Sentences with phrase «side galleries display»
The main gallery is host to a wide range of tapestries and church and funerary statuary, while side galleries display smaller works of precious metals and ivory, including reliquary pieces and secular items.
https://en.wikipedia.org/ Not exact matches
The gallery app has a similar layout, with the right side of the screen displaying the pics in a particular folder, while the left side shows you all your gallery folders.
This current photo gallery we have on display was in fact captured last Friday the 20th, from over on the East side of the island.
Superflex the Danish Collective best known for displaying a giant Euro coin on the side of the Hayward Gallery have been chosen to undertake this year's Hyundai Commission for Tate's Turbine Hall, opening on 3 October 2017.
Displayed around the gallery side - by - side, essentially in deep conversation with one another, the bold statement made by the suite of blue canvases renders the Afro Margin drawings (2004 - 07) in the adjacent alcove dull by comparison.
This element of the installation is an exciting and somewhat subversive reference to the renovation of the space into a gallery, highlighting as it does the hybridisation of styles that the Serpentine Sackler itself displays: the original gunpowder store's red - brick functionality, with its classicised facade, and the organic white plastic and glass extension attached to its left side by Zaha Hadid Architects, 208 years later.
Accompanying work by Zachary Garrett on display in the side gallery.
The cozy NEWD Art Show, on Johnson Avenue, featured the Lower East Side gallery Regina Rex, which displayed several of Hannah Barrett's playfully deviant folk - arty takes on the traditional portrait and still life; Greenpoint's 106 Green, an artist - run space showing gently noirish figurative paintings by Beijing - raised Xinyi Cheng; and Greenpoint Terminal, offering Eric Shaw's meticulous but sardonically wobbly hard - edge abstractions.
The exhibition features a new series of works titled Side Effects — a number of custom - made glass vases displayed throughout the main gallery space.
This past weekend featured a vast array of art on display in Lower East Side galleries.
It ranges from a rebus - like experimental film telling a French fairy tale (also on display, incidentally, in a concurrent show at Michael Werner gallery on the Upper East Side), to a full - sized recreation of his own Brussels apartment — the walls studded with words relating to art - making («Canvas,» «Museum,» «Composition,» etc.).
Many of the artists I encountered were peers from New York and abroad, and I felt as if being able to show at these fairs was an attainable goal insofar as they tended to reflect the kind and caliber of work on display at many a gallery in Bushwick, the Lower East Side, and Chelsea as well as at pop - up and grassroots venues elsewhere.
However, this allows the main galleries to display much of the Met's Byzantine art side - by - side with European pieces.
Inner Worlds Outside, at the Whitechapel Gallery in London, displays the work of «outsider» artists alongside that of established masters to suggest they are two sides of the same story of modern art.
A four - sided vertical LED sign swinging from a robotic art suspended from the gallery ceiling, MOVE references the international refugee crisis and the devastating humanitarian consequences of Syria's ongoing civil war, displaying some 131 individual eyewitness accounts.
Examples were Do Ho Suh's simple but staggeringly beautiful display of threaded drawings and pastel rubbings of mundane interior objects on paper at STPI and Nevin Aladag's heavenly - sounding Music Room series, featuring a chair, lamp, hat stand and side table which had been turned into musical instruments at Wentrup Gallery Berlin.
Located in the heart of the burgeoning Lower East Side gallery scene, this event provides an opportunity to visit over 30 contemporary artists who will have their current artwork on display in their studios.
Located in the heart of the burgeoning Lower East Side gallery scene, this large scale event provides an exciting opportunity to visit many contemporary artists at once who will have their artwork on display in their studios.
Burge's pieces on the other side of the second floor, several of which date back to 2009 and 2011, are displayed in conventional gallery fashion, but with an emphasis on keeping the naturally - lit room as spare as possible.
«Jasper Johns and Edvard Munch» closes with a gallery devoted to the artist's four, exhilarating Seasons — Spring, Summer, Fall, Winter — displayed side - by - side.
The Upper East Side's Van Doren Waxter Gallery now represents the Hedda Sterne Foundation, and will display a selection of Sterne's works from April 2 to May 1.
Then in 1979 some examples of his painting, which were displayed in an «alternative» Lower East Side gallery, were noticed by Henry Geldzahler (1935 - 94).
