Sentences with phrase «shows of a single artist»

Fortunately, a number of galleries offered «Kabinetts» - small shows of a single artist within a larger booth, and a very small minority devoted their booth exclusively (or nearly so) to the work of a single artist.
Solo exhibitions at Tate almost invariably take the form of retrospectives - in its London incarnations, the gallery leaves large - scale shows of a single artist's recent work to the city's major «kunsthalles».

Not exact matches

The singer first gained notoriety for her viral single «OctaHate,» which garnered praise from artists ranging from Top - 40 stars like One Direction's Harry Styles and Paramore's Hayley Williams to indie darlings Passion Pit, but it was her live show's kinetic stage presence and crystalline vocals that proved she has the makings of indie - pop superstar, not just a YouTube celebrity.
GHOST IN THE SHELL What looked like an ordinary supernova, shown in this artist's illustration, might be the result of a single star exploding at least three times, blowing off expanding shells of gas each time.
There are an infinite number of striking or subtle ways that comic book writers and artists can convey exposition, character details, psychological states, and simultaneous events occurring in parallel storylines; you can do stuff like expand a single decisive instant so that it fills up six pages, or show Spider - Man swinging through midtown Manhattan in a full - page splash panel dotted with thought balloons that summarize a year's worth of his life.
But it does show that there is more than one way to create great art, and it is not necessarily the product of toil and agony from a single tortured artist.
Show Description: Playing on the metaphor for our need for variety foods, each hour is a curated look at great albums (not singles) from remarkable artists in a variety of styles, both indie and mainstream.
We normally do this training for just a couple of hours per week over 4 weeks, but if you join this time around, I'll show how to identify and communicate what makes you unique as an artist, write compelling online stories that connect with buyers, and start making regular online sales in a single - day workshop, with follow up to make sure you got it!
As her new work, A Single Voice, goes on show at BALTIC, the artist talks to Imelda Barnard about dismantling an opera about space, and the power of the human voice
By KEN JOHNSON Published: March 7, 2013 It would be hyperbolic to call it a revolution, but it is a significant development: Of the 72 vendors taking part in this year's Art Dealers Association of America Art Show at the Park Avenue Armory, 40 have dedicated their booths to single artistOf the 72 vendors taking part in this year's Art Dealers Association of America Art Show at the Park Avenue Armory, 40 have dedicated their booths to single artistof America Art Show at the Park Avenue Armory, 40 have dedicated their booths to single artists.
The seventeen - artist show contained over eighty artworks, each artist represented by a group of works from a single series, as if no individual work were convincing enough on its own.
Rather than the usual collection of cash - cow artists, Lisson shows a single work, a huge spiral Plexiglas corridor by veteran American artist Dan Graham.
At last she gets a small retrospective at the Dia Center, with its deep commitment to a single artist, plus a strong gallery show of recent work.
Continuing a pattern established early in its history, the gallery consciously develops a program of surprising juxtapositions within and between exhibitions alternating between single artist shows, curated group exhibitions, and historical exhibitions.
Even when they featured the work of a single artist — mimicking the one - person shows viewers are used to seeing in galleries, as in the Frame section of Frieze, devoted to new galleries presenting individual artists — the hangings were thrown together in a way that never would have been countenanced in a gallery.
ELIGIBILITY: Must be an artist included in the Whitney Biennial NUMBER OF WINNERS: One YEAR INSTITUTED: 2000 WHY IT»S IMPORTANT: The Whitney Biennial represents the pinnacle of the American art world, and this award focuses the prestige of the show on a single artist — often heralding the launch of an artist into fame (and certainly fortuneOF WINNERS: One YEAR INSTITUTED: 2000 WHY IT»S IMPORTANT: The Whitney Biennial represents the pinnacle of the American art world, and this award focuses the prestige of the show on a single artist — often heralding the launch of an artist into fame (and certainly fortuneof the American art world, and this award focuses the prestige of the show on a single artist — often heralding the launch of an artist into fame (and certainly fortuneof the show on a single artist — often heralding the launch of an artist into fame (and certainly fortuneof an artist into fame (and certainly fortune).
