Sentences with phrase «shows more installations»

Not exact matches

Installation is more convenient due to the LATCH system which shows a level indicator.

The findings show that for every m3 of rainwater used to wash clothes (the equivalent of 11 wash cycles) there is a saving of 5.68 Euros on detergent, and that large rainwater tanks for resident communities, or even for parts of neighbourhoods, is more economical and energy - efficient than individual installations.

More than 130,000 automotive industry professionals will attend the 2014 SEMA Show, November 4 — 7, at the Las Vegas Convention Center (LVCC), and more than 60,000 of them will be buyers searching the aisles for products to carry in their retail outlets and installation centMore than 130,000 automotive industry professionals will attend the 2014 SEMA Show, November 4 — 7, at the Las Vegas Convention Center (LVCC), and more than 60,000 of them will be buyers searching the aisles for products to carry in their retail outlets and installation centmore than 60,000 of them will be buyers searching the aisles for products to carry in their retail outlets and installation centers.

We are going to show some of our games, while some of us are helping Invisible Playground with one of their more physical installation piece games; Giant Starfish Kraken, while some of us are helping out Die gute Fabrik of JS Joust fame with their...

Polish artist Pawel Althamer, who in April closed his exuberant, expansive installation, performance, and sculpture show at the New Museum, to which museum visitors were invited to contribute, took his roving party to Socrates Sculpture Park in Long Island City last Friday night to mark the... Read More

The Armory Show (New York) features over 200 international galleries and shows both 20th and 21st century artworks in a primary gallery show as well as several areas of the show that feature more specific themes such as 20th century work, recent work from emerging artists, and large - scale installation artwoShow (New York) features over 200 international galleries and shows both 20th and 21st century artworks in a primary gallery show as well as several areas of the show that feature more specific themes such as 20th century work, recent work from emerging artists, and large - scale installation artwoshow as well as several areas of the show that feature more specific themes such as 20th century work, recent work from emerging artists, and large - scale installation artwoshow that feature more specific themes such as 20th century work, recent work from emerging artists, and large - scale installation artworks.

Referencing past precedents of feminist art, installation, performance, and ideology, the artworks in the show present an expanded visual language that has resulted from a more inclusive art world, shaped in part by the social movements of the 1970's, thereby paying homage to a generation who has paved the way for contemporary female expression.

Opening: Sam Moyer, «More Weight» at Rachel Uffner Gallery For her third solo show at the gallery, Sam Moyer will present a monumental installation involving a giant slab of marble and mixed media wall works incorporating dyed fabric on wood, media that comprised her previous show last April.

With more than 200 paintings, sculptures, installations, drawings, photographs, ephemera, and films, the show reveals a scene that was much more diverse than has previously been acknowledged, with women and artists of color playing major roles.

His Berlin Installation takes up an entire length of the gallery's back room (unusually, broken up with temporary walls for this show dividing the characterful space, which works perfectly for installations and immersive works, into a more classical gallery for showing photography).

In a sprawling and somehow still tight and cogent show that included David Zwirner's 20th - street space and billboards across the city, the gallery's first co-representing the peerless conceptual artist's estate with his longtime dealer Andrea Rosen, nine installations covered his major series, including his text portraits, candy works, paper stacks, and more.

Also making our list of gallery shows to note include installations that question the human condition and photographs from the past that mirror the current political climate and more.

A few more days and into the new year to go and see a great looking installation show from Urs Fischer up at Sadie Coles in London through January 6, 2014.

Showstoppers ranged the gamut from a chandelier hugging the floor and pieced from repurposed porcelain figurines sourced from thrift stores («to show,» said the artist, «what no one wants any more»), to Simón Vega's installation of a Miami Dollar General Store (commenting on the only things affordable for the neighbouring Haitian community), to paper busts that assistants unwound like Slinkys (speaking to the illusion of permanence).

Featuring sculptors Michael Dean, Helen Marten, multimedia artist Anthea Hamilton and photographer and installation artist Josephine Pryde, this year's prize looks a much more balanced show than in recent years.

In truth their mocked - up house, a recreation of a property in the Granby Four Streets area, feels more like a show home than an art installation.

