The show, the first to display the two photographers» work side by
side in a gallery setting, presents a trove of nearly 60 photographs taken between the 1920s and»60s by the couple and their colleagues, including Irving Penn, Erwin Blumenfeld, Louise Dahl - Wolfe, Gordon Parks and Man Ray.
Not exact matches
Sidewalk cafes, bistros, boutiques, art
galleries and gourmet delicatessens line the cosmopolitan French
side of the island, Saint Martin, and major cruise ship destination, the Dutch half, Sint Maarten, boasts an array of stores, restaurants, bars, casinos and clubs, all
in a Caribbean beach
setting.
They draw ample, indirect sunlight, with overhead windows
set to one
side, rather than
in the soaring lofts and cathedrals of many a Chelsea
gallery.
In this biting but elegant 33 - piece retrospective
set to Japanese court music, Hammons» gimlet eye transforms the
gallery's white - walled East
Side town house, pairing, among other things, a paint - splashed fur coat with a boarded - over mirror and redefining the meaning of art.
It was with the same poise that the rest of the work
in this long - awaited, artist - conceived exhibition inhabited Mnuchin
Gallery, filling two stories of the Upper East
Side town house with a subtle menace and a
set of social concerns that the neighborhood's brass - handled doors and iron gates seem designed to keep out.
RNG acknowledges the perception «that artists might not be as good at running the business
side of the
gallery, but this ultimately points to a different
set of values that artist - run spaces like RNG have — one that prioritizes and deals
in creative capital over financial capital.»
To supply a
setting for these props and characters, Stahl pitched two rectangular tents with the markings of ammo boxes
in the middle of the
gallery, each titled after the bullet brand name emblazoned on its
sides: American Eagle and Brown
Set in the fourth - level
side galleries of the Solomon R. Guggenheim Museum, Josef Albers
in Mexico is a hushed retreat from the noise of its erstwhile neighbor.
In her solo exhibition at NURTUREart
gallery, Jenny Santos presented us with a one -
sided setting of a familiar looking construction.
Although not included
in the Lower East
Side gallery's physical space, the black - and - white photograph
sets an immediate tone of flouting convention.
Featuring a playful scene of three nuns
in an art
gallery with a towering marble sculpture off to the
side, this piece captures Canevari's theme of nuns
in relatively secular
settings.
The centerpiece of the exhibition presents a large - scale installation featuring the props and stage
set for Three Sisters, the accompanying film playing
in the
side gallery.
[citation needed] For his first New York City solo show
in 1973, Buren suspended a
set of nineteen black and white striped squares of canvas on a cable that ran from one end of the John Weber
Gallery to the other, out the window to a building on the other
side of West Broadway and back.
Now, Howard Greenberg
Gallery in Manhattan is displaying their style -
setting images
side by
side, for the first time.
Set in Chelsea and the Upper East
Side, the exhibitions join new
gallery shows opening across New York City through October 16, 2016.
When holding
in landscape, you have the flash toggle, front - facing camera toggle, HDR toggle and
settings shortcut on the left
side with the different modes, video shutter, picture shutter and a shortcut to the
gallery available.