through its duration, is completely reinstalled by a different selected artist whose own practice has been influenced by Gonzalez - Torres.

Depending on when one visits Recapturing Memories of the Black Ark, the current exhibition by the visual artist Gary Simmons at Southern Exposure, one will experience two very different, equally worthwhile shows.

Significant exhibitions include: Andy Warhol's Campbell's Soup Boxes in December 1986, just weeks before the artist's untimely death; She: Works by Richard Prince and Wallace Berman, brought together, for the first time, two generations of leading artists from different coasts; Bruce Conner: Work from the 1970s, which inspired the artist's first solo retrospective in Europe at the Kunsthalle Wien and Kunsthalle Zurich (2010); other shows of important New York - based artists have included new works by Christopher Wool, Richard Tuttle, Mark Tansey, Kenny Scharf, and Keith Haring.

Over the seven - week programme, Konstanet will host three different events: an introductory talk on November 27, the opening of Michele Gabriele «s new exhibition followed by an artist talk on December 12, and the opening of Maximilian Schmoetzer «s new show, also followed by an artist talk, taking place on January 8.

Since its founding FLAG has organized over 50 exhibitions showing the work of almost 500 artists, curated by 18 different curators, including Lisa Dennison, Prabal Gurung, Jim Hodges, and Shaquille O'Neal, among others.

Spanning four millennia, from the Bronze Age to today, the show looks at examples from different periods and cultures, and includes contemporary pieces by artists such as Wallace Chan.

The abstract sculptures in the show by artists such as Ann Christopher, Robert Adams, and Bernar Venet explore the material properties of different metals, line, and form.

Brand New Gallery departs from these assumptions to present Beyond the Object, a group show appositely conceived to combine works by artists with disparate backgrounds and from different generations, inevitably forced to confront themselves with production, exploring the interaction between composition and form which radically becomes an archetype endowed with its own language.

Group Island Press: Recent Prints, Mildred Lane Kemper Art Museum, St. Louis, MO, 2018 Thinking Through Art, Middlebury College Museum of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary Art, Albuquerque, NM 2017 The Home Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collecteby Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collecteby Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collecteby Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collecteby Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collecteby Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 CollecteBy Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collecteby Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.

The artist Sydney Croskery organized this show of works by artists she admires to consider the different ways each individualizes their process.

There, García Torres has appropriated found photographs of Mario Merz showing the artist dancing, captured on different occasions throughout his life, and set them to an original score by Mauricio Hernandez Davila.

And the oils are not so different from those in the Whitney show, enigmatic fragments of landscape painted with exquisite skill and heavily framed by the artist in stagey black boxes that make the scenery bits of theater.

We'll continue to do this in 2011 by working in partnership with different artists and organisations to show different approaches to contemporary arts practice in the gallery.

The show creates visual surprises and harmonies between the artists» two different approaches to art making: sculptures by Ernesto Burgos and painted fabric works by Chris Duncan.

Where once contemporary artists all seemed to be working with scientists, whether experts in space travel or brain surgeons, and looking to the future, now museums and galleries are increasingly showing work from different eras side by side.

The three artists whose work is shown in this room curated by Ann Coxon — Lenore Tawney, Olga de Amaral and Sheila Hicks — experimented with different weaving techniques, often looking to historical or indigenous textiles for inspiration.

The assimilation is shown in the process by which the artist emphasizes similar behaviors that belong to different entities by fossilizing them in a form.

Among the moving portraits of Monk's family is a slideshow that magnifies one image of them 80 times over, through which the artist is reflected in his child's gaze — as titled, Monk is literally Searching for My Father in My Sister's Eyes (2002)-- while a series of childhood or holiday snaps, Same Time In A Different Place, are each juxtaposed with a vintage invitation card, for shows by the likes of Dan Graham, Sol LeWitt or On Kawara, sourced from the same date.

The shows were organized by different curators — Clarrie Wallis and Katherine Stout, respectively — though they occupied adjacent galleries and shared an exhibition guide, which explained that the «exhibitions run in parallel, offering visitors the chance to see the work of two complementary British artists from different generations».

Described by artist and writer Salomé Voegelin as «a spacious show that embraces different cultures and rhythms... to claim a future present of plural beats» (The Wire, issue 378, August 2015), All Of Us Have A Sense Of Rhythm included a number of public events among which An Evening of Live Music by artists Larry Achiampong, Julien Bayle and Evan Ifekoya.

By Carter B. Horsley Some of today's most celebrated artists have several different major styles or themes and this auction is highlighted by several major works by Gerhard Richter (b. 1932) that show off well his diversitBy Carter B. Horsley Some of today's most celebrated artists have several different major styles or themes and this auction is highlighted by several major works by Gerhard Richter (b. 1932) that show off well his diversitby several major works by Gerhard Richter (b. 1932) that show off well his diversitby Gerhard Richter (b. 1932) that show off well his diversity.

It refers to groups of artists and writers in the late 19th and early 20th centuries, specifically, those making and distributing art in a different way to their contemporaries; artists who self - consciously created «isms», were promoted by themselves or critics in little magazines and showed and sold their work in private galleries or artist - led exhibitions.

Instead of comparing works in the same exhibition, Fischer reviews videos by the artists Hito Steyerl and Camille Henrot in two different shows and defines the likenesses between them.

In terms of the wide range of media employed, the show looks like it could have been made by several different artists: sculptures similar to the ones shown a the Whitney occupy one gallery; another room boasts huge, scribbly pencil drawings on walls that surround a replica of a hearth («the traditional focal point of the American home»); in another, stacks of mannequins wearing identical outfits and wigs create a chute through which you can walk to view floor - facing monitors screening videos featuring the real - life character the mannequins seem to be modeled after (the artist's mother).

On May 31st, the Geoffrey Young Gallery reopens for its 17th year of presenting contemporary art in Great Barrington with a group show of paintings and drawings by twelve wildly different and daring artists.

Inaugurated a few days before Artissima — where the gallery itself is represented by a retrospective dedicated to Agostino Bonalumi — the exhibition shows some possible dialogues among artists of different generations.

LIKENESS: PORTRAITS OF VERMONTERS was a group show featuring portraits in mixed mediums, including sculpture, photography, oil paint, pen and ink, and video installation by eleven different Vermont based artists, April 4th

The show finds its backbone in the 360 - degree view from the central atrium where the viewer can glimpse a sampling of works by different artists, otherwise all regrettably sequestered in their own niches and corridors: Frankenthaler's Jacob's Ladder (1957) up front, Mary Abbott's All Green (1954) to the left, Grace Hartigan's Interior, «The Creeks» (1957) to the right, and ahead, Joan Mitchell's Hudson River Day Line (1955) and Krasner's behemoth The Seasons (1957) loom large.

Different works by the artist were shown at the Venice Biennale in 2003 and 2009 as well as in numerous group shows.

Different works by the artist were shown at the Venice Biennale in 2003 and 2009 as well as in numerous group shows such as The Right to Protest, Museum on the Seam Jerusalem (2010); Mixtapes, Lewis Glucksman Gallery Cork (2010); Why do you resist?

Seen in contrast to abstract works in the show by, for instance, Sadie Benning, Wade Guyton and Vincent Fecteau, an artist whose work I've long admired — all, granted, coming at formalism from very different positions — the figurative works felt far more urgent.