The show included more than 100 drawings, paintings, video installations, performance works, PowerPoints, Instagram photographs and collages.

We'll disclose more details about the show in the coming weeks, but we're pretty excited about this new alternative to art fairs, which will feature installations from international artist - run spaces and collectives in Miami Beach's defunct Ocean Terrace Hotel.

Having conquered the U.K., Prouvost is now taking her offbeat, literarily minded work to the New Museum for her first solo show in the United States, a lobby installation called For Forgetting that will feature a mural, «scattered sculptural elements,» videos, a film, and more.

Following that is the very popular and much anticipated annual group exhibition «The Summer Show,» which opens June 17 and features more than 40 works in various media — including painting, sculpture, works on paper, photography, video and installation — by gallery and guest artists.

Works by an impressive group of artists, that changed the course of British Art, are now being shown in a groundbreaking parallel with the most famous Brazilian Concrete artists of their time, FROM THE 1950s TO THE 1970s, in a large scale installation comprising more than eighty landmark works.

Works such as Bully (2010), which is a method acting class that re-enacts one man's experience of being bullied, or the more recent Fear and Loathing (2014) are present in the show together with previous pieces such as the video installation Secrets and Lies (2009) in which a group of men and women, anonymously describe intensely personal experiences wearing masks.

The idea of environment is incredibly important to this show, perhaps more so than the singular landscape (the wholeness of environment) created in pieces such as Rosenkranz's Venice installation — but of course, the form of the pavilion / solo exhibition lends itself to that approach.

Find out more about some of the highlights, below, which range from museum exhibits, to gallery shows, to outdoor installations.

For the Turner Prize show, she expanded the size of the original installation, enlarging the table and adding more and more teacups and even more video footage.

Composed of more than 20 events, presentations, and exhibitions, Pratt Shows includes fine art installations, film screenings, readings, and industry trade shows, setting Pratt's collaborative and interdisciplinary approach on disShows includes fine art installations, film screenings, readings, and industry trade shows, setting Pratt's collaborative and interdisciplinary approach on disshows, setting Pratt's collaborative and interdisciplinary approach on display.

The show includes more than one hundred drawings by the artist — from early abstract expressionist watercolors of the 1950s and portraits and landscape sketches, to studies for his seminal light installations and late pastels of sailboats.

Called the Switch House, the extension will show off contemporary work, including film, installation and live performance, and will add 60 percent more space to the already enormous former power station on the banks of the Thames.

His show has so many objects only if one counts separately drawings and wallpaper that function much like a single installation, shelves at the bottom of the stairs with dozens of meaningless knickknacks, more vinyl on the stairwell, and a functioning Louis Vuitton shop directly above.

Check out the gallery's website to read the press release, see more installation shots and images of all the individual works in the show.

IJ: Your current solo show at Derek Eller, which you titled, Driftloaf, seems a lot more quiet and pared - down compared to your previous installations which included large scale sculpture, painted walls and hundreds of drawings; it's more concise and seems to be more about sculpture.

Free Roses continues within this trajectory and presents a cinematic and spatial mise - en - scène that, more than any other recent contemporary show, brings questions and conversations about the relationship between art, architecture, site, and installation to the forefront.

The show was made up of installations, sculptures, paintings, videos and much more.

The show features more than twenty video and film installations, photographs and other selected work of Steve McQueen.