As per tradition, The Armory Show will present different sectors of its rich exhibition programs, which includes Armory Presents, dedicated to single and dual artist presentations by galleries fewer than ten years old and exhibiting in Pier 94, a section devoted to contemporary galleries.
On the one hand his five paintings, including the famous Green Target and White Flag, are perhaps the strongest single body of work in the show, but on the other, one suspects Johns was the only artist not to be represented with a recent work because it is a fashionable position to assume only his early nark counts.
Each year, ADAA members wishing to participate in The Art Show submit proposals that outline inventive curatorial concepts for single artist, dual, or group exhibitions — a process which ensures the high standard of artistic quality and connoisseurship that has become synonymous with the fair.
It's a show that features the work of eleven artists and collectives, including Piotr Bosacki, Little Warsaw and Ex-artists» Collective among others, presenting speculative alphabets, a classroom, educational videos and sculptures articulating the complexities of communication and the unresolvable problem of engineering a single, unifying tongue — a «universal (perfect) language» — within that.
The intimate, small space of White Conduit Projects makes the show seem all the more ambitious; many curators would select a single medium and then artists accordingly, yet Sarah Pager and Yuki Miyake have utilised the space excellently.
As Sally Morgan Lehman, Founder and Director at Morgan Lehman Gallery explains, for The Armory Show the gallery is structuring their booth around a single installation by a young New York City artist who constructs her work around the premise of combining opposite notions and using that new concept as a foundation for her reinvented Baroque still lives or the 18th century Roman Ruins after Giovanni Battista Piranesi.
Wurm's debut at Lehmann Maupin's Chelsea home was his first solo show in New York in nearly a decade and it (along with a single project simultaneously on view at his longtime West Coast dealer Jack Hanley's Watts Street space) provided a welcome encounter with the more physical, artifactual side of the artist.
Famous as the world's largest open submission show, there are certain things the Summer Exhibition delivers on every single year: a panorama of art in all mediums, a remarkable mixture of emerging artists and household names, and more to see and explore than any other exhibition you're likely to visit this year.
The work of CPLY has been the subject of numerous single artist shows and a traveling retrospective at the Kunsthalle Bern, Centre Georges Pompidou, and the Stedelijk Van Abbesmuseum, and has been exhibited in several important group exhibitions, including documenta 5 and documenta 7.
There are scores of other recent examples of secret art — shows of paintings by Wade Guyton and Stephen Prina that appear suddenly, announced to only a select group, each year for a single day at Friedrich Petzel Gallery (most recently in March); a two - person show last summer at the Untitled gallery with a rear wall that, when pushed, swiveled and, like a James Bond - style hidden - door bookcase, opened onto a prodigious group show; the recent obsession over Kraftwerk's über - secret studio in Germany in advance of the group's MoMA retrospective; the hidden rooms and trap doors in Swedish artist Klara Lidén's shows (there's one in her current New Museum retrospective); and a drawing by David Hammons at MoMA that was covered with a cloth and unveiled only a few minutes a week by appointment at select times.
Another beautiful work is the slightly smaller Untitled (1979 — 83), showing rows upon rows of red curls on a cream background, every single one handsewn onto the cloth by the artist.
In this essay Judd surveys a number of New York's most significant museums («The exceedingly impressive Frick Collection is small enough to be seen in a few hours»; «It is The Museum of Modern Art which has shown the power and quality of American Art»), as well as an assessment of notable galleries, singling out Green Gallery, an uptown gallery that showed work by downtown artists.
The show also provides viewers a deeper understanding of the artist's progession into the single stroke canvas works of the present day.
«Accrochage» is an experiment based on a single, simple rule: select eighty works, which have never been shown since they became part of the Pinault Collection and underline the artist's search and creative process, not the work's aesthetic.
