The brain can thus effectively understand others by
signaling tactile sensations that do not correspond to the own sense of touch.»
Not exact matches
The patients, of course, look at their legs while trying to walk, and since visual
signals override
tactile signals most of the time, their brains converted
signals to their arms and [they] began feeling
sensations that seemed to be coming from their paralyzed legs.
This means that the human brain is able to
signal that a
tactile sensation of a finger that touches a surface does not correspond to own touch.
Rectangles lunge at the spectator in his abstract film Rhythms 21 (1921), confounding figure and ground; collaborations with Viking Eggeling and Kazimir Malevich promised the convertibility of all
signals and
sensations, electronic and
tactile, into a universal code.