Sentences with phrase «signature works»

His signature works grace Paris, Hiroshima, Jerusalem and places in the United States.

The founding curator of the department was Mari Carmen Ramírez who acquired one of the signature works in the Latin American collection, Cildo Meireles» Missão / Missões: How to Build Cathedrals (1987).

He began a series of signature works in 1954, for which he suspended himself on a rope above canvas, manipulating the paint with his feet.

His signature works were his signature works, and they were buttressed by his «mirror paintings,» his palette paintings, his exhibition - announcement paintings, his abstract paintings and then his stop - sign paintings, his leaf paintings, his fish paintings, his paintings - shown - sculpturally - on - weird - hobbled - together - looking - stages, skeleton - paintings, awesome little ceramic doodads and a stunning amount of artist books.

The third grouping is particularly interesting, with Barbara Morgan «s contact proof photos of Martha Graham performing some of her first signature works, in 1935, next to more abstract works by Morgan, a work by Ruth Asawa.

Her «Ladybug» (1957), which is now in MoMA's collection and was trotted out for its recent exhibition, is one of her signature works, with its tumble of thick or wiry, drippy strokes of orange, blue, turquoise, purple, and other colors surging in a pack emphatically toward the left side of the canvas.

The exhibition will feature signature works by Man Bartlett, Daniel Brustlein, Sharon Butler, Paul D'Agostino, Hermine Ford, Ryan Michael Ford, Rico Gatson, Ben Godward, Cooper Holoweski, Andrew Hurst, Norman Jabaut, Kirsten Jensen, Ellen Letcher, Amy Lincoln, Bjoern Meyer - Ebrecht, Thomas Micchelli, Brooke Moyse, Amy Elkins, Alex Prager, Mario Naves, Larry Poons, Cathy Nan Quinlan, Oliver Ralli, John Silvis, Austin Thomas, Julie Torres, Jack Tworkov among others.

During 2012, institutions throughout the Washington area are featuring an array of signature works by women artists that have enriched their distinguished collections.

This exhibition highlights signature works by such acclaimed modern and contemporary artists as Willem de Kooning, Richard Diebenkorn, Jasper Johns, Anselm Kiefer, Roy Lichtenstein, Elizabeth Murray, Gerhard Richter, Ed Ruscha, Frank Stella, and Andy Warhol.

[21] His signature works are large transparencies mounted on light boxes; he says he conceived this format when he saw back - lit advertisements at bus stops during a trip between Spain and London.

This excerpt explores one of the Smithsonian National Museum of Natural History's signature works by a woman artist, Nakunte Diarra's Bògòlanfini wrapper.

Additionally, the gallery is recognized for its collection and commitment to the women of the Surrealist movement with an extensive collection of Leonor Fini and signature works by Leonora Carrington, Kay Sage, Stella Snead, Juanita Guccione, and Dorothea Tanning.

This excerpt explores one of the Smithsonian National Museum of American History's signature works by a woman artist, Sally Milgrim's ball gown for Eleanor Roosevelt for the 1933 inaugural.

Schnabel's signature works, both abstract and figurative, have as a base surface either black velvet or broken crockery.

One of Jeff Koons» early signature works was Two Ball 50/50 Tank, 1985, which consisted of two basketballs floating in water, which half - fills a glass tank (an influence on Damien Hirst).

Boudreau's signature works show the influence of both the New York School, and Neo-expressionism.

CAM Raleigh presents five of these signature works — all abstract — in which the artist layers oil paint onto a plate - glass or Plexiglas support before scraping off the accumulating «skins,» as he calls them, and collaging them onto a canvas, letting the thickened medium ripple, sag, and wrinkle, marvelously, across the cotton surface.

Featuring signature works from the Broad collection with loans from more than 50 international public and private collections, The Broad's presentation marks the first comprehensive survey of

John Baldessari had been the first to exit, on Thursday, followed on Friday by Barbara Kruger and Catherine Opie, and now Ruscha, whose 1970 installation, «Chocolate Room,» and 1968 painting «Lisp» are among the signature works in MOCA's collection.

His signature works include brightly colored figures, flowers, and landscapes rendered in bold forms and graphic color fields.

Signature works by Alexander Calder (1898 — 1976) and Louise Nevelson (1899 — 1988) are among the mid-twentieth century sculptural pieces in the collection.

This exhibition opens with Wyn Evans signature works — cylinders of light.

Not content with repeating her signature works Hiller constantly reinvents her practice.

These Targets, sometimes called Circles, were his key signature works.

After being educated at the University of Texas and Brooklyn's Pratt Institute, Wilson founded the New York ‐ based performance collective «The Byrd Hoffman School of Byrds» in the mid ‐ 1960s, and developed his first signature works, including Deafman Glance (1970) and A Letter for Queen Victoria (1974 ‐ 1975).

