Baldessari's early works were painted phrases derived from contemporary art theory, painted by
sign painters in a standard font often used on signs, thereby changing the «accessibilty» of these texts.
He trained as
a sign painter in New York and uses text as an art form, creating colourful slogans on banners and placards that challenge elitism and advocate the importance of creativity in politics and education.
Bob and Roberta Smith — the pseudonym of the artist Patrick Brill — spent time training as
a sign painter in New York, and uses text as an art form, creating colourful slogans that challenge elitism and advocate the importance of creativity in politics and education.
These straightforward descriptions were then given to a commercial
sign painter in order to turn the text back into image.
He trained as
a sign painter in New York and uses text as an art form, creating colorful slogans on banners and placards that challenge elitism and advocate the importance of creativity in politics and education.
Not exact matches
The practice also developed of copying particular types — icon
painters were to avoid the production of likenesses that might be recognizable as being made by them
in particular, and were not to
sign them.
On a local level: Alex Lucas, a talented Bristol artist whose large illustrative paintings of animal characters adorn the walls of buildings around the city; and Ged Palmer, a lettering artist and
sign painter based
in London.
In 1910 Severini
signed the first «Manifesto of the Futurist
Painters», together with his fellow Futurist colleagues: the Italian young artists Boccioni, Carrà, Russoli and also Balla.
In the 1970s, you'd bring out your best iron, pay a
sign painter a few bucks to letter up a placard, and stand somebody like Joe Higgins, the Sheriff of Scat County next to it all day.
Recurrent throughout 8
Painters are stylings on past painterly marks and movements, not so much placed
in quotations as absorbed into a work's facture... It's a hopeful
sign that the artists
in [the show] demonstrate a critical distillation of influences that inform their particular sensibilities, philosophical outlooks, and relationship to materials — not making any great claims, just proceeding
in a personally deliberate way.»
From the «precursors» who developed Congo's first works on paper when it was still a Belgian colony to the 1970s «popular
painters» who worked as
sign painters and created comics, and a new generation of artists that emerged
in the 2000s, this unique show offers an historic overview of Congo's artistic landscape.
This past month, a bizarre, three - year - long lawsuit accusing the artist Peter Doig of falsely claiming he never made a 40 - year old landscape painting
signed «Pete Doige,» finally came to a close when the judge sided with the
painter due to the sheer preponderance of evidence that he had nothing to do with the middling artwork (which was
in fact made by a prison inmate).
Describing himself as an «American
painter of
signs,» Indiana has developed a bold, graphic style inspired by road
signs and billboards, reflecting his interest
in Americana.
In a couple more one - liners, Klein claimed to have
signed the sky and called himself the
painter of space.
Out of dead artistic styles, the
painter helped to create a vocabulary of
signs, so that he could articulate his place
in a religious and secular world.
At age 16, she knew she wanted to become a
painter, and
signed up for a summer program at Black Mountain College
in located nearby
in upstate New York.
The
painter's mark
in these works becomes a
sign orienting him
in an inwards quest to find an emotional self.
Drafted by critic and
painter Rodolphe de Repentigny (who
signed his paintings with the pseudonym Jauran) and countersigned by Louis Belzile, Jean - Paul Jérôme and Fernand Toupin, it was quite different from the REFUS GLOBAL, which had appeared
in 1948.
Scott was born
in Greenock, Scotland, the eldest boy
in a family of eleven children, and his family moved to Enniskillen
in Northern Ireland
in 1922 His father was a
sign painter whose death Scott tragically witnessed at the age of 14.
From 1993 - 1997, Alÿs collaborated with Juan Garcia, Enrique Huerta, and Emilio Rivera, all of whom work as rótulistas — professional street
sign painters —
in Mexico City.
Robert Indiana distinguished himself as the «American
Painter of
Signs» as a way to emphasize his interest
in exploring American identity, personal history, and the power of abstraction and language.
Nor have outsider or vernacular forms been included — no painted
signs, houses, gold - framed oils made by bored suburbanites, or realistic landscapes made by Sunday
painters in their community art, plein - air classes.
While the marketing of desire, seduction and sexual gratification is the ostensible subject of Tal R's latest depictions of sexshop facades, the Copenhagen - based
painter's interest
in the shops themselves goes no further than their surface and status as
signs.
