Sentences with phrase «signature paintings made»

This exhibition is the first to offer an in - depth examination of the series, featuring ten signature paintings made between 1984 and 1990.

Not exact matches

Book an hour - long cooking class at The Painted Lady Guest Cottage during your stay, and learn how to make some of the restaurant's signature dishes alongside chef Allen Routt.

The skirt is simply fantastic, you made it really a unique piece by painting it in your signature style.

Volvo made a statement with two Polestar models: the S60 sedan and V60 5 door, both with a turbocharged six cylinder good for 345 horsepower - in their signature Rebel Blue paint.

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His signature afro, calming voice, and beautifully hand - painted vistas made him a household name in the 1980s and 1990s, until he lost his battle with lymphoma in 1995.

She is on a search for its origins; painting as practical magic, the prosaic made ecstatic, and self - portrait in its most basic sense as a trace of its author... The non-traditional materials Strobert employs — powdered graphite, pumice, papier - mâché and glitter among others — all have visual signatures as distinctive as the bulbous shine of oil paint or the transparent skeins of gouache.

At the time, Claes Oldenburg was at work on a new series, «Soft Chrysler Airflow,» a group of soft sculptures (made in his signature deflated - looking, stuffed, painted vinyl forms), based on a car Chrysler produced in the 1930s.

John Berens, Abshalom Jac Lahav 532 Gallery Thomas Jaeckel shows two artists who have made a traditional practice of painting into a signature motif.

After a few years of working mostly with oil paint — largely for its ability, she says, to capture light and communicate space — she recently went back to making her signature enamel paintings.

These are then transferred onto a canvas surface where Joo's signature methodology is implemented as he combines painting, print - making, photography and sculpture.

The exhibition consists of a series of seven brightly colored abstract paintings made in Hume's signature enamel on aluminum panels.

This group tackles many challenges including, project management, title - wall construction and installation, signature panel fabrication and install, patching and painting walls, modular wall set up, blocking the walls for art installations, shipping and receiving of artworks, condition reporting, conservation of artworks, art installation, gallery seating building and placement, lighting, labels, and a host of other details to make the galleries shine and complement the artworks.

Buren's vertical stripes, made from paper, fabric, paint, or tape, have become his artistic signature, appearing in a variety of scales and forms in site - specific installations that reimagine the social and physical implications of architecture.

The installation features a series of interconnected wall drawings and mobile - like sculptures made up of his signature scrap paintings — bits of tape and overspray that have been stripped from his studio walls and carefully arranged on paper and clear mylar.

Guston had a major retrospective of his work at the Guggenheim Museum in New York in 1962 and in 1967 he moved back to Woodstock permanently where he continued to make paintings incorporating his signature cartoon - like forms and figures.

Installation view September 13 — October 25, 2008 The exhibition presents two large - scale sculptures, Willy (1962) and New Piece (1966), made in Smith's signature steel, painted black.

Albers, of course, doesn't make it easy on the casual art fan — the extreme simplicity of his signature paintings and their ostensible lack of subject can be, admittedly, hard to get past.

He began making his now signature date paintings (known as the Today series) on January 4, 1966 in New York City and continued to produce them in different parts of the world up until his death.

It includes Naming the Money, the largest installation to make use of Himid's signature «cut - outs» — paintings made on freestanding, shaped boards that viewers can walk among.

Roy Lichtenstein made paintings of an atom bomb filtered through the Pop master's signature Ben - day dot style, portraying the dark side of the Cold War era.

Curated by Natalie Kates, the exhibition features Aquiles» paintings, sculpture and signature metalwork, made from found metal and discarded paint cans collected in his native Cuba.

Contrary to contemporary postmodern artists utilizing Letterform in art for mostly conceptual purposes, or Concrete Poetry that involves a form of Visual Poetry, Concrete Alphabets acts as hybrid where each artist defines his own work based upon unique personal narratives involving aspects of Letterform / Alphabets An important aspect of this shared perspective is how each artist has maintained and utilizes analog painting as a medium, thus allowing them to keep their own signature mark making prevalent in the artwork.

For the show, Ofili made Blue Smoke (est. $ 300,000 - $ 400,000), a signature «blue painting» — again, the first of its size to be offered to the public.

