Sentences with phrase «significant artists across»

Frieze London Showcasing today's most significant artists across its main and curated sections, this year's fair brings together more than 160 -LSB-...]

Reflecting the numerous strategies of production and display that co-exist within art photography today, on view are framed prints, wall - sized installations, light boxes and digital videos by significant artists across several generations, including Richard Prince, Cindy Sherman, Thomas Ruff, Jeff Wall, Anne Collier and Elad Lassry.

Frieze London opened to the public today, featuring more than 160 of the world's leading galleries, showcasing today's most significant artists across its main and curated sections, alongside the fair's celebrated non-profit programme of ambitious new artist commissions and talks.

This year's fair brings together more than 160 of the world's leading galleries, showcasing today's most significant artists across its main and curated sections, alongside the fair's celebrated non-profit programme of ambitious new artist commissions and talks.

Not exact matches

New commissions and work premiering in the UK by leading contemporary artists will be presented across more than ten historically significant sites in East London, including Whitechapel Gallery.

The publication also explores the significant network of friendships and collaborations made across racial lines, while underscoring the influence that African American artists had on the era's larger movements and trends.

There is an emphasis on the inclusion of senior artists whose works cogently reflect lives lived across significant changes in history.

Arguably one of the most significant Spanish artists of the 20th century, Manolo Valdés (b1942, Valencia) works across a variety of media.

LeWitt, Nevelson, Pendleton extends Pace's ongoing series of group exhibitions that initiate conversations between artists working across time periods, geography, and media, following such significant exhibitions as Blackness in Abstraction (2016), Sol LeWitt and Zhang Xiaogang (2016), Alfred Jensen / Sol LeWitt: Systems and Transformation (2012), Light, Time and Three Dimensions (2007), Dubuffet and Basquiat: Personal Histories (2006); and Grids: Format and Image in 20th - Century Art (1979).

These artists represent a microcosm of the American experience and their respective practices across four decades have collectively made a significant impact on the development of contemporary art in the United States.

The gallery saw strong sales across a number of gallery artists with significant support from our collector base.

Diverse Discourse provides a significant opportunity for area artists in all disciplines to have their work reviewed by a variety of distinguished arts professionals, fostering a cultural exchange across the nation between artists and cultural producers.

The beautiful new and greatly expanded museum space enabled the Museum of Art to organize major scholarly exhibitions of contemporary and historic artists, from significant solo shows to thematic group shows that investigate ideas important to disciplines across the liberal arts curriculum, and permanent collection exhibitions, supported by scholarly publications.

The Museum of Art brings a world of ideas to Bates, Lewiston - Auburn and Maine with significant exhibitions of artists from across the country and globe.

This is the first significant publication to explore the output of Matt Keegan, the New York - based artist known for his work across mediums, as well as independent publishing including the acclaimed editioned art journal North Drive Press.

There were also significant examples of work by well - known artists such as Mike Kelley's Compound Eye (1982 - 3) at Franklin Parrasch, and other highlights for us included the solo presentation of Jamie Davidovich at Henrique Faria, Kiki Kogelnik at Simone Subal, Etienne Martin at Galerie Bernard Bouche, and the combination of works from across different time periods at Taka Ishii.»

Rothko / Sugimoto extends Pace's ongoing series of two - artist exhibitions that initiate dialogues between artists working across time periods, geography, and mediums, following such significant exhibitions as de Kooning / Dubuffet: The Women (1990); Mondrian / Reinhardt: Influence and Affinity (1997); Bonnard / Rothko: Color and Light (1997); Willem de Kooning and John Chamberlain: Influence and Transformation (2001); Dubuffet and Basquiat: Personal Histories (2006); Josef Albers / Donald Judd: Color and Form (2007); and Ad Reinhardt and Tony Smith: A Dialogue (2008 — 9).

Artists such as Bowling, Gilliam, Pindell and Whitten as well as Barbara Chase - Riboud, Al Loving and Virginia Jaramillo, have all had significant solo presentations across the Frieze and other fairs in the last three years.

That would be too modest an enterprise for today's far more significant and ambitious Whitechapel Gallery, so now it is The London Open, still an open - submission show, but now any artist across London can enter.

Providing new perspective on vital female contributions to art history across mediums, genres, and periods, the exhibition schedule is anchored by major solo exhibitions of work by Laura Owens, Ida O'Keeffe, and Berthe Morisot and showcases a range of significant works by female artists in the Museum's collection.

