Sentences with phrase «signature medium of»

Lou's relationship with South Africa - she established a studio of Zulu artisans in 2005 - has enabled her to develop her signature medium of glass beads by collectively producing intricate beaded canvases, sculptures and large - scale installations.

Using her signature medium of exotic feathers, Pangolin London are delighted to present a compelling new body of work by George Taylor - her first major solo show in London since 2008.

This close relationship has enabled Lou to further develop her signature medium of glass beads by collectively producing intricately beaded canvases, sculptures, and large - scale installations.

Meticulously rendered in his signature medium of paint sprayed through handmade stencils, Ratcliff's paintings depict imagery culled from print ephemera of the 1970s.

Framed in Barney's signature medium of self - lubricating petroleum, Drawing Restraint 7: Spin Track Manual: Kid (1993) evinces the artist's interest in biomedical science.

The exhibition features paintings in her signature medium of oil pastel on chalkboard and will be on view from January 12 to February 25, 2012.

Not exact matches

The company's restaurants feature a variety of menu items, including its Buffalo, New York - style chicken wings spun in one of its signature sauces from sweet to screamin» hot, sweet BBQ, teriyaki, mild, parmesan garlic, medium, honey BBQ, spicy garlic, jammin» jalapeno, asian zing, caribbean jerk, thai curry, hot BBQ, hot, mango habanero, wild and blazin, signature seasonings, including buffalo, desert heat, chipotle BBQ, and salt and vinegar, a wide variety of food items, including sharable appetizers, wild flatbreads, specialty hamburgers and sandwiches, wraps, buffalito soft tacos, and salads, and a full bar, which offers an extensive selection of domestic, imported, and craft beers on tap, as well as bottled beers, wine and liquor.

After all, mild and medium hot local chile is a signature ingredient of many local dishes.

Every era of history leaves its mark in its own signature medium: the metal axes of the Bronze Age, the marble temples of ancient Greece, our silicon - encoded thicket of 1s and 0s.

* Filled with soft European white down fill * Fills powers range from 600 to 650 * Soft, lustrous 400 thread count Supima ® cotton shell is jacquard - woven in an elegant signature «Garnet Hill» pattern * Offered in three densities and warmth levels to help customize sleep comfort * Lightweight is for warmer sleepers and great for year - round comfort; it provides the warmth of a blanket * Warmer is medium - density; its warmth is intended for cold sleepers and cool rooms * Warmest is winter - weight, the warmest comforter with extra fill, made for the coldest temperatures and climates * Sewn - through box construction prevents shifting and avoids cold spots * Finished with reinforced seams and piped edges * Four corner tabs to anchor a duvet / comforter cover * USA / Imported Twin: 70» x 86» Double / Queen: 88» x 88» King: 104» x 88»

Webdate is the worlds best A professional theater ministry communicating through various mediums under the creative signature of God.

Their quest winds through a distinctly Andersonian panorama of understated oddness, with the animation medium spinning his signature wryness into full - blown whimsy.

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Selecting HuCard as the medium for a digital comic wouldn't seem to be the most prudent move, as it requires the minimization or outright omission of many of the genre's signature elements — no voice acting, fancy anime intros, or sprightly vocal numbers on chip.

He was among the first wave of South Korean artists to move to New York (his home since 1977) where he developed his signature process and style using ballpoint pen, a medium important to his practice over the decades.

Born and raised in South Korea, Il Lee has spent most of his adult life as an artist in New York City — his home since 1977 and where he developed his signature process and style using ballpoint pen, a medium important to his practice over the decades.

She regularly stands up for the survival of photochemical film, one of her signature mediums, in an increasingly digital world.

Brian O'Neill is a Signature Member of The Pastel Society of America and is proficient in a variety of mediums including oil, pastel, acrylic and charcoal.

Ai Weiwei does not have a signature style, but instead works across mediums, and has become one of the world's most influential and prolific contemporary artists...

A member of the West Coast's «Cool School,» Ed Moses never limited himself to a signature technique or medium.

From July 15th through August 12th, the focus is on six artists who have overcome the challenge of working with different types of mediums using their idiosyncratic vocabulary and signature style.

The collection of ceramics is centered on large - scale sculpture, and includes signature works by the American ceramists responsible for the singular achievements made in this medium during the last fifty years, among them Peter Voulkos, Rudy Autio, and Ken Ferguson; Betty Woodman, Jun Kaneko, and Ron Nagle; and Marc Leuthold, Chris Gustin, and Annabeth Rosen.

Each artist used their own signature medium to create works surrounding the themes of time, space and psychology: Futo Akiyoshi with minimal images of spaces; Kouichi Tabata through motion paintings; and Takahiro Ueda utilises naturally occurring phenomena with a series of constructions built around quartz crystals.

From a massive iceberg to a shattered glass window and X-rays of paintings by Old Masters, all of the images are rendered in Longo's signature medium.

On t - shirts, billboards, parking meters and her signature medium, LED signs, her work call attention to social injustice and shed light on dark corners of the human psyche.

Many of Johnson's hand - crafted cassette tapes, SLR and Polaroid cameras, boom boxes, and musical instruments will be on view — all constructed from his signature cardboard medium — in addition to Publish or Perish, a sizable tribute to his family's newspaper printing press, in «working» condition.

They emphasized the signature qualities of the etched line, encouraging the idea that each print bore the touch of the artist, and rediscovered an expressive medium suitable for gritty modern subjects as well as classical pastoral themes.

