Sentences with phrase «side walls of the gallery»

The side walls of the gallery had elegant, enlarged still images from the indoor performance at St. Mark's Church (New York City).

Not exact matches

On the other side of the room, I have my super comfy rocking chair, her gallery wall, and the dresser / changing table.

Hi Carrie, perhaps you've missed it in other posts, but our tv is on the other side of the room, with a gallery wall behind it.

When it's time to start hanging the gallery wall, we suggest starting at the bottom of the arrangement at either one side or the center, and simply building off of it.

Or perhaps get your creative thinking caps on when you visit the East Side Gallery of the Berlin Wall.

Hotel Indigo Berlin City - East Side is set to become the heart and soul of the dynamically growing urban quarter along the East - Side - Gallery (remains of the Berlin wall).

I remembered where it was installed the gallery, on the back side of the back dividing wall.

The existing divider wall of the gallery is coated with a gray stucco - like material on both sides.

Art has acquired a habit of filling a gallery to its limits or, like Urs Fischer, bursting through the gallery walls and floors and onto the Lower East Side.

A total of 14 black and white photographic works, framed in white and unmatted, and hung against cream colored walls in the main gallery space, the smaller side room, and the entry area.

«Untitled» (Placebo - Landscape for Roni), from 1993, is composed of a long stream of gold - foil - wrapped hard candies lining the seam between the gallery's floor and wall; two stacks of paper («Untitled,» 1989/90)-- one printed with the words «Somewhere better than this place,» the other «Nowhere better than this place» — lie side by side on the floor.

A founding member of the seminal Park Place Gallery in Soho and perhaps best known for The Wall, located on the side of a building not far from the gallery, Myers was part of an emerging downtown scene that ignored traditional boundaries between disciplines and between aesthetics and fuGallery in Soho and perhaps best known for The Wall, located on the side of a building not far from the gallery, Myers was part of an emerging downtown scene that ignored traditional boundaries between disciplines and between aesthetics and fugallery, Myers was part of an emerging downtown scene that ignored traditional boundaries between disciplines and between aesthetics and function.

Entering the galleries, visitors are invited to explore connections between a kaleidoscope of seemingly disparate objects such as Bentley's snowflake photographs, Shaker spirit drawings, Tibetan mandalas, Kabbalistic diagrams, and a wall - hanging by Iranian artist Monir Shahroudy Farmanfarmaian called First Family — Hexagon (2010) that uses six - sided forms.

You and I, Horizontal (III) consists of a pair of three - dimensional forms of «solid light», each thirty - five feet long, projected side by side from wall to wall in the Main Gallery.

In this biting but elegant 33 - piece retrospective set to Japanese court music, Hammons» gimlet eye transforms the gallery's white - walled East Side town house, pairing, among other things, a paint - splashed fur coat with a boarded - over mirror and redefining the meaning of art.

You've seen her work, even if you've never been to one of her shows — photography overlaid with coloured boxes filled with bold white Futura Oblique, or caps locked sans serif text that bears down at you from gallery walls and the sides and roofs of buildings.

It ranges from a rebus - like experimental film telling a French fairy tale (also on display, incidentally, in a concurrent show at Michael Werner gallery on the Upper East Side), to a full - sized recreation of his own Brussels apartment — the walls studded with words relating to art - making («Canvas,» «Museum,» «Composition,» etc.).

2017 A Show Yet to be Titled, Lucie Fontaine, New York SIX RIGHT, Fürstlich Fürstenbergische Sammlungen, Donaueschingen, Germany Salon Vogue, New Bretagne Belle Air, Essen 2016 ICHTS, Dortmunder Kunstverein, Dortmund Robert Bordo, Sam Anderson with Michel Auder, Bortolami, New York 2015 Anemic Cinecat: International Cat Art Film Festival, Anthology Film Archives, New York Greater New York, MoMA PS1, New York All back in the skull together, Maccarone, New York Looking Back: White Columns Annual, White Columns, New York 2014 In Free Circulation, mother's tankstation, Dublin Another, Once Again, Many Times More, Martos Gallery, New York Warm side of Zero, Overduin & Co, Los Angeles Die Geister, die ich rief werd» ich nun nicht los, Cookie Butcher, Antwerp International Woman's Day, Night Gallery, Los Angeles That Singing Voice, Marta Cervera Gallery, Madrid, Spain Morning and Evening Asylum, Tanya Leighton / Off Vendome, Berlin / Dusseldorf, Germany Objects of Thin Air, Foxy Production, New York 2013 Under the BQE, M / L Artspace, Brooklyn, New York Black Cake, Team Gallery, New York, New York 2012 How's Your Wall?

