Rendered in
his signature stain technique, much of Maslansky's work takes source images from Red Light Lacuna (2011 --RRB-, his found archive of compromising selfies and cringe - worthy esoterica, which he shares through social networking websites.
Not exact matches
It's fascinating to see the diversity in Foulkes's complex formal language from his
signature rag
technique using rags to apply and subtract paint to the canvas in a way that anthropomorphizes the rock paintings into denim jean paintings, to the use of drips on the canvases imitating
stains of a photograph, or over painting on top of collaged postcards.
After developing his
signature technique of
staining in 1953, Louis destroyed much of his previous work, which makes Sub-Marine an important document in the career of an artist who went on to become one of the most lyrical artists of the so - called Washington Color School.
The artist's
signature technique of
staining an unprimed canvas with diluted paints is employed to dramatic effect here, with added translucent bands of white that glimmer and oscillate as sunlight might play across its surface, while darker greys and browns add depth, richness and dimension.
Evident in this work is Frankenthaler's
signature technique of thinning her paint so that it elegantly
stains the surface, allowing the viewer to glimpse the woven texture of the canvas.
Her
signature paint - thinning
technique, in which she diluted the oil paint with turpentine, coupled with an entirely revolutionary method of
staining (rather than dripping or brushing paint onto) the canvas undoubtedly changed the course of art history and influenced the likes of Kenneth Noland, Morris Louis and Jules Olitski.