Sentences with phrase «shows modern climate»
The hockey stick - shape temperature plot that shows modern climate considerably warmer than past climate has been verified by many scientists using different methodologies (PCA, CPS, EIV, isotopic analysis, & direct T measurements).
https://deepclimate.org/ Not exact matches
That long - term data shows that modern climate change is faster and more acute than anything else in Earth's history.
This shows that the expansion of grasslands isn't solely due to drought, but more complex climate factors are at work, both for modern Africans now and ancient Africans in the Pleistocene.
Neanderthals were adapted to the cold, as shown by their large braincases, short but robust builds, and large noses â $» traits selected by nature in cold climates, as observed in modern sub-arctic populations.
But in a new study in Nature, researchers show that the deep Arctic Ocean has been churning briskly for the last 35,000 years, through the chill of the last ice age and warmth of modern times, suggesting that at least one arm of the system of global ocean currents that move heat around the planet has behaved similarly under vastly different climates.
Information packs include facts about the country, its location, geography, modern history, ancient history, climate, general information, famous people and inventions etc Display • Photo packs for each country • Country names flashcards, key word flashcards, food flashcards, population statistics poster, A4 flags Maps and Activities • Maps of each country, Scandinavia, the Arctic circle, Europe, the world, continents, map jigsaw, maps to colour, matching cards, flag activities, Language (As Swedish is the most common language spoken across Scandinavia resources are included in this languages) • Number flashcards from 1 - 20 in Swedish • Days of the week in English and Swedish flashcards • Months of the year flashcards in English and Swedish • Common phrases cards — in English and Swedish • Colour flashcards in Swedish • A4 speech bubbles showing «hello» in each Scandinavian language Activities • Themed writing paper with flags to frame pupils work • Writing activities, drawing activities, make a presentation, research note pad, place mat, reward chart, word search, quiz, etc Borders, Banners and Buntings • Extra large lettering spelling «SCANDINAVIA» • Long banners for each country name, buntings with names • patterned and plain display borders and packing paper if needed
A Selection of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries, New York Re-Framing Cartoons, Loughelton Gallery, New York Grids, Vrej Baghoonian Gallery, New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York Classical Modernism: Six Generations, Sidney Janis Gallery, New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL (catalogue); travelled to Center for the Fine Arts, Miami Paula Cooper Gallery, New York A Climate of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue) Science — Technology — Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum of Art, Fort Worth, TX; travelled to San Francisco Museum of Modern Art, San Francisco, CA; Albright - Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery of Art, Washington, DC; Artists» Union Hall of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State Picture Gallery of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue) New Editions, Pace Prints, New York Psychological Abstraction, Deste Foundation for Contemporary Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux - Arts, Brussels (catalogue) Abstraction — Geometry — Painting, Albright - Knox Art Gallery, Buffalo, NY; travelled to Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT (catalogue) New Work by Gallery Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery, New York Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery, New York
Exhibitions and Productions Bow Arts (2017), «Rhino», London (solo show) Bow Arts (2016), «Desire Caught by the Tail», London (solo show) Wimbledon Space (2016), «The Golden Face Lift» (solo show) Dyson Gallery (2016), «Act Natural», London (exhibiting artist) Riverlight Gallery (2015), duo exhibition, London (exhibiting artist) The Rag Factory (2014), «Love Kills», London (as Artistic Director of LUXE / performer) The Chelsea Theatre (2014), «Love Kills», London (as Artistic Director of LUXE / performer) Floating Island Gallery (2014), group show, (exhibiting artist) Spill Festival (2013), «PORN», Ipswich (exhibiting artist) Departure Foundation (2013), group show, «Unperforming» (exhibiting artist) Testbed Gallery (2013), group show, «acts of 2», (exhibiting artist and curator) Testbed Gallery (2012), group show, «acts of», (exhibiting artist and curator) Freud Museum (2011), group show, Objects of Desire, London (exhibiting artist) Battersea Arts Centre (2010), Accidental Festival, London (exhibiting artist) Blue Print (2010), group show, In Time, London (exhibiting artist) perFORM (2009), group show, Triangle Space, London (exhibiting artist) Live Art Lectures (2009), group show, London (exhibiting artist) Disconnected (2009), web - based group show, created and uploaded in London (exhibiting artist) Tate Modern (2008), The Living Currency, London (live performance) Home Sweet Home (2008), various locales, London (co-founder and exhibiting artist, group show) Blackout (2008), group show, Chelsea Art, London (exhibiting artist) Press Play (2008), group show, Chelsea Art, London (exhibiting artist) Climate of Change (2007), group show, Southwark Art (exhibiting artist) Heiner Müller Programme (2001), Access Theatre, New York (as Artistic Director of LUXE / performer) Vengeance, Bloodlust & Afternoon Tea: Armageddon, Cupcakes & the Poisonous Love of Heiner Müller's «Quartet», «Heartpiece» & «Medeamaterial» (2005) Theatro Technis, London (as Artistic Director of LUXE / performer) EH JOE (1998), The Kraine, New York (as Artistic Director of LUXE / performer) Meditation JoJo (1996), Mabou Mines Suite, New York (director and solo performer for video) Dixon Place Funereal (1995),» Funereal», New York, (director and performer) Mabou Mines / Suite (1994), «Funereal», New York (director and performer) H.E.R.E. (1994), «HOME», New York (director and performer) Glendale Studio (1993), «HOME», Arizona (director and performer)
14 Feb 2000 Further Displays from the Outsider Art Collection at the Irish Museum of Modern Art An exhibition showcasing further displays from the Musgrave Kinley Outsider Art Collection has just gone on show at the Irish Museum of Modern Art. 25 Jan 2000 Irish Museum of Modern Art - Programme for 2000 The inauguration of a series of new climate - controlled galleries with exhibitions of works by Picasso and Francis Bacon, the largest presentation in Europe to date of the work of the distinguished American painter Leon Golub, an exhibition from a major donation of graphics and prints from North, South and Central America and the development of further international links by the Museum's Education and Community Department are all part of an exciting and wide - ranging programme for 2000 announced today (Tuesday 25 January) by the Irish Museum of Modern Art. 24 Jun 1999 Exhibition selected by Young Curators at the Irish Museum of Modern Art An exhibition of some 22 artworks, selected by eight secondary school students from Waterford, Meath and Dublin, goes on show at the Irish Museum of Modern Art on Tuesday 13 July 1999.
