Sentences with phrase «sides of the large sculpture»

On the mezzanine level, the three hundred stacked cardboard cartons in Box Sculpture engage the majority of the space, but if one explores around all sides, one finds a haphazardly placed series of nine framed prints, some leaning against the sides of the large sculpture, which offer selected images of the artist's earlier work.

Not exact matches

Huma Bhabha «With a Trace» Salon 94 Upper East Side April 22 — June 1 For Salon 94, Huma Bhabha presents a series of pastels relating to her commission for The Met's Iris and B. Gerald Cantor Roof Garde,, in addition to new large photo - drawings and sculpture.

A previous sculpture by this Los Angeles - based conceptual artist and musician, «Monument To Secrets Lost In The Night Of Time,» took the form of a large irregular seven - sided polygon (or heptagon) fabricated from door - frame componentOf Time,» took the form of a large irregular seven - sided polygon (or heptagon) fabricated from door - frame componentof a large irregular seven - sided polygon (or heptagon) fabricated from door - frame components.

After stripping the building down to its industrial skeleton and inserting large windows and doors on all four sides to flood the interior with daylight, Judd installed some twenty - two of Chamberlain's finest metal sculptures.

In this large - scale performance, lining both sides of the central axis through the park, performers, who will share a number of physical characteristics, will stand on individual pedestals, wielding sledgehammers, and pounding metal cubes, creating in the process a series of destroyed sculptures.

Highlights from the show include Royal College of Art graduate Jodie Carey's eight foot chandeliers made out of fluff from a hoover, Tom Price's animated, small scale sculpted plaster heads, Emma Puntis's mesmerizing miniature portraits, Tatsuya Kimata's ironic sculptures of everyday objects sculpted using traditional marble and stone carving skills, Doug White's majestic palm trees crafted from thousands of abandoned car tyres retrieved from road sides in Belize, Michael Lisle - Taylor's army uniforms crossed with straight jackets, which play to his 19 years in the Navy, and Boo Ritson's large - scale photographs of people she transforms into characters caked in thick paint, which have sold out in her second solo show only a year after graduating.

Among the works included are Jonathan Borofsky's Untitled ping pong table, which all are encouraged to play, it posits the opponents at odds with each other as one side of the table is a «plus» and the other is a «minus»; Andreas Gursky's large scale photograph depicts a soccer match between the Dutch and French teams, however with no ball in sight and a player injured on the field, the image speaks to the larger nationalistic ideas of sports; Mike Kelley's Arena # 2 (Kangaroo) is comprised of tattered stuffed animals on a used children's blanket, creating a tableaux about loss of innocence; Kirsten Geisler's interactive female cyborg beckons the viewer with sound recognition software to engage in a dialogue of sorts; Yinka Shonibare's sculpture Hopscotch incorporates a classic children's game with headless mannequins dressed in Colonial attire and Sol LeWitt plays a game of chance in his wall drawing # 716 from 1991 in which there are eight possible lines (vertical lines, horizontal lines, arcs, etc) to be placed in each square of a grid covered wall.

Other ambitious, memorable projects Ms. Pasternak oversaw during her two decades at the high - profile organization include Kara Walker's monumental sugar sphinx sculpture, A Subtlety, at the Domino Sugar Factory, and Doug Aitken's large - scale film projection Sleepwalkers on the side of the Museum of Modern Art, among many others.

Chowdhury's sculptures are infused with the artist's humour, commenting on the dark side of human nature and the consequences of humanity's contemporary conduct, evident in works such as Opinion, where two men face each other with swords, Audacity, in which a man holds a pistol and has guns for legs, or Freedom, where a man is trapped in a small cage within a larger cage.

It does not feature any of Jeff Koons's recent signature large - scale sculptures, with all but one of the works on the relatively small side.

, a large - scale kinetic sculpture installation composed of double - sided glass panel mirrors, with an excerpt of text cut out of each mobile panels.

The large works that have occupied him since 1969 are, in brief: Hubris, commissioned for the University of Hawaii at Manoa, one of Smith's most open and regular pieces to date, which consists of a two - section, 9 - by - 9 grid in black concrete, one half thin slabs at ground level, the other half the same grid raised to 3 feet 3 inches by a four - sided pyramidal module; Batcave, a complex environmental interior designed to «mold space and light» rather than material form, at the Osaka World's Fair, a new version of which will be shown soon at the Los Angeles County Museum; a gigantic triangular sculpture inserted into a Californian mountainside; a labyrinthine water garden for a delta; Smog, a huge new horizontal piece made from the dismantled components of Smoke (which was made for the Corcoran's «Scale as Content» show, 1967); Haole Center, a sunken square «pavement» within a square stone sculpture, with a metal ladder leading down below the earth's surface; two related monumental sculptures on platforms (Arch and Dial); and a flat 81 - block grid proposed for downtown Minneapolis.