Sentences with phrase «signature shot of the film»

Not exact matches

The film is shot in Greengrass» signature documentary - like style that puts the audience right in the middle of the action, and he brings shades of grey to a story that could have — in the hands of a lesser director — been a straight good guys / bad guys /» hooray USA» story.

Iñárritu does his best Terrence Malick impression with this gorgeous drama filmed largely in the Canadian wilderness, reteaming with cinematographer Emmanuel Lubezki to deliver more of the same great visuals and signature tracking shots, which amplify the realism of the never - ending suffering that Leonardo DiCaprio's character endures.

Unfolding in his signature long takes — the opener is a candidate for shot of the year — the film ventures to the driver's single - room home in a windswept prairie, where he and his daughter subsist on potatoes and wait out a storm of apocalyptic proportions.

The disc also features six different radio spots, a single TV spot, and a theatrical trailer (2 mins., HD) consisting mainly of the film's money shots edited together, tail to head, with The Car's signature horn blaring on the soundtrack: BEEP!

The city's languid portrayal is at odds with the frenetic, pell - mell nature of the film's signature car chases, where POV shots and quick - cuts make for some of cinema's finest chase sequences.

As appears to be Antonioni's signature, the film ends with a flashy bit of awesome filmmaking, this time a long, circular tracking shot.

Iñárritu does his best Terrence Malick impression with this gorgeous drama filmed largely in the Canadian wilderness, reteaming with cinematographer Emmanuel Lubezki to deliver more of the same great visuals and signature tracking shots, which amplify the realism of the never - ending suffering that Leonardo DiCaprio's character endures throughout the story.

Anne Hathaway's brief work as Fantine is memorable, and her signature song «I Dreamed a Dream» stops the film in its tracks with her single shot rendition of I dreamed a dream shot up close and personal which delivers an impressive wounded, defiant vocal.

Brace yourselves for «the first ever feature - length horror film to be shot entirely on an iPhone» (it says here, although we seem to recall James Cullen Bressack's To Jennifer being shot on an iPhone 5 around the same time) when Hooked Up (2013) arrives on UK DVD on April 27, courtesy of Signature Entertainment.

Like a scripted take on the «7 Up» series, tracking a boy (Ellar Coltrane) from the age of six to eighteen as well as his family and shot at annual intervals, this process let Linklater use the signature low - key, intimate, beautifully observed style he's honed over twenty years, but blown up to a grander scale by virtue of the film's virtually unique conceit.

Responding to this question that HuffPost asked him, Nolan, dressed in his signature suit jacket, addressing a bunch of journalists, said, «To me, film is a medium that I love and it isn't just me, but a whole lot of other filmmakers who love shooting on film.