Sir Nicholas Serota Makes an Acquisitions Decision is one of the best known paintings to come out of the Stuckism art movement, [1][2] and a likely «signature piece» for the movement, [3] standing for its opposition to conceptual art.

Moon's Nahan's Forty Winks, a lithographic musing on Korean American dual - consciousness, offers the kind of rich cultural treading and social relevance that make abstracted works in the exhibit, such as Willem de Kooning's lithograph or Ellsworth Kelly's signature geometric shapes, seem like empty reproductions compared to their much more triumphant works in painting.

Jackson Pollock: Blind Spots presents the first exhibition in more than three decades of Pollock's paintings made between 1951 and 1953, shedding light on a less well known but extremely influential part of his practice and departure from his signature technique.

Naming the Money (2004) is the largest installation to make use of Himid's signature «cut - outs» — paintings made on freestanding shaped boards that viewers can walk amongst.

Charles Thomson's painting, Sir Nicholas Serota Makes an Acquisitions Decision, as Charlotte Cripps of The Independent wrote is one of the best known paintings to come out of the Stuckist movement, [46] and as Jane Morris wrote in The Guardian it's a likely «signature piece» for the movement, [54] standing for its opposition to conceptual art.

These are followed by paintings from the late 1980s and early 1990s made in Chicago, where Marshall lives and works and developed a signature practice of painting in acrylic on the collaged surfaces of large unstretched canvases.

An important aspect of this shared perspective is how each artist has maintained and utilizes analog painting as a medium, thus allowing them to keep their own signature mark making prevalent in the artwork.

For his exhibition Cloud has created a selection of multi-layered paintings on his signature shaped canvases, newspaper collages made up of clippings from various New York dailies and large - scale paper quilts composed of photographic fragments.

When he started to paint again in the mid-1940s, Newman sought a new style of mystical abstraction, and it was at this time that he made his first works using his signature vertical elements, or «zips,» to punctuate the single - hued fields of his canvases.

However, by 1965 — a year he spent in the Grapetree Bay Hotel on the Caribbean island of Saint Croix [2] where he was contracted to make frescoes — he had abandoned traditional painting for the 8.7 cm - wide vertical stripes, which alternated between white and one color, which have become his signature.

The Lisson show features some dozen paintings, all made in the last couple of years, and all filled with her signature bold simplicity: sharply delineated blocks of color often energized by a strong diagonal line.

The Guggenheim continued to perfect the use of its signature spiral rotunda with an impeccable retrospective of On Kawara's time - based paintings, postcards and telegrams that made it a kind of mortal coil.

With his renderings of palm trees, insects, fish and his own outsized signature, Josh Smith makes a splash in the final gallery with nine, big, juicy, colorful paintings on a single wall (painted black, like Joe Bradley's at the entrance, forming a kind of bookend to the show), while Laura Owens» text - based works seem to retreat into hermeticism.

In this battle of establishing the superiority of one's signature style, Mary Corse has made paintings that resolve a multitude of pictorial conundrums.

This miniretrospective will present a dozen large - scale paintings and collages by Brazilian artist Beatriz Milhazes, including a substantial piece made specifically for the exhibition — all doubtless rendered in her signature carnival colors.

Alongside the collaborative «Reading Paintings», Higgs is presenting a selection of his now signature framed text works, including a group of works made between 1991 - 92 from a series entitled «Untitled (Hardboiled)»: individual book pages removed from post-war detective novels that featured painters as characters and / or the art world as a setting.

Intimately scaled sea and sky paintings in her signature hyper - realist painting style are pure, absolute, and timeless beings that make no demands on the viewer other than to look and feel.

For this show, Hongwei unveils several of his signature oil paintings, made up of both still - lifes and abstractions.

I wanted to make something that was exploding as much as I wanted to make something that was cohesive» JULIAN SCHNABEL Marc - François Auboire (1988) is a striking large - scale painting by Julian Schnabel, painted on his radical signature support of broken plates glued to a heavy wooden panel.

Thiebaud made his name in the 1960s - the Pop art decade - with his signature paintings of pastries and shop counters.

