Not exact matches
Likewise, the more people hide a post or
mark it as spam, the
less it will
show up in the News Feed.
[2] Quotes out of context, which is a ploy used by the
less able [3]
Shows a
marked desire to escape moral accountability and [4] Relegates man to animal status
Although many will suggest that Robson has a personal vendetta of sorts aimed squarely at the Grinch who stole soccer, that doesn't make his words any
less truthful... such tactics are nothing new... in the U.S.this business practice has become so common that even the players regularly use the media to manipulate public opinion (LeBron James did likewise to rally public support for himself and away from his teammate, Kyrie Irving, who has asked to be traded)... whether for contract leverage or to rally support for or against certain players, this strategy can be incredibly effective at times, but when it misses the
mark it can be dangerously divisive... for a close - to - the - vest team like Arsenal to use such nefarious means to manufacture a wedge between the fans and it's best player (again), is absolutely despicable... for the sanctimonious higher - ups who demand that it's players adhere to a certain protocol regarding information deemed «in house» or else to intentionally spread «fake» news or to provide certain outlets with privileged information for such purposes is pretty low indeed... no moral high ground here, just a big club pretending to be a small club so that they can continue to pull the wool over the eyes of a dedicated, albeit somewhat naive, fan base... so not only does this club no give a shit about it's fans, this clearly
shows that clubs primary interests aren't even soccer related... for all intent and purposes Kroenke doesn't care if we're a soccer club or a tampon factory as long as we continue to maximized his investment... stay woke people... great to see more and more people commenting on the state of the franchise... this club needs to be held accountable for it's actions
As your survey
shows, it's as if even asking to work differently
marks you out as
less committed, ambitious or capable than your colleagues without children.
Funnel plot analyses conducted for the primary outcomes all
show marked asymmetry, with each suggesting that smaller studies
showing a
less beneficial effect of the intervention may be missing.
The three conversations were about equally distracting and led to substantially degraded driving,
marked by
less scanning for potential hazards, monitoring mirrors
less regularly and
showing poor surveillance at pedestrian crosswalks and four - way stops.
Mark Hutchinson of the University of Adelaide in South Australia says that the results tally with post-mortem data
showing that chronic drinkers have
less immune chemicals in their blood than normal.
They also found that the subjects who
showed a larger cortisol response after taking cocaine had a
less marked impairment of negative emotions.
Swaisgood had previously
shown that giant pandas pay more attention to handstand scent
marks than those left by
less acrobatic means, but he had never compared the effect of handstand
marks of different height.
Mark's whole goal with the diet was to
show that weight loss is simply about eating
less calories.
(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a
less subtle conversation between Richard and
Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to
show how much better Dead Mans Shoes is.
For all of the momentum and promise it
shows in the early going, «The
Marked Ones» more or
less ends up
marking time for this franchise's moronic mythology.
Now in his third docudrama with director Peter Berg — after starring roles in «Lone Survivor» and «Deepwater Horizon» that
showed less versatility than virtual interchangeability —
Mark Wahlberg is not quite the hero of «Patriots Day.»
Our independent charter schools are given bupkis and, generally,
less than a year to
show a
marked increase in test scores.
This year's phonics data
showed the spike in pupils attaining the pass
mark of 32 is actually
less severe than the first two years of the test — when teachers were told the pass
mark before the test.
As
shown in Figure 13, two strips of sheeting or conspicuity reflex reflectors, each not
less than 600 mm long, located as close as practicable to the edges of the rear fenders, mudflaps, or the mudflap support brackets, must be applied to
mark the width of the truck tractor.
It does
show a
marked improvement with
less body lean and the chassis is willing to play.
No
less than seven Mercedes - Benz cars
mark their Asian debut at the 2016 Beijing Auto
Show.
Mark compares things to TV, and I agree it provides an interesting point of discussion, but a single 30 page comic provides MUCH
less story than a 60 minute TV
show.
According to the American parent club, «no existing breed of dog has a more
marked individuality of type and no breed has
shown less inclination to diverge from it.»
Male pets that have been neutered also tend to
show less behavioral problems, including wandering (to search for a mate), territorial
marking, aggression, and excessive barking.
Dogs and cats that are spayed and neutered as
less likely to
mark / spray inside the house, and are
less likely to
show signs of aggression.
Your pet will be
less likely to
show temperaments and behavioral problems such as:
marking territories, biting, roaming, and fighting.
