Sentences with phrase «shows by female artists»

There has been a healthy run of shows by female artists in the last couple of years, including those dedicated to Agnes Martin and Yayoi Kusama.

By contrast, at the Art Gallery of Alberta, the Rooms and, especially, the Art Gallery of Nova Scotia, solo shows by female artists were much higher, ranging from 45 % to almost 70 % of the galleries» exhibiting history since 2013.

Turkish artist Güler Ates will be exhibiting with Mumbai gallery The LOFT at Lower Parel, and MERKUR (Istanbul)'s booth will present a solo show by female artist Şeyda Cesur who will be attending with the gallery.

The restructuring of the British art calendar brought about by Frieze means that late summer is the perfect time to see a show by a female artist, before we get serious about collectors and money in October.

Not exact matches

They include an alternate opening of Carol doing an voice exercise with an annoyingly - voiced woman interviewing her in a bookstore, more of and on Dani and Moe's rocky marriage, a scene featuring an accomplished female voiceover artist (played by Melissa Disney), and a number of additional clips from the convincing fake reality dating TV show woven throughout the film,

February 1, 2010 • Beyonce grabbed six Grammy's on Sunday, the most awards won in a single night by a female artist since the Grammy award show began 52 years ago.

«The Female Gaze, Part II: Women Looking at Men,» a group show that runs at Cheim & Read through September 2, is as ambitious in scope as it is in ideology, showcasing work by a wide range of artists — including Tracey Emin, Alice Neel,... Read More

A Group Show of 21 Female Artists Addressing Self - Portraiture Curated by Indira Cesarine and Coco Dolle

This collaborative programme led by Centre for Chinese Contemporary Art (CFCCA) brings together five distinct art organisations across the UK, to show a diverse range of art works and new commissions from some of the most exciting female artists working in mainland China.

Her work as a curator includes exhibits «The «F» Word: Feminism in Art» a group show of 20 female artists, «Human / Nature» a group show revolving around environmental themes and «Allegories of The Held», a solo show of works by artist Jennifer Caviola aka Cake, as well as «The Voyeur» exhibit at Art Basel Miami sponsored by The American Friends of The Louvre.

Challenging the canon of male artists» depictions of the female body, this show of 32 powerful female artists, curated by John Cheim, is meant to prompt the question «Would we react differently to these works if they were made by a man?»

This year, the result includes about 20 solo exhibitions (nearly half showing the work of female artists); first - time appearances by Galerie Perrotin, Freedman Fitzpatrick, Triple Canopy magazine, and The New Museum; and a general trend of art from or referencing the»80s.

Drawing from the National Museum of Women in the Arts collection, this show features photography and video works by 17 artists focusing their camera on the female body as a vital medium for storytelling, expressing identity and reflecting individual and collective experience.

A considerable number of works on display are by female artists, and the curator of the show, Mona Khosheghbal, is also a woman.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

Through works by seventeen contemporary artists the show will examine this timely topic attempting to revolutionizing the way we visualize conventional gender as exclusively male or female.

Her art practice has found its public through representation by the Julie Saul Gallery in New York and many dozens of exhibitions over the years at Bard College, Exit Art and Mary Boone Gallery (where she was the first female artist to have a solo show), as well as in recent years at P!

It ranges from the NMWA's women only collection and exhibition - programme to an entire wing of the Brooklyn Museum being dedicated to feminist art; there's also The Metropolitan Museum of Art's decision to show work by lesser - known artists like Helen Torr and Elizabeth Catlett that has never been on view in «Reimagining Modernism: 1900 — 1950» (the rehang of their modern art collection); and there's the recent acquisition by the Tate of a painting by Mary Beale, who is regarded as Britain's first professional female artist.

Hot on the heels of the Princess Zeid show at Tate Modern, which runs until October 8th, is a much smaller and shorter - lived exhibition at the Saatchi Gallery, by an artist also Middle Eastern, royal, and female, which runs only until August 18th.

A group show of 20 female artists at The Untitled Space Gallery 45 Lispenard Street Unit 1W NYC 10013 Curated by Indira Cesarine and Coco Dolle DATES: May 3 — May 21, 2016 untitled - space.

The Turner Prize - winning artist Chris Ofili has been a bit chary, let's say, of showing in New York City ever since a certain Mayor Rudolf Giuliani threatened to defund the Brooklyn Museum for showing his absolutely gorgeous The Holy Virgin Mary — a 1996 painting of a black Madonna with a bared breast made from dried elephant dung, surrounding by putti made from female genitalia cut from porn magazines — as part of the 1999 stateside leg of Saatchi Gallery's «Sensation» show.

An upcoming show at Untitled Space challenges that unfair truth by presenting the work of 20 female artists depicting the female nude in an empowered, autonomous, and non-sexualized way.

It has cast light on a wealth of female artists who have been denied their due, and has also shown that history has an ingenious knack for writing us out: denied access to the male nude, her anatomical skill was found to be lacking; sponsored by the court, her work has remained in private ownership and lacks proven market value, etc..

The first female artist to be commissioned for a solo show at Wales in Venice, Helen Sear's solo presentation... the rest is smoke explores the ideas of mortality and temporality by playing with the audience's senses.

Curated by Indira Cesarine and Coco Dolle, the show features twenty established and up - and - coming female artists, including Annika Connor, Lynn Bianchi, Meredith Ostrom, Sophia Wallace and more.

