Since then and throughout all the years of the 1950s, her artworks
showed tendencies to be highly focused on the center, meaning that the majority of main
pictorial incidents took place in the middle of the canvas, while the edges were of little consequence to the
composition as a whole.
The
show attempts to bridge the gap between the two bodies of works by engaging the issue of
pictorial representation as an abstraction of depicted objects — a far - reaching pursuit for
compositions and techniques that seem fairly simple and straightforward on the surface.