Three of the Big 5 graced us with their presence over the course of the next 2 days — lion, elephant and rhino (Welgevonden boasts one of the largest rhino populations of any private game reserve in South Africa)-- but my favourite sightings are always of the «
less in demand» inhabitants of the reserve — a herd of Waterbuck making a hasty retreat and thereby
showing off their target - like
markings on their rears, Warthog scrounging and digging for roots, Klipspringers hopping from rock to rock, being introduced to a huge scorpion.
Mark Braude, author of Making Monte Carlo: A History of Speculation and Spectacle, joins the
show to reveal some of the
lesser known scandalous aspects of Monte Carlo's history that led to its image of fame and luxury.
Mark «the train brain» Smith has toiled away for years carefully hand coding this absolute goldmine of rail information which
shows you, step - by - step, how to travel from the UK to more or
less anywhere else in the world without flying.
(exclamation
marks mandatory) and Fire Emblem: Path of Radiance were well done examples of their existing franchises,
showing differences from previous entries
less drastic but still enough that they couldn't have existed if not on the Cube.
This guileless conception and deftly laborious execution
marks Zakanitch's latest paintings and works on paper (
shown at the Samuel Freeman Galley in Santa Monica's Bergamot Station) no
less, especially given the humor and exuberance they radiate.
David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere
Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere
Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for
show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech /
Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.
Patrick Heron's seminal review of the first
showing of the Abstract Expressionists in London in 1956 at the Tate Gallery singles out Rothko for especial praise, while raising doubts about the others, and there is no doubt, despite his protestations to the contrary, that this
show marked a decisive shift in his art towards abstraction, and Rothko in particular, though he rapidly turned the influence in the direction of a more European sensibility,
less nuanced, a more immediate and direct attack, and an asymmetric compositional style more akin to the early Multiforms, which Heron insists he had not seen.
Welcoming the viewer into «Big Girl Now,» Ms. Kristalova's concurrent
show at Lehmann Maupin, is The Invisible, a 4 - foot - high girl with inky hair sitting on her head like the detachable wig of a Lego figure, an off - white, collared blouse
marked with grainy, vertical stains that would look like dried blood if they were slightly
less orange, a short, blue - black skirt that flares out like a tutu, long white legs falling into high - top blue Chucks, and a smooth white face with no features at all.
The current
show presents a looser,
less highly - wrought body of work; there is still the palpable sense of watching an artist think through every
mark, but there is also a greater lyricism to the final effect.
Brower's, Forstner's, and to a
lesser degree, Herve Di Rosa's paintings stand in
marked contrast to the stylistic and phenomenological play of the more abstract work in the
show.
(4) IIRC, Roy Spencer and Andrei Ilarionov
showed that the UHI effect on trends is far more
marked on very rural areas becoming slightly
less rural, than on urban areas becoming even more urban.
Visitors who come across the «Plastic Century» art installation while searching for a sip of water at the California Academy of Sciences in San Francisco tomorrow may find their options
less than appealing: Drink from a trash - filled water cooler or go thirsty.In a piece commissioned by the academy to
mark World Oceans Day (and the 100th birthday of iconic marine scientist and explorer Jacques Cousteau), artist Sarah Kornfeld, marine biologist Wallace J. Nichols, and futurists Stuart Candy and Jake Dunagan set out to
show what a century of plastic has done to our environment — and specifically the world's seas.
By the time I see them (12 — 18 months after) not only do the initial reports prove wide of the
mark (I have only ever seen two that were wholly accurate out of probably 10,000), but the initial claimed level of disability (usually severe for everything) is
shown to be completely unsupportable from the records and the actual level of disability that resulted is invariably far
less than claimed in the initial report.
A BBC interview from 2009
shows Facebook CEO
Mark Zuckerberg stating that the company would never sell or share user data,
less than a year later Zuckerberg declared that the «age of privacy is over.
In addition, the intervention group
showed less distractibility overall, and although this difference was most
marked post intervention and at follow up; this group difference was not sensitive to time.
And if you pay attention to the news (or Facebook) you've likely heard that CEO
Mark Zuckerberg has recently announced changes to the company's news feed, which could «drastically affect how people interact on the social network»;
showing people
less news and ads, and more content from their friends and family.
2) Improve Reactions: If your post
shows up in some users» feeds but is ignored or
marked as spam, your post is
less likely to be
shown to more people.
Retail, which had been strong in recent years, poses one of the biggest question
marks, largely because consumer spending is
showing signs of weakening as flat home prices make people feel
less financially well off.
On today's
show we talk with real estate investor and property manager
Mark Updegraff about buying homes from little old ladies, managing tenants with
less stress — and who has...