«Art and China after 1989» focuses on and highlights the conceptual and artistic achievements of 71 artists and collectives, of whom nearly 150 significant works — on loan from private and public collections across Asia, Europe, the Middle East, and the United States, as well as from the Guggenheim's collection — are on view in the New York's iconic museum.

Generations of Influence: 20th century movements and tribal art Building on Frieze's reputation for showcasing modern artists and encouraging the growth of art collections across eras, this year's fair features a growing presence of galleries exhibiting significant works from the 20th century alongside masters of contemporary art.

The purpose of the initiative is to support the acquisition of significant works by female artists for Contemporary Art Society museum members across the UK.

In a round up of the nation's most significant fall art events, Martha Schwendener includes a diverse array of exhibitions from R+A clients across the country, exploring topics from French photography, to art from the Middle Ages, to Japanese fashion, and influential contemporary artists.

Across the pond, over in London, Valeria Napoleone XX Contemporary Art Society will donate one significant work by a living female artist to a different United Kingdom — based museum each year.

Significant works by leading contemporary artists can now be seen in regional museums across the country, for example:

Comparing the two artists also reveals significant contrasts between their experiences across two generations.

In addition to the new exhibition model, the biennial will commission site - specific works that focus on the 1980 Gwangju Uprising, and the Pavilion Project, for which the Palais de Tokyo, the Helsinki International Artist Program, and the Philippine Contemporary Art Network will stage satellite exhibitions at historically significant locations across the city.

His solo exhibition «SURFACE» is a portrait anthology of some of the most significant street artists on the contemporary scene as well as the pioneering icons across the globe.

The vast scope of the collection reflects the heterogeneous nature of the artistic production of Cuban artists, spanning across various generations, and their significant aesthetic and historical contribution to modern and contemporary art.

The inaugural Triennial in 2008 brought together 22 works by significant artists, including Christian Boltanski's sound installation of letters of First World War servicemen being read as one sat upon a bench at the site where these men were shipped off to battle, staring out into the sea, and Tracey Emin's work «Baby Things» — a spattering of bronze - cast baby clothes strewn across the city paying homage to the vast number of teenage mothers that inhabit these seaside towns such as Folkestone, and Margate, Emin's notorious hometown.

The 288 - page hardback publication takes readers on a journey that outlines the meteoric rise of the New York - based British artist's career — from smaller scale exhibitions in his home country in 2007 to the significant solo and group exhibitions that have since been staged across the world.

In 2015 - 2016, Michele co-curated Tilting the Basin: Contemporary Art of Nevada, an exhibition showcasing the most significant contemporary artists living and working across Nevada today.

It is interesting how the diversity and multiplicity that has existed in Kallat's own practice, from materials and media to ideas and meanings, is also evident in both the Museum's centuries - old exhibits as well as the artist's works on display — thereby making «Earth Families» a befitting stage to showcase the oeuvre of one of India's most significant contemporary artists, whose work is part of several public and private collections across the world.

The list of artists included in the show include those both from here and abroad, across a range of media and generations: Nep Sidhu and Rajni Perera, both young Toronto artists, will occupy a significant portion alongside prominent Canadian artists like Jeremy Shaw, Tim Whiten and Carl Beam, as well as artists ranging far across the international field: Meschac Gaba from Benin; Kendell Geers and Dineo Seshee Bopape, both from South Africa; American artist Maya Stovall; and Ethiopian - American artist Awol Erizku, among others.

This is a significant exhibition because it connects all the artists across the continuum of this overlooked historical trajectory back to these forefathers to finally make the connections and give the recognition due to Progressive Graffiti in all its current manifestations and their historical referents.

The gallery has garnered a reputation for supporting artists working across multiple disciplines with new and challenging forms of creative expression and artists whose work has had a significant impact on contemporary art and culture.

The exhibition will include over thirty major paintings from the most significant period of the artist's career — the idealized northern landscapes of the 1920s and early 1930s — and will draw from the Art Gallery of Ontario's substantial holdings of paintings by Harris, the Thomson Collection at the AGO, as well as from major public collections across Canada including the National Gallery of Canada and the McMichael Collection.

On view across all of the gallery's Chelsea spaces in New York (519, 525 & 533 West 19th Street and 537 West 20th Street), the exhibition will feature artworks by the gallery's artists, including significant historical work, alongside new and never - before - seen works commissioned specially for the occasion.