Female but maybe not Feminist, Biscayne Times, Victor Barrenechea, October 2008 Susan Lee - Chun Artist Profile, Theme Magazine, May / June 2008 Miami Contemporary Artists, Clear Magazine, April / May 2008 Voices, NY Arts, February / March 2008 Asian Artists on Display in BMOCA Exhibits, Boulder Daily Camera, Jenny Bergen, February 22, 2008 Urban Art Access: Art Basel Miami Beach, December 2007 Art Basel Miami Beach Notebook: A Party for the Arty, Economist, Jessica Gallucci, December 2007 Miami Contemporary Artists Book, Julie Davidow & Paul Clemence, November 2007 Susan Lee - Chun, H Magazine (Spain), Pedro Paricio, November 2007 Hurricane Project I, El Nuevo Herald, Adriana Herrera, Sept. 30, 2007 Los grabados de Goya inician una interesante temporada, El Nuevo Herald, Adriana Herrera, Sept. 16, 2007 Eight make the cut, Miami Herald, Daniel Chang, September 15, 2007 To the Brink and Back, Miami New Times, Carlos Suarez de Jesus, September 13, 2007 Body Double: Through a lens starkly, LA Times, Holly Myers, September 12, 2007 Ever more galleries in Wynwood, Miami Herald, Brett Sokol, September 7, 2007 Optic Nerve IX: MOCA Review, Miami Art Guide, Michelle Weinberg, September / October issue No. 10 Visual Power, Miami Herald, Tom Austin, August 5, 2007 Snitzer show brings 59 Homegrown Artists together, Miami Herald, Elisa Turner, July 22, 2007 Wynwood Gallery Installations show the District «Artistic Heart, Miami Herald, Brett Sokol, July 13, 2007 Stop at X, Broward & Palm Beach New Times, Michael MIlls, April 26, 2007 Asian Style and Taste, LA Times, Scarlet Cheng, January 11, 2007 Banquet Art Exhibition at Pacific Asia Museum, The Epoch Times, Dan Sanchez, Dec. 10, 2006 Critic's Pick, Miami Herald, Elisa Turner, December 8, 2006 Almost Famous, Ocean Drive Magazine, October 2006 Young at Art, Miami Herald, Elisa Turner, September 10, 2006 Galleries & Museums, Chicago Reader, September 8, 2006 Home Groan, Miami New Times, Carlos Suarez De Jesus, August 16, 2006 Cuatro Artistas en Casa, El Nuevo Herald, Jose Antonio Evora, August 8, 2006 Urban Sprawl, Sun - Sentinel, Emma Trelles, July 30, 2006 Exploring Urban Life With Art «WLRN ArtStreet with Meredith Porte, July 2006 Around Town, Coral Gables Living Magazine, June / July 2006 Five Years and Going Strong, Design Miami Magazine (vol.1, No. 2), Tiffany Chestler, May 2006 Metro - Pictures, Miami Herald, Elisa Turner, May 14, 2006.

This acclaimed solo show, organized by the Whitney Museum of American Art and now on view at the Dallas Museum of Art, looks back on her 20 - year career through more than 60 works and objects, from early pieces made in the mid-1990s to more recent installations and paintings.

As suggested by their titles — The Audition, The Rehearsal and The Interview — in each of the three installations making up The Woods, a particular show business ritual becomes the locus of meaning through which to more broadly reflect upon and decode the machinery of mainstream entertainment.

Here, the title of the exhibition is presented again on more spectrum paintings that act as backdrops for the various objects of the installation — its presence acting as the link throughout the show.

Wednesday night, dyke icon K8 Hardy opens a mysterious solo show at Stap - On Projects while Thursday offers a one - night - only performance / installation from Scottish duo Ruby Pester and Nadia Rossi, who will be tackling sexuality, gender, and more at Bannerette.

With more than 250 works on show, the exhibition explores the tireless experimental spirit that drives Raysse's entire artistic output, from his small, playful sculptures to the self - discipline of drawing; from films expressing the libertarian trends of the 1970s to Raysse's use of neon as colour; and from installations celebrating consumer society to his paintings, which represent the most complete aspect of his work — among them, transcriptions of great Renaissance masterpieces, female portraits, large group paintings, and imaginary landscapes.

Today's edition features a pair of much - antipated exhibitions of new works by Nick Cave at Jack Shainman Gallery, art and civil rights at Dartmouth, a Hank Willis Thomas public art installation in Chicago, Kara Walker in a works on paper group show, and more:

