Sentences with phrase «significant art collectives»
One of the most significant art collectives working today, Bernadette Corporation (BC) has been influential in presenting a conceptual alternative for making art.
http://www.artlyst.com/ Not exact matches
She studied animation at the School of Visual Arts 1970 — 72 and joined a working collective, Women Artist Filmmakers, although she was at least 10 years older than the other women and already had a significant history in the European art world.
Tsuyoshi Maekawa (b. 1936) was a member of the Gutai Art Association, Japan's most significant avant - garde collective of the postwar era, founded in 1954.
By actively acquiring, preserving, and providing access to the archives and manuscripts of significant curators, innovative commercial art galleries, not for profit art spaces, arts collectives and initiatives, the Archives & Manuscripts Collection seeks to document the history of the contemporary visual arts and the institutions and practices of exhibition - making since the 1960s, representing a broad range of contemporary discourses and curatorial practices.
The San Francisco Art Institute (SFAI) is proud to present the first West Coast survey exhibition of Gutai (1954 — 1972), a significant avant - garde artist collective in postwar Japan whose overriding directive was: «Do something no one's ever done before.»
The San Francisco Art Institute (SFAI) announce the first West Coast survey exhibition of Gutai (1954 - 1972)-- a significant avant - garde artist collective in postwar Japan whose overriding directive was: «Do something no one's ever done before.»
«As museums with a shared teaching mission and a commitment to broaden our collective holdings in new media, we saw a unique opportunity to join forces to acquire significant artworks,» said Sharon Corwin, the Carolyn Muzzy Director and Chief Curator of the Colby College Museum of Art.
have been the subject of significant exhibitions or publications, but this is the first major volume to focus on the broader impact of figurative art to connect artists and collectives from different generations and regions of the country.»
«Art and China after 1989» focuses on and highlights the conceptual and artistic achievements of 71 artists and collectives, of whom nearly 150 significant works — on loan from private and public collections across Asia, Europe, the Middle East, and the United States, as well as from the Guggenheim's collection — are on view in the New York's iconic museum.
As a co-founder of the legendary collective Hi Red Center in 1963 and the central inspiration for Mono - Ha, Jiro Takamatsu brought significant changes in the evolution of visual art in Japan as an artist, theorist and teacher, challenging the prevailing orthodox methods of painting free of representation and sculptures that emphasized truth to materials and the anti-illusional during the 1960s and 1970s.
Tsuyoshi Maekawa was a Japanese artist, a member of the Gutai Art Association, Japan's most significant avant - garde collective of the postwar era.
Art collectives that have sprung up around Santa Fe out of frustration over trying to have their works seen by the public are getting a significant chance for exposure with a series of exhibitions planned at the David Richards Gallery.
The aesthetic field created by Monastyrski is composed of a number of equally significant components — art works, theoretical texts, performances, poetry, as well as the documentation of «Collective Actions» group of which he is the leader and a driving force since 1976.
David Eichholtz of David Richard Gallery discusses their latest series of rotating exhibitions, The Santa Fe Art Project, and why local art collectives have recently become significant in our toArt Project, and why local art collectives have recently become significant in our toart collectives have recently become significant in our town.
Artists in New York often manipulate their authorship through collectives, and a significant number of artists in «Empire State» have been involved in such groups, among them Orchard, Reena Spaulings, 179 Canal, and Art Club 2000.
The Living Need Light, The Dead Need Music (2014), a video work by Vietnamese American artist collective The Propeller Group, resonating powerfully with FAMSF's Southeast Asian holdings, is currently on view at the de Young; the site - specific, panoramic diptych San Francisco Wall Painting (1970/2017), by artist Richard Jackson, which will be installed at the de Young in January 2018, adds to FAMSF's holdings of works by California artists and is a significant addition to the renowned collection of American art.