The prize was founded to help a UK regional arts organisation to mount a major solo show by a mid-career female artist.

The show, which will continue through Nov. 20, will include work by 14 of the gallery's female artists.

Her work is featured in group shows UPRISE / ANGRY WOMEN and «The «F» Word: Feminism in Art» A Group Show of 20 Female Artists curated by Indira Cesarine.

SELF REFLECTION A Group Show of 21 Female Artists Addressing Self - Portraiture Curated by Indira Cesarine and Coco Dolle

Curated by Joshua Friedman, the show features 17 artists who challenge binarized representations of gender as specifically male or female.

Together, these works show a range of studio practices by female artists working in the South within the language of abstraction, and highlights the breadth of the Ogden Museum of Southern Art's Permanent Collection.

There were compelling solo exhibitions by women artists in major institutions, a copious list of all - women group shows and dynamic revivals of unfairly overlooked female artists» careers.

Presented in conjunction with CraftNow, a citywide exhibition devoted to expanding the boundaries of craft, art, and design, «Narrative Horizons» is a group show by three female artists who use craft techniques — or, depending on your perspective, craft artists who employ contemporary - art strategies.

Murray's comparatively late - blooming feminism was substantiated in the early»90s by her role in the Women's Action Coalition, which in 1992, together with the Guerrilla Girls, organized the picketing of the Broadway branch of the Guggenheim Museum, then on the verge of opening with no female artists anticipated in its inaugural show.

Her program featured a multigenerational roster of artists showing a combination of painting, performance, photography, conceptual art, and video, in addition to posthumous shows by pioneering female artists Ana Mendieta and Eva Hesse.

Her work is featured in group shows ONE YEAR OF RESISTANCE, SHE INSPIRES, UPRISE / ANGRY WOMEN, «The «F» Word: Feminism in Art» A Group Show of 20 Female Artists, and Human / Nature curated by Indira Cesarine.

The premise of the show is disarmingly simple: abstract paintings by female artists.

[1][3] Created for a show organised by fellow artist Georg Herold at Portikus, Au Naturel (1994) is an assemblage of objects — a mattress, a bucket, a pair of melons, oranges and a cucumber — that suggest male and female body parts.

We'll be also working with the wonderful Fry Art Gallery in Saffron Walden to present a Centenary exhibition of Kenneth Rowntree (5 April — 12 July), and a show of lost works by the female War Artist Evelyn Dunbar (dates tbc).

The gallery is showing a solo booth by the Israeli artist Lili Cohen Prah - ya including a selection of delicate illustrations of sensitively drawn female nudes on gold tissue paper.

The Rubell Family is showcasing works by female artists in their 45,000 square foot museum, and even rotating the works throughout the show's run.

This small show of photography by five female Southern artists on display in the Lucinda Weil Bunnen Gallery show is disarmingly quiet — and incredibly effective because of it.

Flash forward to summer 2016 where concurrent shows continue to drive an ongoing dialogue — Revolution in the Making: Abstract Sculpture by Women, 1947 — 2016 at Hauser Wirth & Schimmel, Sigrid Sandström's Other Places marking Anat Ebgi's finale to a one - year commitment showcasing female artists, and WACKing the Piñata at ltd los angeles.

Stephen Friedman Gallery presents a curated exhibition of paintings, sculpture and drawings by four female post-war artists who have never been shown together: Judy Chicago (American, b. 1939), Barbara Hepworth (British, 1903 - 1975), Ilona Keserü (Hungarian, b. 1933) and Barbro Östlihn (Swedish, 1930 - 1995).

Curated by Indira Cesarine, the show features a diverse roster made up of female artists you should definitely know about.

He calls the Ogden show «an opportunity to look at some of the best examples of work produced by female artists.»

Highlights of the festival include a solo exhibition by Italian artist Vanessa Beecroft, and two group shows, The Female Gaze, displaying the work of female photographers who have revolutionised the way the female body and sexuality is represented through fashion photography, and PhotoVogue / inFashion, showcasing the works of photographers selected through PhotoVogue plaFemale Gaze, displaying the work of female photographers who have revolutionised the way the female body and sexuality is represented through fashion photography, and PhotoVogue / inFashion, showcasing the works of photographers selected through PhotoVogue plafemale photographers who have revolutionised the way the female body and sexuality is represented through fashion photography, and PhotoVogue / inFashion, showcasing the works of photographers selected through PhotoVogue plafemale body and sexuality is represented through fashion photography, and PhotoVogue / inFashion, showcasing the works of photographers selected through PhotoVogue platform.

In the running for first prize are Miriam Escofet's portrait of her mother, An Angel At My Table; Time Traveller, Matthew Napping by Felicia Forte which shows her partner Matthew DeJong asleep in bed; Ania Hobson's A Portrait of Two Female Painters, depicting the artist and her sister - in - law, Stevie Dix, and Zhu Tongyao's portrait of his Italian neighbour, Simone.

The show, which aims to give voice to the Chicano and Latino female artists living in the US and in Latin America between 1960 and 1985, presents works both by emblematic figures, such as Lygia Pape and Ana Mendieta, and lesser - known artists, such as Feliza Burztyn and Sophie Rivera.

The works in this show are produced by international female artists whose practices demonstrate their struggle with female identity and sexuality.