The artist Bob and Roberta Smith — who is one man, Patrick Brill — celebrated the creation of Art UK by presenting a new work
in his trademark
sign -
painter's lettering, proclaiming «through our public collections we all own art», to the parliamentary art collection, one of more than 3,000 collections already represented on the website.
He was a great
painter who produced a significant body of work over six decades, until his death
in 1980, but his often vitriolic personality and self - imposed outsider status — he mostly refused to
sign with a gallery — meant that he has always been seen as a secondary figure.
Signed Lower Left and Dated 1963 Vaclav Vytlacil Prominent American Modernist
painter and teacher at the Art Students League
in New York.
The words were then physically lettered by
sign painters,
in an unornamented black font.
During that time he retrained as a professional
sign -
painter: indirectly it was the «matter - of - factness» of
sign - painting that showed the way to the apparently simple, abstract wall paintings he started to make
in the early 1990s.
Howard Mehring (American 1931 - 1978) Untitled 1965 Acrylic on Canvas
Signed Back 80» x 66» inches unframed Howard Mehring was a twentieth - century
painter born
in Washing...
In 2013, Levine and her co - director / author Sam Macon released a second documentary Sign Painters about the trade and tradition of hand painted lettering in Americ
In 2013, Levine and her co - director / author Sam Macon released a second documentary
Sign Painters about the trade and tradition of hand painted lettering
in Americ
in America.
He began painting seriously
in the 1970s, first with found materials and later with
sign painter's enamel on standard - sized Masonite boards.
Soon after, Vedova
signed the Oltre Guernica manifesto
in Milan 1946, which advocated that
painters extend the tradition of Picasso's famous anti-fascist Guernica (1937), and depart from figurative painting altogether.
Schwabsky writes: «the fact that so many
painters today are working along the broad and very porous border between abstraction and images is a
sign that this boundary is,
in itself, an object of great fascination.
«The book
signing and film screening will delve into the obscure life of
painter, fisherman, pseudo-hermaphrodite-Forrest Bess
in the film «Forrest Bess: Key to the Riddle,»» according to a museum press release.
It was while working
in New York as a
sign painter by day and an abstract
painter by night that he had the idea to import the giant - scale, broadly painted representational pictures from outdoor advertising into the realm of fine art.
In an interview, the artist said, «If you paint it on glass, you can paint the line and then you can put the color on in back, you know like sign painters do... the line remains very crisp.&raqu
In an interview, the artist said, «If you paint it on glass, you can paint the line and then you can put the color on
in back, you know like sign painters do... the line remains very crisp.&raqu
in back, you know like
sign painters do... the line remains very crisp.»
The same year, Baldessari moved to Santa Monica, where he met many artists and writers, and began to collect photographic images from films and other commercial sources that he would use
in his work; during the same period, he photographed himself
in deliberately amateurish compositions, and employed local
sign painters to execute text - based works.
Description:
Painters Jimmy Ernst, Adolph Gottlieb, Robert Motherwell, William Baziotes, Hans Hofmann, Barnett Newman, Clyfford Still, Richard Pousette - Dart, Theodore Stamos, Ad Reinhardt, Jackson Pollock, Mark Rothko, Bradley Walker Tomlin, Willem de Kooning, Hedda Sterne, James Brooks, Weldon Kees, Fritz Bultman and sculptors Herbert Ferber, David Smith, Ibram Lassaw, Mary Callery, Day Schnabel, Seymour Lipton, Peter Grippe, Theodore Roszak, David Hare and Louise Bourgeois
signed this letter
in protest against the «monster national exhibition» at the Metropolitan Museum of Art.
October: Following the Academy's suggestion that he work at a «people's owned» factory and then reapply, Richter takes a job as a
sign painter at DEWAG
in Zittau.
(J. Pissaro, Robert Indiana, New York: Rizzoli, 2006, p. 14) Calling himself «an American
painter of
signs» Indiana emerged
in the New York art scene along with fellow artists Ellsworth Kelly, Andy Warhol, Jasper Johns and James Rosenquist.
In 1960, Rosenquist, a former
sign -
painter (as was Warhol and backdrop
painter Gerhard Richter), was making neo-Dada semi-abstraction.
Collection of Original Hand Lettered
Sign Painter's Samples, Paris, France, c. 1930, tempera on paper, 53.5 x 55.75
in.
