Sentences with phrase «shows by individual artists»

Not exact matches

Teaching Artists show students different approaches to writing, often using pieces by acclaimed contemporary poets and lyricists as a starting point, and give students writing prompts to begin the work of crafting individual and group poems.

There is a lot of very good work by women artists on view at MoMA right now, although aside from Marina Abramovic: The Artist is Present, you would hardly know about many of these shows from the signage in the lobby, and certainly would not know to look for or understand the import of some individual installations.

The seventeen - artist show contained over eighty artworks, each artist represented by a group of works from a single series, as if no individual work were convincing enough on its own.

Almine Rech Gallery - Grosvenor Hill is pleased to present «Plastic Show», a selection of works by seminal California artists from the Light and Space movement: Mary Corse (b. 1945), Robert Irwin (b. 1928), Craig Kauffman (1932 — 2010), John McCracken (1934 — 2011), and DeWain Valentine (b. 1936)-- five artists who, through a series of individual explorations, went on to investigate the broad potential that plastics (i.e., synthetically produced resins) could yield.

Drawing from the National Museum of Women in the Arts collection, this show features photography and video works by 17 artists focusing their camera on the female body as a vital medium for storytelling, expressing identity and reflecting individual and collective experience.

November 13 to December 14, 2014 Fountain Street Fine Art, Framingham, MA Gallery artists bring a new twist to the 2014 Members Show by incorporating collaborative projects in photo, fiber, painting, drawing and sculpture alongside individual works.

Vibrant photos of each artist's performance by renowned photographer Paula Court and texts contributed by a range of curators and critics provide accounts of every show, as well as an understanding of the importance of each work within the artist's individual career and in relation to larger historical trends.

For example, while the press release presents «Proof» as «a three - person show featuring prints and artist's books made by master printers Ruth Lingen, Jennifer Melby and Leslie Miller,» the exhibition checklist does not credit individual works to particular printers but, as is conventional, credits only the «artists,» e.g. Elizabeth Murray, James Siena, Vija Celmins, Henrik Drescher (See the images above from Planthouse's website.

Golden's catalogue essay for the show introduced the concept of «post black,» a term coined by Golden that «identified a generation of black artists who felt free to abandon or confront the label of «black artist,» preferring to be understood as individuals with complex investigations of blackness in their work.»

The artist's 2010 gallery show, The Bible Illuminated: R. Crumb's Book of Genesis, presented 207 individual black - and - white drawings from his now landmark The Book of Genesis Illustrated by R. Crumb.

Instituted in 1999 by the Forward Arts Foundation as a response to dwindling public support for individual artists in the metro Atlanta area, the Emerging Artist Award (EAA) presents a grant and solo show at the Swan Coach House Gallery to one talented Atlanta artist eachArtist Award (EAA) presents a grant and solo show at the Swan Coach House Gallery to one talented Atlanta artist eachartist each year.

In addition to new works on display, the gallery sponsors group shows and individual exhibitions by members and invited guest artists.

«Among Friends» is another example of how curators these days are trying to shift their emphasis away from the mythology of individual genius by showing the artist's immersion in and dependence on his or her context.

Seven group shows curated by selected artists will be exhibited alongside twelve individual projects selected by chief curator...

Charlie James Gallery is pleased to present our second solo show by gallery artist Nery Gabriel Lemus, winner of the 2013 COLA Individual Artist Grant, and the 2013 Rema Hort Mann Foundation artist Nery Gabriel Lemus, winner of the 2013 COLA Individual Artist Grant, and the 2013 Rema Hort Mann Foundation Artist Grant, and the 2013 Rema Hort Mann Foundation Award.

«Looking at «Dreamworlds», this new body of work by Amy Lin for her third show in this gallery, I am reminded of the artist's description of her own work as being «social» and as representing human beings, that the thousands of individual marks make up a community much the way, say, mushrooms develop from tiny spores.

The artists have their own individual galleries, which allow us to show a small body of work by each.

The show is the first of a series of exhibitions at the gallery over the next few months called Intercalating the Drift, to later feature George Rippon and Michele Di Menna, and end with a final cumulative exhibition featuring both collaborative and individual works by the artists.

For this show the gallery has been divided into six individual rooms, each space transformed by the artist using installation, performance, sculpture, or drawing.

He has organized exhibitions devoted to individual artists, group shows and shows organized by theme, and Vergne co-curated the 2006 Whitney Biennial.

The Hum, one of the most recent solo shows by the artist featured her latest works that highlights less the individual, and instead the forms a person inhabits metaphorically.

The exhibition follows the format championed by Dorothy Miller — who curated six of the «Americans» shows — and offers each artist an individual space, the dimensions of which are determined by the body of work on display.

The resulting body of work was shown at Ingleby Gallery this summer alongside individual works by both artists.

Supplemented by a series of sculptures and a re-arrangement of a show the artist previously curated, this MoMA PS1project raises questions about digital culture's impact on individuals as well as the society.

Deckert has twice been awarded an Individual Artist Grant from the Greater Hartford Arts Council, has exhibited widely in New York, and in 2013 was selected to show his work, Beneath the Milieu as an American delegate by the Société Nationale des Beaux - Arts exhibit at the Louvre Museum.

The show's title is a metaphorical reference to both the «eureka» moments and the smaller inspirational steps forward that are experienced by every artist; all of which are significant and of relevance to the continual growth and development of the true artistic voice of each creative individual.

In contrast to Konrath's rich and intimate photographs, also included are images of individual works shown silhouetted out of their original context, an attempt by the artist to draw the viewer away from typical ways of experiencing sculpture.