However, each was a standout, and Flavin's wall of light transformed Paula Cooper gallery, by adding and subtracting colors as one walked from one side to the other.

Lai experiments with painting installations in Double Exit (2011), which consists of two oil paintings, hung on either side of a wood panel that is fixed perpendicular to the wall, unexpectedly protruding into the gallery space.

More historical fantasies can be seen on the other side of the room in The Jubilant Martyrs of Obsolescence and Ruin, a stunning example of Walker's characteristic silhouette narratives in cut - out paper that unfolds across the length of the gallery wall.

He filled the whole of Gallery One with these new paintings hanging side by side along the walls.

Twenty - four panoramic seascapes hung three deep fill the side walls of the main gallery.

This reference is balanced by some local architectural history: The checklist reveals that a scuffed - up bit of deep blue - gray wall off to one side is a remnant of the museum's Gauguin print exhibition, these galleries» previous occupant.

Stapled to the left wall in a discernible oval grid, the individual threads disperse as they stretch to the opposite side of the gallery, optically mixing the original hues and varying their saturation.

Called «Other Side», the large - scale installation consumes Towner's upper gallery, presenting a façade of five wooden doors caught in a dense dark tangle of thousands of metres of black yarn extending from wall to wall, and from ceiling to floor.

The reproduction of a room from the actual Ganjiakou 303 apartment, where Zhu first made these pieces, can be found as an independent space inside the entrance on the right side of the gallery, complemented by a wall text relaying the ideas and discussions Zhu had with his artist friends whilst living there.

Speaking more practically, Mr. Kennedy's hanging platforms also offer a perfect solution for collectors that find themselves running out of wall space — which is understandable if they've been shopping on the Lower East Side, where galleries are notoriously reliant on painting shows.

In Ze & Per, her latest exhibition at Sadie Coles, a new series of paintings condense the cacophony of her performances and installations into wall - mounted pieces that burst forth from all sides of the gallery.

The gallery explains: «Drawing slanted lines on the front, sides, and bottom of the given space, Park completed an illusion as if the walls were skewed or the floor was rising up.

In Gallery Mark Mueller, Swallowed in Space comprises five, large, entire - body, paintings, effectively distributed around a spacious gallery, the side wall of which opens through glass doors onto a couGallery Mark Mueller, Swallowed in Space comprises five, large, entire - body, paintings, effectively distributed around a spacious gallery, the side wall of which opens through glass doors onto a cougallery, the side wall of which opens through glass doors onto a courtyard.

Palmsonntag is composed of a 40 - foot - long palm tree, cast in fiberglass and resin, that lies on its side across the Gallery floor, surrounded by a cycle of 44 massive panels hanging in rows on the walls above.

Her expansive piece «The Privilege of Conveyance» (2016, mixed media on paper) wrapped around the main surface of the gallery wall to inhabit the wall's side as two dimensions turned into three, both on the surface of her paper and in space.

The Calder gallery opens through glass walls on two sides to outdoor sculpture terraces; the east terrace is one of the great spaces of the new building, with a gigantic living wall of local vegetation as backdrop and slitted urban views.

You can't open the door to the Lower East Side gallery Chapter NY right now without bumping into a wall of plexiglass.

«For an auction house to represent a living artist is like MGM representing Fred Astaire — you can't tie up all the sides of a transaction,» Pace Gallery's Arne Glimcher told the Wall Street Journal.

Melodrama, Act 1 @ Luxembourg & Dayan A fun and surreal exhibition with Maurizio Cattelan's headless horse hanging from one wall and a whale's tail coming out of the opposite side of the gallery.

A roughly hewn slab of marbled granite juts from the wall of Lower East Side gallery On Stellar Rays.

Conceived by the artist with the Heiner Friedrich space in mind, Proposal for Heiner Friedrich, Munich, Six Rectangles, Copper Wire (Sculptural Study), 1969/2012 traverses three rooms with six rectangles that lean against each side of the gallery's parallel walls.

What could be interpreted as an abstract idea made sense when you look at Gates's work, most prominently a series of project spaces in South Side Chicago that located art outside the walls of galleries and institutions.