Special acquisitions by the Bilbao museum have included outstanding signature works such as Lightning with Stag Caught in its Glare (1958 — 85) by conceptualist Joseph Beuys (1921 - 86), Barge (1962 — 63) by assemblage artist and painter Robert Rauschenberg (1925 - 2008), and two unique monumental works: Puppy (1992) by Neo-Pop artist Jeff Koons (b. 1955), and Richard Serra's eight - part suite The Matter of Time (2005), considered by some critics to be one of the most important sculpture installations ever produced.

Commonly referred to as mirror paintings and comprised of photo - silkscreened images on steel, these signature works were developed in 1962 and represent the artist's dual interest in conceptualism and figuration.

She's an artist who thinks big in public projects and those are her signature works, the ones that get international attention.

They include signature works by Paul Klee, Piet Mondrian, Ad Reinhardt, Josef Albers, Clyfford Still, John McLaughlin and Yayoi Kusama.

An overview of Wiley's prolific career from 2001 to the present, A New Republic features spectacular portraits of black men - the artist's signature works - along with exciting new developments: portraits of women, monumental sculpture, and «paintings» in stained glass.

Clara M Kim, the Daskalopoulos Senior Curator, International Art (Africa, Asia and Middle East) said Tate were «thrilled» to have brought the «signature works» by Turkish artist Hüseyin Bahri Alptekin's into Tate's collection.

The exhibition features new commissions alongside her signature works such as «Cold Dark Matter: An Exploded View» (1991).

At its annual meeting in March, the Collectors Committee of the National Gallery of Art made possible the acquisition of Piano / Piano (1963 — 1965/2011) by Richard Artschwager, a major example of the wooden sculptures that employ Formica as a laminate, for which he is known; Plaster Surrogates (1982/1989) by Allan McCollum, the last large grouping available of the artist's signature works in this series; and Condensation Wall (1963 — 1966/2013) by Hans Haacke, a breakthrough kinetic work from the artist's early career.

Included are signature works by Marlene Dumas, Ellen Gallagher, Ana Mendieta, Cornelia Parker, Doris Salcedo, Kara Walker, among others, in addition to salient historical precedents set by figures such as Eva Hesse and Louise Bourgeois.

This homecoming exhibition is the largest showing of Lee's work in Korea and will feature his signature works — large - scale ballpoint works on canvas and on paper — along with his new oil on canvas works, and will be presented at Gallery Hyundai located at 80 Sagan - dong, Jongno - gu, Seoul.

Abstract Expressionism in the 1950s arrives in multiple forms: Alberto Giacometti's The Chariot; rooms full of Jasper Johns and Robert Rauschenberg, including signature works like Flag and Bed; Robert Motherwell's Elegy to the Spanish Republic; Willem De Kooning's fierce Woman I.

The next room «speaks straight to my minimalist heart,» Zwirner declared, smiling, and is devoted to two signature works, one by Dan Flavin and one by Rudolf «Rudi» Stingel, a «prototypical post-minimalist.»

His signature works of dark humour include The Los Angeles County Museum of Art on Fire (1965 — 68), a painting depicting the institution in flames; Actual Size (1962), an image of a flying can of Spam (a precooked luncheon meat) beneath the Spam logo; and Large Trademark with Eight Spotlights (1962), a dramatic representation of the Twentieth Century - Fox logo.

and contains signature works like a crumpled sheet of paper, a flattened piece of the reusable adhesive Blu Tack, and lights switching on and off, as well as a giant rotating inscription («mothers»), a room full of balloons, and a car with slamming doors.

It is not about «signature works» or «trophy pieces» it's more about a spirit, about involvement.

The New York artist brings his signature works where the pieces literally curl off the canvas due to its unique Mylar layering.

More than three decades of the bad - boy artist's output have been condensed into 120 signature works, representing Koons» career trajectory, from his Inflatables series (1979) bang up to the present and his Gazing Ball series (2013).

These include signature works such as La perruche et la sirène by Henri Matisse, The Beanery by Edward Kienholz (which has recently undergone a thorough restoration), Charlene by Robert Rauschenberg, and Bellevue II by Andy Warhol — as well as monographic rooms devoted to the work of Willem de Kooning, Rineke Dijkstra, Marlene Dumas, Barnett Newman, Hanne Darboven, and Wolfgang Tillmans, among others.

The dark catacombs were the perfect setting to host this amazing group show that featured signature works from artists such as Ian Francis, David Choe, Conor Harrington, Antony Micallef and Jonathan Yeo.

Her signature works are astonishingly ambitious castings of interiors, including a house, a room, a water tower and a stairwell.

A large installation of Chamberlain's signature works made from crushed, colored, and chromium - plated steel has been a cornerstone of Chinati's permanent collection since the museum's inception.

However, the viewer can, by looking closely at works like Untitled 2496 (a quirky rectangle huddled at the bottom of the paper), see how Lee has captured within the form the same complex ordering of lines as exist in his signature works.

He has thus succeeded in creating spectacular signature works such as the house on a house and the boat on the roof of a house.

The current show gathers together a number of the artist's signature works in an arrangement that transforms the viewer's experience of time and space.

This exhibition will display two of Olivier's signature works Landscape and Revolution, both from 2010.