The most ubiquitous media used by Socialist Realist artists was the poster, although painting and sculpture was also produced, typically on a monumental scale, showing fearless individuals and groups in idealistic and heroic poses.

Galleries are making a statement by showing one specific on site project by an individual artist.

Chris Sharp, writer and independent curator, Mexico City, will be Guest Curator for the U-TURN Project Rooms section, which highlights the latest tendencies in contemporary art, and Sofía Hernández Chong Cuy, Curator of Contemporary Art at the Patricia Phelps de Cisneros Collection, New York and Caracas, will be in charge of the Solo Show Zurich section, where galleries present individual projects by Latin American artists.

Presented as a group show, Reality Check will feature new series of works by each individual artist in the collective.

White has organized two eclectic series of small shows to highlight individual artists and recently - acquired or promised works — including sculptures by Leslie Hewitt, drawings by Trenton Doyle Hancock, objects from Claes Oldenburg's «Maus Museum» project and prints by Dorothea Tanning.

The history of Irish art in the twentieth century shows that landscape painting was closely entwined with Irish nationalism and the search for an «Irish» identity, although artists pursued these ideas in quite individual ways: Jack B Yeats (1871 - 1957) through his intense expressionist landscapes populated by unmistakably Irish figurative icons; Paul Henry (1876 - 1958) and James Humbert Craig (1878 - 1944) through their outstanding renderings of sky, sea, turf and light in their West of Ireland views.

Isabelle Cornaro has created Mixed Feelings to accompany the Beware Wet Paint group show of individual paintings by artists for whom painting forms a single strand within a multidisciplinary practice.

There were three shows: One Work, the start of an ongoing series of individual artworks in odd spaces around the galley, featuring David Blatherwick's Everyday; in the project room and window, The John Veenema Memorial Exhibition by the artists» association Brown Spot, presented by Lily White; and in the main gallery, Wake, by Chicago artist Doug Ischar.

David Ostrowski has created the special c - type print F (I think you may have something here)(2014) to accompany the Beware Wet Paint group show of individual paintings by artists for whom painting forms a single strand within a multidisciplinary practice.

In an ARTnews feature about artists who were inspired by early encounters with art, Thomas says: «The idea of having a narrative showing a people going through these experiences, the individual as well as the collective, really affected me because it wasn't just about images, it was about the story.»

Pangea (also the title of a work in the exhibition by Lance Turner) is geology's name for the primal, unified landmass, which has since broken into today's separate continents by the subterranean drift of the earth's tectonic plates; as this apocalyptic year of 2012 progresses, the work brought together in this combined seven - artist show will undergo its own continental drift, and the meaning of each individual artistic practice will become more apparent.

Vox is accepting applications for solo exhibitions, by individual or collective artists to show in one of our four gallery spaces.

In addition to Konrath's rich and intimate photographs, also included are images of individual works shown silhouetted out of their original context, an attempt by the artist to draw the viewer away from typical ways of experiencing sculpture.

Vox is accepting applications for solo exhibitions, by individual or collective artists to show in one of our four gallery spaces in 2016.

Photographs of each artist's performance and texts contributed by curators and critics provide accounts of every show, as well as an understanding of the importance of each work within the artist's individual career and in relation to larger artistic trends.

Richard Prince has again been raiding the Instagram accounts of the largely female rich and famous with a series of «New Portraits,» from celebrities, models, and other individuals of visual note with a current show of works by the artist at one of Gagosian Gallery's Madison Avenue spaces — and Prince's presence in the gallery's -LSB-...]

The Dallas Contemporary presents, from September 17th to December 18th, the individual show «Past Projects for the Future», by Laercio Redondo, the artist's first solo show in the USA.

His most recent shows include Telepathic Improvisation, a multi-partnered project that marks the first US solo exhibition for the collaborative duo Pauline Boudry / Renate Lorenz, which he co-curated at CAMH with Alhena Katsof; Atlas, Plural, Monumental, a 25 - year survey of sculpture, video and photography, drawing, and interactive artwork by the inimitable Paul Ramírez Jonas; A Traveling Show, in which individual artworks and the display of a decade - old visual correspondence project between Matt Keegan and Kay Rosen spoke to a long - standing friendship and shared interests in humor and language; and THE INTERVIEW: Red, Red Future — a solo exhibition of commissioned works by the artist MPA that traveled to the Whitney Museum of American Art — in which a live performance and sculptures became vehicles through which to imagine the future of the red planet and notions of colonization.

At the Dionysian end we have Bed Bath and Between and at the Apollonian end, we have Territory of Abstraction, a group show of new paintings, works on paper and sculpture by twelve artists who, sharing an interest in geometry, colour, pattern and repetition, also manage to form a wider territory by approaching their similar concerns in uniquely individual ways.

At first glance, the Triennale may appear like an aggregation of small solo exhibitions by a tightly selected group of artists, with many showing multiple works to give visitors a deeper understanding of individual artists» creative worlds, yet upon closer inspection, a common thread can be identified throughout the entire presentation on issues surrounding connectivity and isolation.

The things we do for love (so proud so alone) was published on the occasion of the Beware Wet Paint group show of individual paintings by artists for whom painting forms a single strand within a multidisciplinary practice.

The artists featured in this show explore one of the most basic social concepts by which individuals, families, nations, and regions understand themselves in relation to others — the idea of «home.»

They are also the subjects of portraits by Venezuelan photographer / biologist Antonio Briceño celebrating successes and highlighting continuing challenges in the country that hosted this year's World Environment Day.In line with the WED theme focusing on «the central importance to humanity of the globe's wealth of species and ecosystems,» the nonprofit group Art Works for Change brought Briceño to Rwanda to photograph the land and the people, which the artist paired in diptychs showing individuals and the ecosystems they rely on.