This exhibition is part of a series of focus shows concentrating on a single project or body of work within an artist's larger practice which began last May with presentations by Apichatpong Weerasethakul and Gustav Metzger.
The show will investigate the possibilities that result when artists work in the seemingly reductive manner of limiting their palette to a single color or a tight tonal range.
Appropriated collectibles, souvenirs and reproductions from the town dominate this show, which grew exponentially out of a single matchbook the artist found from a Galesburg restaurant (that has long since closed) where he performed as a musician when he was a just snot - nosed punk.
Retrospectives look back over the work of a single artist; other common types are individual expositions or «solo shows», group expositions (collective exhibitions or «group shows»), or expositions on a specific theme or topic («survey shows»).
In Vanitas I and Vanitas II (both 1992), the artist foregrounds, isolates and juxtaposes single animals, insects or elements which clearly show signs of or comment on death.
Pratt Institute's Department of Film / Video and Photography will present a solo show of two bodies of work by artist Fred Camper titled «Figments,» that feature digitally altered images of increasingly low resolutions based on original single photographs.
Following a fiercely guarded sense of individuality, the exhibition presents a selection that is domestic, functional, private, abstract, descriptive, discursive and decorative — intending to show that there is no single standard for what we consider a «woman» artist and in doing so, calling into question its own premise of staging an all - women show in 2017.
VoltaNY, the invitational show that focuses on single - artist exhibitions during, captures you with a vibrant energy as soon as you enter the 11th floor of the 7W34 building!
But as late as 1981, when Arneson was shown with five other like - minded California ceramic sculptors in the Whitney Museum exhibition, Ceramic Sculpture: Six Artists, there was a backlash, with New York Times art critic Hilton Kramer singling out Arneson as dominated, «by a gruesome combination of bluster, facetiousness and exhibitionism — plac [ing] a fatal limit on what his gifts allow him to accomplish, or even to conceive.
The Museion show opens with the wall screen - print Prisoner of yourself (1996/2012) and continues on the fourth floor of the museum, where it has been conceived as a single large installation: the layout reflects the artist's metaphoric, associative modus operandi, which rejects academic classifications and timelines.
The godfather of these freewheeling intramural hijinks is the late German artist Martin Kippenberger, who's the show's eminence gris, though he has only a single painting here (fittingly, it's screwed to the wall like an Old Master painting).
Opening on November 5th the gallery will show a selection of 35 single channel video tapes, all of which were produced by artists living and working in Southern California between the 1970 and 1993.
Rowing's Reverse Repeat programme is a framework that enables two artists «to collaborate on a single exhibition, create two independent solo shows, or some mixture of the two».
This show may not offer any big new revelations about the nature of the circle, but it brings together a magnificent, occasionally mad cornucopia of rounded works, from the London Underground sign from Oval station to magical pieces of Zen Buddhist calligraphy, created during a single exhalation of breath; from Marcel Duchamp's Anaemic Cinema, a whirling «psychedelic» animated film from 1925, to Chicago artist Theaster Gates's A Complicated Relationship between Heaven and Earth, in which a stuffed goat on a tricycle, originally used in Masonic ceremonies, runs noisily round a circular railway track.
The show isn't limited to a single generation of artists.
The show is comprised of nine distinct sections, each one presenting a single artist's work.
The centerpiece of this show, the sculpture park's first devoted to a single artist in its entire history, will be Scapegoat, a 40 - foot - long model of a goat's head attached to a long wood structure.
The 45th edition of the mammoth fair, including 285 galleries from 34 countries, includes the customary Unlimited and Statements sections, which feature large - scale projects by single artists and solo shows by emerging artists respectively.
No single work or artist is given priority over another, and the impact of each piece is felt in the dialogue created between works, within the greater collectivity of the show.
And the young French artist Davide Balula makes good use of the space in a solo show that consists of a single, succinct visual gesture that questions the solidity of architecture.
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