These are followed by paintings from the late 1980s and early 1990s made in Chicago, where Marshall lives and works and developed
a signature practice of painting in acrylic on the collaged surfaces of large unstretched canvases.
Not exact matches
Bradford, in his new
paintings focusing on cartoons, builds on his
signature practice of layering paper scraps found on Los Angeles streets.
John Berens, Abshalom Jac Lahav 532 Gallery Thomas Jaeckel shows two artists who have made a traditional
practice of painting into a
signature motif.
Cocurated by Alfred Pacquement — the former Musée National d'Art Moderne director who previously helped organize the artist's 2013 retrospective at the Centre Pompidou — and uniting fourteen large - format
paintings, the exhibition tracked Hantaï's production in the crucial years 1960 — 71, when he developed his
signature practice of pliage:
painting variously crumpled or knotted canvases and then subsequently unfolding and stretching them for exhibition.
This work complements the museum's 2017 additions
of a monumental
painting and a
signature video work by Bradford, commemorating the collaboration between the BMA, co-organizer
of the U.S. Pavilion at the 2017 Venice Biennale, and Bradford, the 2017 representative for the U.S. and enabling the BMA to show three key areas
of the artist's
practice —
painting, video, and sculpture.
For the upstairs project space at Shulamit Nazarian, Fallah has created a site - specific installation integrating his
signature practice of hand -
painted textile murals with a salon - style presentation
of all new
paintings.
The emphatic geometries
of his
paintings, which indicate his attachment to Piet Mondrian, are another
signature touch, conveying a genially brash New York energy (Martin's
practice came
of age in 1980s New York, which saw the explosion
of the East Village art scene, led by Keith Haring).
Although remarkably inventive and prolific, Trockel has deflected any identifiable stylistic
signature: films and videos, knit
paintings, projects for children, ceramics, drawings, and collages, plus a panoply
of sculptures in a range
of materials, are among the myriad forms that comprise her
practice.
Jackson Pollock: Blind Spots presents the first exhibition in more than three decades
of Pollock's
paintings made between 1951 and 1953, shedding light on a less well known but extremely influential part
of his
practice and departure from his
signature technique.
His integration
of painting and found objects led to his signature practice of Combine P
painting and found objects led to his
signature practice of Combine
PaintingPainting.
A constellation
of paintings, sculptures, and found objects, this show dramatically expands upon the artist's
practice including a carefully considered investigation
of color and figuration amidst his
signature abstractions.
Firmly rooted in his
signature style letterpress prints, in recent years Brannon has expanded his artistic
practice to include
painting, sculpture, tapestry and collage and furthermore he has produced a limited number
of audio works.
Frize purposely avoids choosing colors for their specific associations or emotive properties, instead relying on chance — even
painting while blindfolded in some cases — and seeking a level
of neutrality in which no single color dominates his
practice or becomes his
signature.