Broad windows in the walls of the white cube - style galleries will side light the spaces, giving curators working with Piano's top - lit galleries more options to display light - sensitive or demanding works.

which is presented folded in half down the long - side of the paper and wrapped inside an image of one of the empty Gallery walls

«we are sore - eyed scopophiliac oxymorons... disenfranchised aristocrats, under siege from our feudal heritage... our bread is buttered on both sides...» this was stencilled on the gallery wall as the artists introduction to the world over twenty years ago — fledglings from the nest of Gilbert & George, having once been their art technicians — yet arriving -LSB-...]

2008 «Character Project» — USA Network Commission Honored Educator, The Society for Photographic Education, Cleveland, OH Oxbow School, Napa, CA — Visiting Artist Residency 2007 Addison Gallery of American Art, Andover, MA - Edward E. Elson Artist - in - Residence 2006 Studio Museum in Harlem, New York, NY - Artist in Residence, «Expanding the Walls: Making Connections Between Photography, History, and Community» 2005 Addison Gallery of American Art, Phillips Academy, Andover, MA - Edward E. Elson Artist - in - Residence San Francisco Arts Education, San Francisco, CA - Artist - in - Residence 2003 Detroit Institute of Arts, Detroit, MI - Artist - in - Residence California State University, Monterey Bay, CA - Artist - in - Residence, The Reclamation Project 2002 John Simon Guggenheim Memorial Foundation Fellowship - Fellow in Photography David and Alfred Smart Museum of Art, The University of Chicago - Artist - in - Residence 2000 Federal Reserve Bank, Chicago, IL - Commission 1999 International Artist's Studio Program in Sweden (IASPIS), Stockholm, Sweden - Artist - in - Residence Percent for Art Commission, Chicago Department of Cultural Affairs - Midway Airport Center for Documentary Sudies at Duke University - «Idivisible» / A National Documentary Project Parrish Art Museum, Southampton, NY - Artist - in - Residence Yale University Art Gallery, New Haven, CT - Artist - in - Residence 1998 National Portrait Gallery, London - Artist - in - Residence 1997 Addison Gallery of American Art, Phillips Academy, Andover, MA - Edward E. Elson Artist - in - Residence Cleveland Center for Contemporary Art, OH - Artist - in Residence 1996 High Museum of Art, Atlanta, GA, «Picturing the South: The Commission Project» Wadsworth Atheneum, Hartford, CT, Residency Project Committee for Public Art Commission, Cleveland Public Library Virginia Beach Center for the Arts, VA / Colonial Boys and Girls Club, Norfolk, VA - Residency Workshop 1995 Walker Art Center, Minneapolis, MN - Artist - in - Residence Wexner Center for the Arts, Columbus, OH - Artist - in - Residence 1994 Percent for Art Commission, Chicago Department of Cultural Affairs - Mabel Manning Near West Side Branch Library 1993 The Museum of Modern Art, New York, MoMA Life Trustees Portrait Commission The George Gund Foundation, Cleveland, OH, Commissioned Project The Museum of Contemporary Photography, Columbia College and Providence - St.

The Other Wall, 2012, in contrast, sees randomness contained in the form of a monumental brick wall comprising, floor to ceiling, one complete side of the gallWall, 2012, in contrast, sees randomness contained in the form of a monumental brick wall comprising, floor to ceiling, one complete side of the gallwall comprising, floor to ceiling, one complete side of the gallery.

With an architectural refit of the four gallery spaces and three new films alongside sculptures and wall works in neon, smoke, haberdashery, commercial slat walls, vinyl siding and blown glass, BAD LAND is a narrative about the sliding scale of sovereignty, self - sufficiency and despair.

Michael Mahalchick: Canada Gallery Artforum International; June 22, 2004; Ammirati, Domenick; 700 + words Michael Mahalchick weaves and stitches scraps of scavenged cloth into raggedy wall hangings, lumpy totems, and squat, motley creatures, celebrating both quiet industry and its flip side, sensual languor.

MICHAEL MAHALCHICK Artforum International; July 1, 2004; Ammirati, Domenick; 700 + words MICHAEL MAHALCHICK CANADA GALLERY Michael Mahalchick weaves and stitches scraps of scavenged cloth into raggedy wall hangings, lumpy totems, and squat, motley creatures, celebrating both quiet industry and its flip side, sensual languor.

In Wall Drawing # 122, first installed in 1972 at the Massachusetts Institute of Technology in Cambridge, the work contains «all combinations of two lines crossing, placed at random, using arcs from corners and sides, straight, not straight and broken lines» resulting in 150 unique pairings that unfold on the gallery walls.

On the far side of the basement gallery at White Cube, a large section of the wall had been torn open to reveal a loading entrance, the doorframe behind the lacerated plasterboard wrenched outwards into the gallery.