Keogh's graphic canvases made using a traditional
sign painting technique that aligns her with artists like James Rosenquist, Patrick Caulfield and Tom Wesselmann.
Bringing his cultural heritage to the United States, Nakayama incorporates Japanese and American influences within traditional
sign painting techniques.
(«Milestones James Rosenquist,» «Time,» April 17, 2017, p. 15) In 2003, art critic Peter Schjeldahl asked of Rosenquist's application of
sign painting techniques to fine art thus:» [W] as importing the method into art a bit of a cheap trick?
Not exact matches
This super easy
technique will have you
painting signs and transferring printed fonts or graphics from your computer like a pro in no time.»
Employing the postmodern
technique of pastiche, where the close display of disparate images and styles tends to reduce everything to equivalent
signs, Salle's
paintings function as metaphors for the dizzying onslaught of media culture.
While Nutt's art was undoubtedly inspired by mid-twentieth-century pop culture — especially comic books, advertisements, jukebox and pinball machine art, and street
signs — it also explores the formal devices and
techniques of historical
painting.
This striking
painting was made through an airbrushing
technique that the artist learned after
signing up for auto - body school.
While it was undoubtedly inspired by mid-twentieth century pop culture, especially comic books, advertisements, jukebox and pinball machine art, and street
signs, Nutt's art also explores the formal devices and
techniques of historical
painting.
Lacing Action
painting and Color Field
painting with a postmodern twist, Zimmermann's abstract motifs seem to spring from more figurative representations: he uses computer graphics and «dithering» (a
technique that displays images without firm edges so as to give a more colorful appearance) to deform images, texts and
signs from his own massive archive of images, evoking the atlases of Gerhard Richter and Aby Warburg.
The
signs and symbols in Varelas» work resemble automatic
painting or children's drawings, with added dynamism deriving from the artist's highly physical, expressive
technique.
A super-promising artist who uses
sign -
painting techniques, math, mysticism, and philosophy to «explore the impossible... to violate itself, or crumple it, or double it back on itself.»
From the off the works are rich in colour and intrigue with Caulfield's anonymous
paint technique leaving no bush marks and no classic
signs of the artist's hand at work.
Rosenquist deftly applied
sign -
painting techniques to the large - scale
paintings he began creating in 1960.
Rosenquist applied
sign -
painting techniques to the large - scale
paintings he began creating in 1960.
Rosenquist's style of Pop is exemplified by his room - size masterpiece F - 111 (1965, MOMA, NY), in which he made full use of his applied art and
sign -
painting techniques.