His signature style consists of blocks of color arranged vertically and horizontally, as if masonry.
Sánchez's
signature style consists of stretching canvas over hand - molded wooden armatures and painting them with acrylic.
His signature style consisted of flat fields of color and sharp perspectives, utilizing a vocabulary of road signs, corporate logos, electrical wires and freeway underpasses to form a graphic, stylized American landscape.
Not exact matches
Around 1960 she began to develop her
signature Op Art
style consisting of black and white geometric patterns that explore the dynamism of sight and produce a disorienting effect on the eye.
Tàpies moved on to create symbolic paintings that were influenced by Surrealist painters like Miro and Klee, and by the 1950s he had developed his
signature style, which
consisted of built - up surfaces that were scratched, pitted, gouged, and carved with letters, numbers, and signs.
The most important one is that he hasn't turned what he does into a
style or, in today's parlance, a brand
consisting of
signature gestures....
This show
consists of gallery artists and a few guest artists who, while using a variety of sizes in their practice, also create small versions of their
signature styles.
The exhibition
consists of works in their highly detailed and realistic
signature style, crafted by hand in ceramic.
A 1958 exhibition of Jackson Pollock's work at Whitechapel Gallery had a major impact on the young artist, but it wasn't until the early 1960s that Riley began to develop her
signature Op Art
style consisting of black and white illusionistic patterns.
From September 1959 to January 1960 de Kooning sojourned in Italy, working in Rome, where he produced what are now known as his «black and white» paintings, such as Black and White (Rome) 1959 (fig. 6).24 These are highly reminiscent of Kline's
signature style in their combination of bold gestural abstraction, a black and white palette and structured compositions that
consist of a series of emphatic strokes that are at odds with each other and positioned at angles that create nearly regular geometric shapes, such as triangles and squares.
Around 1960 she began to develop her
signature Op Art
style consisting of black and white geometric patterns that explore the dynamism of sight and produce a disorienting effect on the eye and produces movement and color.
Penn's
signature portrait
style consists of placing a figure in the natural light of the studio with only rudimentary props included to facilitate the composition.