Philippe Starck handled the interiors, and Markus Linnenbrink was commissioned for the exterior, emblazoning 40,000 square feet of the concrete facade with
his signature drip painting.
De Kooning never abandoned the human form, Pollock sought (and failed) to reappropriate it after
his signature drip paintings, and Gorky's abstractions, those lyrical elisions of biomorphic shape and washy veils of pigment, are nothing if not figure painting by other means.
A departure from
his signature drip paintings, Fox's Autonomic (Tracy Volkswagen) is a contemporary conceptual twist on the automatic drawing and painting practices associated with Dada and Surrealism.
Not exact matches
Kurchanova writes: «Apart from large canvases covered by Pollock's
signature all - over web of patterned,
dripped or sculpted
paint, a range of his smaller abstract
paintings adds complexity to our understanding of his work as that of an «action» painter... Pollock's active engagement with printing presents his achievement as a painter to us from a completely different angle and complicates the understanding of his work as based in physical action and unmediated involvement of the artist's hand.
Multiflavors, a 1982
painting by Jean - Michel Basquiat, presents the artist's
signature crown set against a background of royal blue shot through with broad swathes of
dripping black
paint, words and symbols.
Peter Fox Expanding on his
signature style of
drip painting, Peter Fox's spilled
paint works have taken on bold gestural movements.
Lavender Mist was
painted in Pollock's studio on Long Island when he had transitioned to his
signature technique of pouring, flinging, and
dripping paint onto unstretched canvas laid on the floor.
By spontaneously
dripping colours and experimenting with textures on the canvas, Bowling developed his
signature «poured
paintings.»
In 1940 Hofmann created his
painting «Spring» (not part of this show) by dribbling, splashing and pouring
paint directly onto his canvas, anticipating by several years the
signature drip technique used by Jackson Pollock.
The works in the first group share a
signature horizon
drip - line image that the artist has mainly produced in mural - installation works of the last 10 years, rooted in the iconography of Ostendarp's first stand - alone
paintings of the mid 90's.
Ash Almonte Bringing me Closer 48 «x48» Mixed Media on Canvas Vibrant blue abstract
painting filled with red flowers, numerous sketches and the artist's
signature drip...
In 1944 — the year Clyfford Still completed 1944 - N No. 2, Jackson Pollock — probably the best - known American Abstract Expressionist painter of the 20th century, was still searching for his
signature style and was a year or so away from creating his first
drip painting.
At 7» 7» x 6» 7», it is the scale of New York abstract
painting at that time, and it bears the
signature flecks and
drips of the period.
It's fascinating to see the diversity in Foulkes's complex formal language from his
signature rag technique using rags to apply and subtract
paint to the canvas in a way that anthropomorphizes the rock
paintings into denim jean
paintings, to the use of
drips on the canvases imitating stains of a photograph, or over
painting on top of collaged postcards.
Better than at MoMA, in these
paintings you can see the birth of Pollock's
signature drips and his particular method of building and moulding
paint.
Yves Klein's «Untitled Fire Colour
Painting (FC 28),» an abstract composition from 1962 of scorched golden - traces of fire and his
signature blue
drips was expected to sell for $ 1.69 million to $ 2.5 million.
But imitators were quick to adopt many of Pollock's
signature techniques such as
dripping and flicking
paint.
Her
signature paint - thinning technique, in which she diluted the oil
paint with turpentine, coupled with an entirely revolutionary method of staining (rather than
dripping or brushing
paint onto) the canvas undoubtedly changed the course of art history and influenced the likes of Kenneth Noland, Morris Louis and Jules Olitski.