, The Creators Project, July Rees, William, «Yuri Pattison: user, space», this is tomorrow, July Parson, Elly, «Blurred Lines: Yuri Pattison questions the viability of live / work spaces», Wallpaper, July Thorne, Harry, «Network Control», Frieze, July Piejko, Jennifer, «Art Basel and Liste», Art Agenda, June Fattori Franchini, Attilia, «Yuri Pattison», Kaleidoscope, Issue # 26, Winter 2015 Herbert, Martin, «British Art Show 8», Frieze, November Dell, April, «Abjection in the Digital Age at Import Projects», BerlinArtLink, September Bondi de Antoni, Alexandra, `'» Abjects» examines the vulnerability of the real world in the digital age», i - D, September Sherwin, Skye, «10 Artists You Should Meet», 10 Magazine, August Nettel, Michaela, «Yuri Pattison: «There needs to be more knowledge sharing within the London art community», www.a-n.co.uk, July van der Heide, Bart, «Yuri Pattison», interview, Mousse # 49, June 2015 Bondi de Antoni, Alexandra, «cosmos carl», i - D, June Pattison, Yuri, «The Crypt of Civilization 1940 — 2015 ---------8113», commission, Art Papers, May Joel, Dean, «Morphing Overnight», this is tomorrow, April Guggenheim, Katie, Sleek Magazine No. 45, Spring 2014 Khan, Nora N., «Free Traveller at Cell Project Space», DIS Magazine, November Grace, Banks, «Installations, installations and... installations», Elephant Frieze Review, October Dixon, Tim, «Yuri Pattison: Free Traveller» review, this is tomorrow, October Thorpe, Harriet, «Yuri Pattison: Free Traveller», Studio International, October Benson, Louise, «Free Traveller» interview, POST Matter, www.postmatter.com, September Hothi, Ajay, «Lonely Arts», Art Monthly # 379, September Rochat, Jeanne - Salomé, «colocation, time displacement» feature, Novembre Magazine # 9, Spring 2014 Archey, Karen, «RELiable COMmunications» cover feature & interview, Art Papers, May / June Robertson, Adi, «Reliable Communications» turns Soviet message boards into online art», The Verge, www.theverge.com, March Luke, Ben, «Web of Intrigue», The Art Newspaper Number 254, February Kay, Jean, «An Interview with Yuri Pattison», www.aqnb.com, January 2013 Davidson, Laura, «Traveling Through Layers: Yuri Pattison and his Leakers», www.rhizome.com, Jan 2012 Davies - Crook, Susanna, Yuri Pattison: Faraday Cage, interview, www.dazeddigital.com, March Nairne, Eleanor, «Yuri Pattison» focal - plane review, Frieze # 145, March 2011 Bailey, Stephanie, «Yuri Pattison, focal - plane» critic's pick, Artforum, December Symester, Chantelle, «Yuri Pattison: Focal - Plane» interview, www.dazeddigital.Installations, installations and... installations», Elephant Frieze Review, October Dixon, Tim, «Yuri Pattison: Free Traveller» review, this is tomorrow, October Thorpe, Harriet, «Yuri Pattison: Free Traveller», Studio International, October Benson, Louise, «Free Traveller» interview, POST Matter, www.postmatter.com, September Hothi, Ajay, «Lonely Arts», Art Monthly # 379, September Rochat, Jeanne - Salomé, «colocation, time displacement» feature, Novembre Magazine # 9, Spring 2014 Archey, Karen, «RELiable COMmunications» cover feature & interview, Art Papers, May / June Robertson, Adi, «Reliable Communications» turns Soviet message boards into online art», The Verge, www.theverge.com, March Luke, Ben, «Web of Intrigue», The Art Newspaper Number 254, February Kay, Jean, «An Interview with Yuri Pattison», www.aqnb.com, January 2013 Davidson, Laura, «Traveling Through Layers: Yuri Pattison and his Leakers», www.rhizome.com, Jan 2012 Davies - Crook, Susanna, Yuri Pattison: Faraday Cage, interview, www.dazeddigital.com, March Nairne, Eleanor, «Yuri Pattison» focal - plane review, Frieze # 145, March 2011 Bailey, Stephanie, «Yuri Pattison, focal - plane» critic's pick, Artforum, December Symester, Chantelle, «Yuri Pattison: Focal - Plane» interview, www.dazeddigital.installations and... installations», Elephant Frieze Review, October Dixon, Tim, «Yuri Pattison: Free Traveller» review, this is tomorrow, October Thorpe, Harriet, «Yuri Pattison: Free Traveller», Studio International, October Benson, Louise, «Free Traveller» interview, POST Matter, www.postmatter.com, September Hothi, Ajay, «Lonely Arts», Art Monthly # 379, September Rochat, Jeanne - Salomé, «colocation, time displacement» feature, Novembre Magazine # 9, Spring 2014 Archey, Karen, «RELiable COMmunications» cover feature & interview, Art Papers, May / June Robertson, Adi, «Reliable Communications» turns Soviet message boards into online art», The Verge, www.theverge.com, March Luke, Ben, «Web of Intrigue», The Art Newspaper Number 254, February Kay, Jean, «An Interview with Yuri Pattison», www.aqnb.com, January 2013 Davidson, Laura, «Traveling Through Layers: Yuri Pattison and his Leakers», www.rhizome.com, Jan 2012 Davies - Crook, Susanna, Yuri Pattison: Faraday Cage, interview, www.dazeddigital.com, March Nairne, Eleanor, «Yuri Pattison» focal - plane review, Frieze # 145, March 2011 Bailey, Stephanie, «Yuri Pattison, focal - plane» critic's pick, Artforum, December Symester, Chantelle, «Yuri Pattison: Focal - Plane» interview, www.dazeddigital.installations», Elephant Frieze Review, October Dixon, Tim, «Yuri Pattison: Free Traveller» review, this is tomorrow, October Thorpe, Harriet, «Yuri Pattison: Free Traveller», Studio International, October Benson, Louise, «Free Traveller» interview, POST Matter, www.postmatter.com, September Hothi, Ajay, «Lonely Arts», Art Monthly # 379, September Rochat, Jeanne - Salomé, «colocation, time displacement» feature, Novembre Magazine # 9, Spring 2014 Archey, Karen, «RELiable COMmunications» cover feature & interview, Art Papers, May / June Robertson, Adi, «Reliable Communications» turns Soviet message boards into online art», The Verge, www.theverge.com, March Luke, Ben, «Web of Intrigue», The Art Newspaper Number 254, February Kay, Jean, «An Interview with Yuri Pattison», www.aqnb.com, January 2013 Davidson, Laura, «Traveling Through Layers: Yuri Pattison and his Leakers», www.rhizome.com, Jan 2012 Davies - Crook, Susanna, Yuri Pattison: Faraday Cage, interview, www.dazeddigital.com, March Nairne, Eleanor, «Yuri Pattison» focal - plane review, Frieze # 145, March 2011 Bailey, Stephanie, «Yuri Pattison, focal - plane» critic's pick, Artforum, December Symester, Chantelle, «Yuri Pattison: Focal - Plane» interview, www.dazeddigital.com, December

