Sentences with phrase «significance of the works exhibited»

From that exhibition occurred many more with the artist, 1960 being the most relevant for the quality, quantity, and significance of the works exhibited.

Not exact matches

Schubert Ogden has written an essay on «The Strange Witness of Unbelief» (included in his book The Reality of God, SCM Press, London, 1967), in which he demonstrates how often it is the very negators of meaning whose way of life, attitude toward others, and struggle for a «better world» exhibit a dim yet pervasive feeling of significance in the world and in their own existence, a sense of meaning that (as Ogden argues and as I believe) is a hidden working of divine Love in their hearts.

The opportunity to present an exhibition in the dynamic Minnesota Street Project space aligns with the gallery's mission as it looks towards its next phase, when it will continue its tradition of exhibiting major works of historic significance international in scope alongside prominent local Bay Area artists, while also providing a platform for promoting and nurturing young artists with engaging new exhibitions and programming.

But if you want to hear an informed perspective that compacts the significance of exhibiting the paintings of just two of the group's members, Kazuo Shiraga and Sadamasa Motonaga, and which works stand out, over on Glasstire, Christina Rees maps out her experience with Between Action and the Unknown.

Joanne Hummel Newell, who will be exhibiting her work at a satellite show at the Venice Biennale next month, is another artist excited by the significance of objects.

Although the work of Jay DeFeo has been exhibited consistently over the years, mainly on the West Coast, her inclusion in the 1995 exhibition Beat Culture and the New America: 1950 - 1965 at the Whitney redefined her significance within the history of twentieth - century American art and prompted a reexamination of her entire life's oeuvre.

The significance of Lorraine O'Grady and Tracey Rose's new show, an exhibit at Goodman Gallery Johannesburg of curated selections of their works from different periods in their careers, can not be overstated.

«Focusing on the significance of drawing in Basquiat's practice, we are pleased to show these remarkable works on paper, many of which are being exhibited to the public for the first time.»

Now, in a sequence of galleries, the DMA's senior curator of contemporary art, Gavin Delahunty, presents a compelling case for the significance of the black paintings, with portable drip paintings, the first burst of black works, later ones that were exhibited in solo shows at the galleries of Betty Parsons and Sidney Janis in New York, screen prints, and drawings made on Japanese mulberry paper.