All appliances are Whirlpool and were purchased at Lowe's during their Memorial Day Sale Hood — Custom Built Farmhouse Sink — Signature Hardware (similar size and style here) Faucet — Wayfair Backsplash — purchased from McKenzie Restoration (but just basic white subway tile that can be purchased pretty much anywhere) Counters — Honed Carrara Marble Hardware — Home Depot (think they were by Martha Stewart) Counter Height Stools — World Market Mug Holder — World Market Menu Chalkboard — Dear Lillie (no longer for sale) Pendants — Birch Lane Circular Mirror — Painted Fox Home Rolling Wooden Horse - HomeGoods Metal Baskets — Joss and Main (don't think they carry them anymore though) Canisters — wedding gift — Williams - Sonoma Knife Set — Target Marble Rolling Pin and Board — Sur La Table Table — Pier 1 years ago and has since been painted in Winter Gates by Benjamin Moore Three Tiered Stand — Painted Fox Polka Dot Bowls — Painted Fox Metal Chairs — Arhuas Slipcovered Dining Chairs — IKEA Oversized Chalkboard — made by me, you can read more about it here X Sideboard — made by me, you can read more about it here Wooden Box — HomeGoods Bottle Caddy — HomeGoods Plaid Mixing Bowls — TargetBottles — Mineral Water from Fresh Market Crackle Bucket / Planter — Birch Lane Antlers — World Market Striped Roman Shade in Window above Sink — made by me, you can read more about iPainted Fox Home Rolling Wooden Horse - HomeGoods Metal Baskets — Joss and Main (don't think they carry them anymore though) Canisters — wedding gift — Williams - Sonoma Knife Set — Target Marble Rolling Pin and Board — Sur La Table Table — Pier 1 years ago and has since been painted in Winter Gates by Benjamin Moore Three Tiered Stand — Painted Fox Polka Dot Bowls — Painted Fox Metal Chairs — Arhuas Slipcovered Dining Chairs — IKEA Oversized Chalkboard — made by me, you can read more about it here X Sideboard — made by me, you can read more about it here Wooden Box — HomeGoods Bottle Caddy — HomeGoods Plaid Mixing Bowls — TargetBottles — Mineral Water from Fresh Market Crackle Bucket / Planter — Birch Lane Antlers — World Market Striped Roman Shade in Window above Sink — made by me, you can read more about ipainted in Winter Gates by Benjamin Moore Three Tiered Stand — Painted Fox Polka Dot Bowls — Painted Fox Metal Chairs — Arhuas Slipcovered Dining Chairs — IKEA Oversized Chalkboard — made by me, you can read more about it here X Sideboard — made by me, you can read more about it here Wooden Box — HomeGoods Bottle Caddy — HomeGoods Plaid Mixing Bowls — TargetBottles — Mineral Water from Fresh Market Crackle Bucket / Planter — Birch Lane Antlers — World Market Striped Roman Shade in Window above Sink — made by me, you can read more about iPainted Fox Polka Dot Bowls — Painted Fox Metal Chairs — Arhuas Slipcovered Dining Chairs — IKEA Oversized Chalkboard — made by me, you can read more about it here X Sideboard — made by me, you can read more about it here Wooden Box — HomeGoods Bottle Caddy — HomeGoods Plaid Mixing Bowls — TargetBottles — Mineral Water from Fresh Market Crackle Bucket / Planter — Birch Lane Antlers — World Market Striped Roman Shade in Window above Sink — made by me, you can read more about iPainted Fox Metal Chairs — Arhuas Slipcovered Dining Chairs — IKEA Oversized Chalkboard — made by me, you can read more about it here X Sideboard — made by me, you can read more about it here Wooden Box — HomeGoods Bottle Caddy — HomeGoods Plaid Mixing Bowls — TargetBottles — Mineral Water from Fresh Market Crackle Bucket / Planter — Birch Lane Antlers — World Market Striped Roman Shade in Window above Sink — made by me, you can read more about it here.

I made chalk paint by mixing 2 parts Valspar signature paint in Ultra White, 1 part calcium carbonate, and just a little bit of water to thin the paint a little because the mixture was pretty thick at first.