More to the point is how the show installation was displayed, via such visual pyrotechnics as to place a 1977 red McCracken next to a 2007 Larry Bell cube.

Idris Khan's second solo show with the gallery, will consist of two major sculptural installations and a number of new photographic works that interlink seemingly disparate ideas of religion, Minimalism, music and poetry Khan's new body of work has a more formal engagement with the material he appropriates, in order to elicit a kind of lyricism and spirituality using a Minimal aesthetic.

Whilst in Hear, There, Where the Echoes Are (2016), beams of light and color pour into the space and over visitors through a kinetic installation of sound and light, with five projectors synchronized to the rhythm of a drum score, showing a more performative aspect of Rosa Barba's work.

Considering that Henrot has previously been best known for her sculptural installations, the video expands her body of work in a tremendously compelling way and ensures that we'll be seeing much more of the artist in museum and gallery shows in coming years.

The show will feature more than 30 works including books, a work on canvas and works on paper, each self - contained but displayed as a coherent and powerfully poetic installation.

Related to her memorable installation presently at the New Museum, it shows an imaginary black dancer in a blue leotard in a bold pose reminiscent of Sargent's Madame X (1883 — 84), and equally boldly painted — few artists have more strongly claimed and reconfigured European painterly traditions than she.

Two of his more recent installations will also be on show, Notes Towards a Model Opera (2015), about the Cultural Revolution in China, and O Sentimental Machine (2015), produced for the Istanbul Biennale.

The show also includes a fifteenth - century de Medici Studiolo, a Kienholz installation with junked but working radios, and a room with a crazy - quilt salon hang of more than fifty paintings from the 1980s forward.