Furthering Nanashe's efforts to catalogue modern American simulacra, the art presented in his solo show suggests a socio - political climate so dire as to be teetering on the absurd.
In May 2012, I did a quick calculation incorporating more recent Hantemirov data, showing that the resulting modern portion was remarkably similar (TM - climate science) to the green chronology of my September 2009 and had an almost identical discrepancy to the Briffa et al superstick.
It shows that as risk increases, the use of risk - reducing inputs increases, such as climate - smart agriculture (CSA) inputs, while the use of modern inputs such as chemical fertilizer decreases.
«The fact that the Garamantes developed this ingenious irrigation system shows that our ability to apply engineering solutions to deal with climate change is by no means only a modern phenomenon,» said Dr White.
In addition we have the Tsonis network model showing chaotic linkages between climate indices in the modern era.
«Researchers first became intrigued by abrupt climate change when they discovered striking evidence of large, abrupt, and widespread changes preserved in paleoclimatic archives... Modern climate records include abrupt changes that are smaller and briefer than in paleoclimate records but show that abrupt climate change is not restricted to the distant past.»
Ken derides Pat's reference on the grounds that it didn't concern trees of the last 2000 years, but in fact the point of the paper Pat referenced was that a study of modern trees showed that they didn't do well in separating noise from signal and therefore using treerings as climate proxies was questionable whether the treerings were a thousand years or a million years old.
«All the observations show this region is one of those most affected by modern climate change, and it's predicted to get dryer.
The climate - change cooling over the 1940 — 1975 time period of the Modern Warming period was shown to be influenced by a combination of solar factors.
Show me climate science practicing anything close to modern medicine, please.
The so - called «hockey stick» curve — a graph my co-authors and I published a decade - and - a-half ago showing modern warming in the Northern Hemisphere to be unprecedented for at least the past 1,000 years — is one among other areas of climate science where the evidence has become ever more compelling.
«This Clean Energy Standard shows you can generate the power necessary for supporting the modern economy while combatting climate change.
The theory of Anthropogenic Global Warming (aka Human Induced Climate Change) does not fit the following facts: (1) Modern statistical techniques show that there has been no significant change in global average temperature for the last 166 years.
We show how the incentive structure in modern science was established soon after World War II and led to the federal takeover of much of science (and all of climate science) and how that can create a systematic distortion in the direction of alarmism.
We shall revert to the question of synchronicity and climate severity later in this paper, but it can be seen that even Lamb's graph demonstrated modern «hockey stick» characteristics (albeit it appears this data was later added by Dr Mann using CET) More intriguingly, Lamb shows another and much more dramatic «hockey stick» just before the start of the 18th century - a period which seems to have aroused limited curiosity - and is the intended subject of a future article.
Dr Pfister has an interesting graph of central Europe temperatures showing a progressive cooling of winters from the 1540's, a subsequent recovery around the 1620's, with another deterioration in the 1690's (Fig 76 Lamb — Climate History and the Modern World.)
Figure 103 in Hubert Lamb's «Climate History and the Modern World» shows an estimate of the growing season near the upper limit of cultivation in Scotland which mirrors much of the glacial record and demonstrates a steady - but not constant - improvement after a modest peak in the mid 1550's - from the trough of the early 1600's to the present day.
Note that the bottom chart shows the modern recent warming (RW) finally returning to the levels of around 1000AD and the extended Medieval Climate Anomaly (MCA) period.
«This Clean Energy Standard shows you can generate the power necessary for supporting the modern economy while combatting climate change,» Cuomo said in a statement announcing the decision.