Sentences with phrase «signature sculptures by»

Not exact matches

Characterized by signature Fluidic Sculpture 2.0 design language, new radiator grille design, redesigned new bumper and new LED DRLs (daytime running lights) give the Grand i10 front more bold and sporty look.

Featuring 13 works by New Jersey - based Willie Cole, including a site - specific installation, video, and sculptures composed of discarded water bottles, found wood, and one of his signature source materials, previously owned shoes, this exhibition was organized by the David C. Driskell Center where it was on view last fall.

A small sketch by Alberto Giacometti (1901 — 1966) records one of his signature sculptures in a play of frenzied lines.

Here, Olowska created a sculpture inspired by Noguchi's and then draped it in the black cloth that was Graham's signature, a homage to the kind of performance that the artist has been exploring in her work since the days she ran Nova Popularna, an underground bar and performance space she opened in Berlin with Lucy McKenzie in 2003.

Among other successful sales of the evening was a gray - scale work by Cy Twombly, a Donald Judd installation, a signature white painting by Robert Ryman and several works by Yves Kline, including a blue sponge sculpture and works on paper.

Some of the lots to look out for are the Untitled work by Robert Rauschenberg (lot # 3), expected to comfortably exceed its estimate of $ 150,000 — $ 200,000; the two Agnes Martin canvases, the «Untitled # 7» and «Untitled # 20», both estimated to sell between $ 2 — $ 3 million; the signature, delineated, multi-layer «Ocean Park # 48» by Richard Diebenkorn estimated between $ 8 — $ 12 million; another large abstraction by the superstar of the contemporary art market Gerhard Richter «Prag 1883», and the curvo - linear Richard Serra COR - TEN 1984 sculpture «Schulhof's Curve».

This work complements the museum's 2017 additions of a monumental painting and a signature video work by Bradford, commemorating the collaboration between the BMA, co-organizer of the U.S. Pavilion at the 2017 Venice Biennale, and Bradford, the 2017 representative for the U.S. and enabling the BMA to show three key areas of the artist's practice — painting, video, and sculpture.

On view are works in photography, sculpture, and design, characterized by the artist's signature note of irony.

The main gallery showcases paintings by the designer and street artist duo Graphic Airlines, populated with their signature ghostly, bloated - faced figures, alongside Mok Yat San's and Kevin Fun's fanciful sculptures and Lam Tung Pang's mixed - media landscapes, in which plastic models of floating islands hover above the Hong Kong cityscape.

The sculpture is a translation of Katz's signature style of large, glamorous, figurative paintings of close ups of people's faces inspired by television, cinema and billboard images.

The collection of ceramics is centered on large - scale sculpture, and includes signature works by the American ceramists responsible for the singular achievements made in this medium during the last fifty years, among them Peter Voulkos, Rudy Autio, and Ken Ferguson; Betty Woodman, Jun Kaneko, and Ron Nagle; and Marc Leuthold, Chris Gustin, and Annabeth Rosen.

And his signature artistic vision, it's worth remembering, remains provocative, as demonstrated by the right - wing fuss that greeted his nude bronze sculptures commemorating both Arthur Ashe (2000) and 9/11 (2002).

Adjaye's design is inspired by the work of Olówè of Isè (1873 — 1938), the highly regarded Yoruba sculptor whose signature corona forms adorned the heads of standing sculptures that served as veranda posts.

Across town, in a fascinating group show at White Cube in Hoxton, featuring work inspired by Edgar Allen Poe, Kiefer has created two signature pieces: a giant vitrine in which a grey, ash - encrusted landscape is overlain with branches; and an installation in the bowels of Shoreditch town hall featuring his sculptures of what look like hospital beds rescued from a nuclear disaster.

The amusing busts are «Self Portraits» created by defacing or deconstructing classical sculptures with the foundation's signature face of smeared blue eyes, bloody - looking lips and a splash of yellow hair.

Curated by Natalie Kates, the exhibition features Aquiles» paintings, sculpture and signature metalwork, made from found metal and discarded paint cans collected in his native Cuba.

Bertozzi & Casoni (born 1957 and 1961, Italy): In their highly realistic signature style, Bertozzi & Casoni have crafted ceramic sculptures (by hand) expressing a fascination for decay.

February 14 - March 31, 2009 This season, ABRO Gallery, Ada Balcacer's signature art venue, will introduce a cohesive, thought - provoking collective exhibition by house artists: Domingo Liz, Ada Balcácer, Domingo Batista, Máximo Caminero, Aurelio Grisanty and Freddy Rodríguez, with sculptures by Ezequiel Taveras, along with Marian Balcácer's photographic portraits.

Featuring paintings and sculpture characterized by his signature use of clothing, fabric, and objects...

Featuring paintings and sculpture characterized by his signature use of clothing, fabric, and objects to give his works cultural and socio - political context, the exhibition takes its name from an invented term that means «one who embodies elements of beauty and hardship, one who has been rejected, disjointed, disfigured, and discarded after being used for his labour.»