Within an intimate gallery context in the heart of the Upper East Side, the work of emerging and established artists is displayed in dynamic group exhibitions and concise solo presentations.
The first mature figurative works encountered in the exhibition are drawings hung across one side of a corridor dividing the rooms holding Graham's early, scattershot experiments from a long, grand gallery displaying the more consistent and polished later paintings.
Palestinian artist Yazan Khalili presents newly commissioned works at Dubai gallery Lawrie Shabibi in «On the Other Side of the Law» on display until 27 June 2017.
In the former, presented on the left side of the Gallery, a series of vitrines showcased within a scaffolding structure displayed information and materials mapping organisational logic used by today's computer - hacker communities.
«Concurrent with the display of La prière des absents in Marrakech, in New York the artist recently had a solo exhibition at Aicon Gallery, Love Side by Side with the Soul, where one could come closer to the surface of his vases and view them with other works, such as a series of banners called The Invisible Masters.
Displaying time - honoured techniques and innovative methods side - by - side, exhibitors such as the Hive Centre for Contemporary Art, Beijing; Pékin Fine Arts Gallery, Beijing; Barry Friedman, New York and the British Council emphasise the breadth of artistic practice.
2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES
Designed by the Japanese architect Yoshio Taniguchi, the western side of the complex, housing The Peggy and David Rockefeller Building, now contains the main display galleries, while The Lewis B and Dorothy Cullman Education and Research Building to the east has been greatly expanded to house a series of classrooms, auditoriums, workshops and studios, as well as the museum's archives and library.
Now, Howard Greenberg Gallery in Manhattan is displaying their style - setting images side by side, for the first time.
A new photography exhibition of work by Lee Miller at The Lightbox gallery and museum in Woking will display a rarely - seen, carefree side to the iconic artist, Pablo Picasso.
The show, the first to display the two photographers» work side by side in a gallery setting, presents a trove of nearly 60 photographs taken between the 1920s and»60s by the couple and their colleagues, including Irving Penn, Erwin Blumenfeld, Louise Dahl - Wolfe, Gordon Parks and Man Ray.
Broad windows in the walls of the white cube - style galleries will side light the spaces, giving curators working with Piano's top - lit galleries more options to display light - sensitive or demanding works.
The Lower East Side had an unusually robust sampling of painting and sculpture by rising talents on display, announcing a few names that we're going to hear more from down the line — including the new gallery Chapter NY, which debuted with a very strong show by the young artist Sam Anderson.
The exhibition will transfer to Ordovas» outpost gallery space in New York, a townhouse on the Upper East Side, from 4 November 2016 — 7 January 2017, while a smaller presentation of works illustrating the artistic and personal relationships between composer John Cage (1912 - 1992), choreographer Merce Cunningham (1919 - 1992), and the visual artists Cy Twombly (1928 - 2011), Jasper Johns (b. 1930) and Robert Rauschenberg (1925 - 2008) will remain on public display in London until 16 December 2016.
The exhibition features a new series of works titled Side Effects — a number of custom - made glass vases displayed throughout the first floor of the gallery.
While this painting is displayed centrally in the gallery space, it is flanked on either side by two smaller paintings to round out the installation: Face of God, and Dads.
California - native and New York based artist Nick Theobald's latest exhibit, «Nick Theobald: WITH HONEY FROM THE ROCK» is currently on display at the Richard Taittinger Gallery in the Lower East Side through December 12.
The Gagosian's exhibition «Franz West: Möbelskupturen / Furniture Works,» running between Sept. 11 and Nov. 7 at its Upper East Side space on 976 Madison Avenue, displays what the influential gallery calls in promotional materials «literally paintings to be sat on.»
Superflex the Danish Collective best known for displaying a giant Euro coin on the side of the Hayward Gallery have been chosen to undertake this year's Hyundai Commission for Tate's Turbine hall.
The dispute — between the gallery and two artist associations — goes back to 2007, during a negotiation in which the sides were attempting to sort out minimum copyright licensing fees for displaying work (on web sites, in publications, etc..)
There are three real life images included in the gallery, and as you can see, the phone will sport a curved display on both sides.
A small gallery on one side of the bed displays vintage artworks and etchings, framed in various shades of wood to add contrast and whimsy and create a focal point when entering the space.