Sentences with phrase «sign of her new perspective»

Kim, who is a former senior curator at the Walker Art Centre in Minneapolis, now resides in Los Angeles and was previously Director of the gallery at the city's REDCAT art centre, so Edwards» inclusion is a sign of her new perspective on Spotlight.

Not exact matches

And having had — for me — undeniable signs of His reality, I still continue to be inspired by those who discover new perspectives on how Christlike God is.

Ajax won't be able to ask much more than $ 40m (which is about how far we are willing to go for a new signing) and from De Jong's perspective we have shown to take good care of Ajax players.

From a United perspective it seems your fans get stitched up by the board every year.Early on each Summer you're linked with all manner of superstar signings (this year Mbappe), then once the season tickets have been sold it all fizzles out.Considering you have the highest season ticket prices in the league, it's a disgrace really.For years the excuse was that you were paying for the great new stadium, but after that you'd be competing with Europe's elite for the top players, that came and went and still a major lack of investment your squad needs.

Well put steven i think the winter period hurt laca first year in epl is tough on majoruty of foreign strikers bellerin has been decent but he could srengthen up and xhaka has had his oppurtunoty and not grabbed with cazorla coming back and a summer open for signings he is indee pressure now but with time i think the new signings will start to gel and with perspective to the Rticle i agree with uou there is no white flag being thrown up this article really lacked the perspective that was being asked because it jist said we lost some games without an honest reflection pf how those games went everyone has lost games this year and liverpoodlians even lost to swansea city to wigan

Providing additional and expansive ideas, through the public presentation of negative results, also aids in expanding the discussion, provides new vistas and perspectives, and assists those who wish to conduct similar experiments, with valuable experimental signs of what not to do, aptly summarized by Pfeffer and Olsen [14]: «it only takes one counter observation to falsify it».

Features like a status bar help users know if they have completed all of the possible explorations, fully - illustrated Moments give fans a whole new perspective on Harry's life, and even a fully updated home page where users sign in creates a brand - new experience.

As Porter Anderson, editor - in - chief reported in Publishing Perspectives: «The award to Ingram Content Group's four - year - old IngramSpark self - publishing platform stands out in a different context, a sign of a new era's maturity in the guild and in the writerly community it serves.»

From my perspective, I see little sign of a new & meaningful risk / interruption to the sector's long - term growth trajectory... after all, what's more reliable than betting on human vanity & insecurity?!

It is also advisable to bring your perspective new family member to North Figueroa Animal Hospital for a veterinary check up to determine there are no signs of illness before introducing it to your pet (s).

1987 1987 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue) Perverted by Language, Hillwood Art Gallery, Long Island University, Greenvale, NY (curated by Robert Nickas, catalogue) Reconstruct / Deconstruct, John Gibson Gallery, New York (curated by Robert Nickas, catalogue) Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, Lia Rumma Gallery, Naples (curated by Collins & Milazzo, brochure) Primary Structures, Rhona Hoffman Gallery, Chicago (curated by Robert Nickas) Avant - Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (catalogue) Paint — Film, Bess Cutler Gallery, New York Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield, CT (curated by Eugene Schwartz, catalogue) NY Art Now: The Saatchi Collection, Saatchi Gallery, London (catalogue) Generations of Geometry, Whitney Museum of American Art at The Equitable Center, New York Similia / Dissimilia, Columbia University Art Gallery, New York; travelled to Sonnabend Gallery and Leo Castelli Gallery, New York; Städtische Kunsthalle, Düsseldorf, Germany (curated by Rainer Crone, catalogue) The Castle, documenta 8, Kassel, Germany (curated by Group Material) Reinhard Onnasch Galerie, Berlin (catalogue) Anti-Baudrillard, White Columns, New York (curated by Group Material) Recent Tendencies in Black and White, Sidney Janis Gallery, New York (curated by Jerry Saltz, catalogue) Terrae Motus, Grand Palais, Paris (catalogue) The Beauty of Circumstance, Josh Baer Gallery, New York (catalogue) New York Now, The Israel Museum, Jerusalem, Israel (catalogue) 1986 Admired Work, John Weber Gallery, New York Spiritual America, CEPA Galleries, Buffalo, NY (catalogue); travelled to Stavanger Faste Galleri, Stavanger, Norway (curated by Collins & Milazzo) New New York, Cleveland Center for Contemporary Art, OH Signs of Painting, Metro Pictures, New York, and Donald Young Gallery, Chicago Painting and Sculpture Today 1986, Indianapolis Museum of Art, Indianapolis, IN (catalogue) Paravision II, Margo Leavin Gallery, Los Angeles (curated by Collins & Milazzo) Political Geometries: on the Meaning of Alienation, Hunter College Art Gallery, New York (catalogue) Post Pop, Michael Kohn Gallery, Los Angeles Tableaux Abstraits, Villa Arson, Centre National d'Art Contemporain, Nice, France (catalogue) Europa / Amerika, Ludwig Köln Museum, Cologne, Germany (catalogue) End Game: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (catalogue)

«Through «Evan,» we sought to show how different your perspective can be when you're aware of the signs,» says chief creative officer of BBDO New York Greg Hahn.