At its annual meeting in March, the Collectors Committee of the National Gallery of Art made possible the acquisition of Piano / Piano (1963 — 1965/2011) by Richard Artschwager, a major example of the wooden sculptures that employ Formica as a laminate, for which he is known; Plaster Surrogates (1982/1989) by Allan McCollum, the last large grouping available of the artist's signature works in this series; and Condensation Wall (1963 — 1966/2013) by Hans Haacke, a breakthrough kinetic work from the artist's early career.

This close relationship has enabled Lou to further develop her signature medium of glass beads by collectively producing intricately beaded canvases, sculptures, and large - scale installations.

Walking into the space, viewers will be confronted by Scharf's signature characters, cheerfully saturated colors and intriguing works that collapse the divide between two - dimensional paintings and three - dimensional sculptures.

Directly in front of you when you cross SFMOMA's signature atrium - spanning bridge is «Virgin Mary,» a 1993 cast bronze sculpture with silver inlay by Kiki Smith, a fractional gift of Vicki and Kent Logan, who recently gave SFMOMA 250 works of contemporary art.

Special acquisitions by the Bilbao museum have included outstanding signature works such as Lightning with Stag Caught in its Glare (1958 — 85) by conceptualist Joseph Beuys (1921 - 86), Barge (1962 — 63) by assemblage artist and painter Robert Rauschenberg (1925 - 2008), and two unique monumental works: Puppy (1992) by Neo-Pop artist Jeff Koons (b. 1955), and Richard Serra's eight - part suite The Matter of Time (2005), considered by some critics to be one of the most important sculpture installations ever produced.

The coveted «Head» sculptures bear Modigliani's signature look: elegant, often elongated figures that verge on abstraction and appear inspired by statues in far - flung locales like Africa and ancient Greece.

In this exhibition, the gallery is excited to have several important robot sculptures including Gertrude Stein (1990) depicted with her Victrola - horn arms and video womb, and Beuys Voice (1990), a loving portrayal of one of Paik's major influences, Joseph Beuys, identified by his signature gray felt hat.

• Carl Andre (b. 1935) Trained at the Phillips Academy, Massachusetts; his signature style of Minimalist sculpture was influenced by by the great megalithic monument of Stonehenge, and by his experience of working on the railways.

This catalog accompanies an exhibition of work by this leading international contemporary artist that spans the last decade of her creative production, including a selection of her signature textile «paintings,» architectural sculptures, and outsized stuffed animals.

Presenting early works in painting and sculpture by renowned French artist Jean Dubuffet, this compelling exhibition (organized by art historian Mark Rosenthal) focuses on the artist's development of his signature Art Brut style, which was inspired by children's drawings and the art of the mentally ill (what we now call Outsider

2001 Signatures of the Invisible, London Institute, London, England This Side of Paradise, Marian Goodman Gallery, New York, USA Field Day: Sculpture from Britain, Tapei Fine Art Museum, Japan, organized by the Taipei Fine Arts and The British Councl (exh.

The exhibition — which also marks Amighi's first solo show with Sophia Contemporary following her successful inclusion in the gallery's group show «Shifting Landscapes» earlier this year — will feature nine new sculptures made from the artist's signature combination of steel, chain, and mesh illuminated by light, along with eight drawings.

The exhibition — which also marks Amighi's first solo show with Sophia Contemporary following her successful inclusion in the gallery's group show «Shifting Landscapes» earlier this year — will feature eight new sculptures made from the artist's signature combination of steel, chain, and mesh illuminated by light, along with ten drawings on which they were based.

Gilbert & George (b. 1943, San Martin de Tor, Italy & 1942, Plymouth, United Kingdom) met in 1967 in art school at Saint Martin's, where they first developed their signature form of «living sculptures» by walking around the streets of London, their heads and hands coated with multi-color metallic powders.

Rather than establishing an easily graspable signature style, he has inundated the art world with a protean output encompassing film, sculpture, drawing, performance, and photography that is largely united by his deeply sardonic wit and antipathy for convention.

This is the first solo exhibition of this Iranian - American artist in the UK and features eight new sculptures made from the artist's signature combination of steel, chain, and mesh illuminated by light, along with ten drawings on which they were based.

The show brings together over 100 paintings, drawings and sculptures by the pop artist, who's best - known for his works based on comic strips and advertising imagery, colored with his signature hand - painted dots.

Maelstrom — a vast web of stainless steel tree trunks and limbs weighing over seven tons and measuring 130 feet long and almost 50 feet wide — is the latest in a series of site - specific sculptures by the New York - based artist that have appeared around the city over the past several years (one of Paine's signature steel trees was installed in Central Park during the 2002 Whitney Biennial and, more recently, three trees occupied Madison Square Park in 2007).

Designed by architects Smith & Thompson, the Jim Kempner Fine Arts building echoes the artists it shows - namely Richard Serra's signature raw Cor - ten steel, which lines the building's façade and encapsulates a serene sculpture garden.

Lou's relationship with South Africa - she established a studio of Zulu artisans in 2005 - has enabled her to develop her signature medium of glass beads by collectively producing intricate beaded canvases, sculptures and large - scale installations.