In tribute to San Jose
sign painter Rey Giese (1919 - 2013), KALIED Gallery will be hosting a major exhibition of hand - painted
signs by the late master of the lettering brush, spanning over 75 years o
Medium: Oil painting on linen Image size: 5.75 x 4 inches Frame size: 14 x 12 x 2 inches
Signed at lower right: AVS A noted contemporary figurative
painter, Stevovich grew up
in Washington, D.C., and as a young child spent time roaming the halls of the National Gallery of Art, where he was particularly drawn to the Renaissance paintings that would come to inform his work.
Medium: Oil painting on linen Image size: 10 x 7.25 inches Frame size: 19 x 16 x 2 inches
Signed at lower right: AVS A noted contemporary figurative
painter, Stevovich grew up
in Wa...
These constructions clearly have autobiographical significance, although they are less powerful than a group of canvases created by the
sign painters that hang
in a corner of the gallery.
It has been more than 20 years since Robert Indiana has had a show
in New York, but
in early February the «American
painter of
signs,» as he once called himself, will find his work all over Manhattan.
Mr. Tàpies (pronounced TAH - pee - ess) came to prominence
in the late 1940s with richly symbolic paintings strongly influenced by Surrealist
painters like Miró and Klee, a style he abandoned by the mid-1950s as he turned to what became his signature work: the heavily built - up surfaces that were often scratched, pitted and gouged and incised with letters, numbers and
signs.
The
signed and dated oil on canvas entitled Baile en Tehuantepec, painted by Diego Rivera
in 1928, is the artwork of this Mexican
painter that was sold for the highest price among all of his artworks.
May 1, 2014 — May 1, 2015 American Abstract Artists 75th Anniversary Print Portfolio Exhibitions
in Colleges and Museums, 2012 - 2015 Painting Center, «Wit», Curated by Joanne Freeman, New York, NY, 2013 Sideshow Gallery, Brooklyn, NY, 2013 - 2008 (Annual Exhibition) Paris CONCRET, «American Abstract Artists International», Paris, France, 2012 Parc Floral De Paris, «Le Salon des Realties Nouvelles», Invitational, Paris, France, 2012 The Ice Box, Crane Arts, «Abstraction to the Power of Infinity», Curated by Janet Kurnatowski, Philadelphia, PA, 2011 OK Harris Gallery, «American Abstract Artists 75 Anniversary», New York, NY, 2011 Galerie oqbo Deutche Kunstlerbund, «75th Anniversary American Abstract Artists International», Berlin, Germany, 2011 Herbert F. Johnson Museum of Art, Cornell University, «75h Anniversary of the American Abstract Artists», Ithaca, NY, 2011 Sideshow Gallery, «Material Matters»: American Abstract Artists, Curated by Kat Griefen, Director AIR Gallery, Brooklyn, NY, 2007 Florence Lynch Gallery, «Material
Sign» (four person exhibition), Curated by Stephen Westfall New York, NY, 2006 RB Stevenson Gallery, «New Year Gallery Selections», San Diego, CA, 2003 2002, 2000 Art Resources Transfer, «A Conversation Exhibition», New York, NY, 2003 The Affordable Art Fair, «Rosenberg + Kaufman Fine Art», Pier 92, New York, NY, 2002 Klein Art Works, «Blotto» (four person exhibition), Chicago, Ill, 2000 Condesa Lawler Gallery, «Abstract Index», New York, New York, 1999 Art Initiatives, «Dealer's Choice», New York, NY, 1999 Allan Stone Gallery, New York, NY, 1992, 1985 The Gallery at Hastings - on - Hudson, «The Legacy of the Abstract Expressionists», Hastings - on - Hudson, 1990 0scarsson Siegeltuch Gallery, New York, NY, 1987, 1985 Goldie Paley Gallery, Moore College, Philadelphia, PA, 1986 Ruggiero Henis Gallery, «Mixed Media», a sculpture exhibition Curated by Fredericke Taylor, New York, NY, 1989 John Davis Gallery, New York, NY, 1988 San Francisco Art Institute, «Four
Painters», San Francisco, CA, 1981 «Art Today USA II» (organized by David Galloway, Teheran, Iran, 1976 Newport Harbor Art Museum, «Market Street Program», Los Angeles, CA, 1973 San Francisco Art Institute, «Drawing Invitational», San Francisco, CA, 1973