From there on the viewer is treated to a series of some tightly cropped and some medium signature «pixelated» portraits that are renderings of the photographs you see at the start of the show.

He spent most of his adult life as an artist in New York City — his home since 1977 — where he developed his signature process and style using ballpoint pen, a medium important to his practice over the decades.

Taking in old classics, including his now iconic prints of Battersea Power Station, the National Theatre and Tate Modern; commissions for high profile clients including the Southbank Centre, Royal Shakespeare Company and Transport for London; and new, more abstract architectural pieces, this show brings together some of Catherall's best - known artworks and displays his signature style and movement to mastery of the linocutting medium.

A nonprofit membership organization, the AWS has expanded from a small group of 11 artists to what it is today — a collection of hundreds of painters (known as «signature members») who have an established style and considerable skill in this medium of the visual arts.

Contrary to contemporary postmodern artists utilizing Letterform in art for mostly conceptual purposes, or Concrete Poetry that involves a form of Visual Poetry, Concrete Alphabets acts as hybrid where each artist defines his own work based upon unique personal narratives involving aspects of Letterform / Alphabets An important aspect of this shared perspective is how each artist has maintained and utilizes analog painting as a medium, thus allowing them to keep their own signature mark making prevalent in the artwork.

This sculptural work retains Katz's signature graphic style, highlighting his tactic of paring down images to discover the essential qualities of both his medium and his sitter.

Lastly, Alex Yanes will present 19 new works across a variety of mediums and materials that include an installation of individual small paintings depicting the artist's signature cartoonish characters, an enormous 12 ft. totem pole constructed from oil drums, and new «functional» artworks that play music recycled from a refurbished 1960's audio cabinet fitted with state of the art components.

In the book's lead essay, curator Kathy Halbreich proposes that Polke studiosly avoided any signature style or medium «so that his easthetic method... enacted the role of an alibi»... And Polke's work is self - evidently open, experimental, and reveling in possibility.

Engaging in a variety of media, ranging from Weiner's signature large - scale paintings and time - lapse videos to a series of sculptural objects, SMUSH explores a process - based narrative, adapting medium specificity for the reality television era.

An important aspect of this shared perspective is how each artist has maintained and utilizes analog painting as a medium, thus allowing them to keep their own signature mark making prevalent in the artwork.

Johnson's anthology of mediums is consistent — making the employment of black wax, soap, and shea butter his signature materials.

Signature, Seriality, Painting» (2012), both at Blain Southern in London; «Shattered Preface» (2014) at OSL Contemporary in Oslo; and «The Medium of Intensity» (2013) and «Awaiting Immanence» (2013), both at Carl Kostyál in Stockholm.

A medium for their mediums CHANGE - THE - SETTING, Barker's signature interplay between medium and interiority literally takes the form of a vitrine recessed in the wall.

Another small work, Mundane (2014), highlights the medium of paint itself in a kaleidoscope of acrylic colors on the artist's signature raw - linen canvas.

Artist: Helen Frankenthaler (1928 - 2011); Title: «Thanksgiving Day»; Medium: Painting on tile; Year or Era Produced: Dated 1973 on reverse; Signature: ÿLower right and on reverse; Approximate Measurement: 13.5» x17.5» x 0.75»; Approximate Weight: 12 Lbs; Frame: Unframed; Note: Original artwork, Original 1976 Andre Emmerich Gallery Inc. receipt with a value of $ 2,800.00 accompanies this lot, Receipt reads «Number 4 in anedition of 71», Exhibited, Ceramic Tiles by Helen Frankenthaler, The Solomon R. Guggenheim Museum, New York, May 2?

This exhibition featured a selection of etchings, aquatints, lithographs, and screen prints by these two influential artists, who both brilliantly translate their signature styles into the print medium.

Artist: Helen Frankenthaler (1928 - 2011); Title: «Thanksgiving Day»; Medium: Painting on tile; Year or Era Produced: Dated 1973 on reverse; Signature: Lower right and on reverse; Sight Area Approximate Measurement: 13.5» x 17.5» x 0.75»; Approximate Weight: 12 lbs; Frame: Unframed; Note: Original artwork, Original 1976 Andre Emmerich Gallery Inc. receipt with a value of $ 2,800.00 accompanies this lot, Receipt reads «Number 4 in an edition of 71», Exhibited, Ceramic Tiles by Helen Frankenthaler, The Solomon R. Guggenheim Museum, New York, May 2 — June 1, 1975, Reverse reads «Number 4 / Edition of 70»

CAM Raleigh presents five of these signature works — all abstract — in which the artist layers oil paint onto a plate - glass or Plexiglas support before scraping off the accumulating «skins,» as he calls them, and collaging them onto a canvas, letting the thickened medium ripple, sag, and wrinkle, marvelously, across the cotton surface.

Constantly searching, Polke studiously avoided any one signature style or medium; his method exemplified the definition of alibi, «in or at another place,» which also suggests a deflection of blame.

Even then, Tillmans brought together in one installation the various mediums and formats which his work inhabits — c - prints, alongside magazine pages and photocopies — thus developing the unique, multifaceted hanging scheme that has become a key signature of his work.

Rodriguez's work is often context - specific and not driven by any defining material in its aim to assume the role of medium itself, or «the corollary opposite of the signature object,» as she puts it.

Wall installations, consist ing solely of words and punctuation painted on walls in his signature font, have been his primary medium.