Sentences with phrase «significant artists does»

«The maturity of the late works of significant artists does not resemble the kind one finds in fruit,» Theodor Adorno once wrote.

Not exact matches

Artist Nickolay Lamm has done a significant amount of work on how understandings of an «ideal» female body differ from reality.

The artist versus non-artist results were however also not statistically significant, which is in line with previous research which revealed that experience - level didn't influence the stress reducing benefits individuals had while creating art.

Musa has a professional artist that does my cover AND (unlike traditional publishing), for anyone but the N.Y. Time best sellers, I had significant input into what that cover looked like.

Selling through galleries — the only time, in my opinion, that an artist should not have ecommerce is if the artist is represented by a gallery that doesn't want them to have it — and here's the important part — that gallery is bringing in significant revenue for the artist.

Despite being one of the most significant Latin American artists of the twentieth century, Tarsila do Amaral (1886 — 1973) is not well known in the United States.

For the Five Plus One section, we have selected five artists who made a significant impact in 2016 and one who promises to do so in 2017, including Joana Hadjithomas and Khalil Joreige, Tiffany Chung, Nick Mangan, Shahzia Sikander, Kishio Suga and Samson Young.

2006 Estrecho Dudoso, TEOR / éTica, San José, Costa Rica, curated by Virginia Pérez Ratton and Tamara Díaz Bringas (Catalog) Festival des Cinémas Différents de Paris, (screening), Centre Culturel La Clef, Paris, France Estudio Abierto, Palacio de Correos, Buenos Aires, Argentina 10 Defining Experiments: cifo 2006 Grant Program Recipients, Cisneros Fontanals Art Foundation (cifo), Miami, Florida (Catalog) Manifesta 6 School, Nicosia, Cyprus, curated by Mai Abu ElDehab, Anton Vidokle and Florian Waldvogel (Cancelled) Prevailing Climate, (screening), Sara Meltzer Gallery, New York, curated by Rachel Gugelberger and Jeffrey Walkowiak 3 Biennale Adriatica di Arti Nuove, San Benedetto del Tronto, Italy, curated by Antonio Arévalo (Catalog) Whitney Museum of American Art Independent Study Program Exhibition, Chelsea Museum, New York El Museo's 4th Bienal: The (S) Files, Museo de Arte de Puerto Rico, San Juan, Puerto Rico (Catalog) 4ème Festival international du Cinéma iranien en Exil, (Screening), Paris, France When Artists Say We, Artists Space, New York, organized by Andrea Geyer and Christian Rattemeyer Bzzzz, Fundacion Cu4rto Nivel Arte Contemporaneo, Bogota, Colombia, curated by Jaime Cerón Russia: Significant Other, Institute for Contemporary Art at the Anna Akhmatova Museum, St Petersburg, Russia, curated by Olga Kopenkina Surveillance, Jersey City Museum, Jersey City, NJ, curated by Rocio Aranda Moving Time, Gallery Korea, Korean Cultural Service, New York, curated by Hwang Yu Jin, Jeeyun Kim, Inhee Iris Moon Featured Artist Projects, Center for Book Arts, New York

It may be somewhat significant that most of these Midwest artists are teachers in various institutions, an indication that such support is vital to artists who don't live in large urban centers.

It took an artist's mentality to recognize what was going on, and it was often left to Marion Gray to record these events that other photographers didn't have the foresight to regard as significant.

The sturdy froth of color and texture that comprises his images creates a «glancing, immaterial quality,» an impression not of the world as it is, but as it is remembered.1 While the artist finds that «the subject matter of (his) pictures is often established in one sitting,» he may take up to three years to complete a painting, even one as profoundly simple as After Corot (1979 - 1982).2 Hodgkin's process of recollection is related to that of the master mnemonist, Marcel Proust, whose all - over attention did not discriminate between the most significant details of memory and the most obscure.

Mexican artists did not embrace surrealism in significant numbers, for which Breton never forgave them (or the country, for the assassination of Trotsky in August 1940).

He and the construction worker are doing something superficially similar, but the difference in scale is significant: The bulldozer, a machine that can destroy a lot of material quickly and indiscriminately, represents the authority of central planners, and political and business interests; the artist, who works with only the tools and friends available to him, represents a kind of everyman.

It seems that the notion of nomadism doesn't refer solely to the artist recent body of work, but also represents a significant autobiographical connotation.

A significant number of artists in Asia took to such practices with gusto through the late 1980s and»90s, which may well have had less to do with rejecting a modernist paradigm (as it had been with the neo-avant-garde) and more to do with a proliferation of exhibiting conditions that favoured new media — that is, the space of the biennial.

The San Francisco Art Institute (SFAI) is proud to present the first West Coast survey exhibition of Gutai (1954 — 1972), a significant avant - garde artist collective in postwar Japan whose overriding directive was: «Do something no one's ever done before.»

Many UK artists feel forced to forego potentially significant exhibitions in public galleries because, in the majority of cases, they don't receive a fee.

The San Francisco Art Institute (SFAI) announce the first West Coast survey exhibition of Gutai (1954 - 1972)-- a significant avant - garde artist collective in postwar Japan whose overriding directive was: «Do something no one's ever done before.»

But his question wasn't wrong per se — it just didn't have much to do with the achievement of his exhibition, which takes a more interesting, less expected tack: Garrels asked six abstract painters working in the United States to «select one or two of their own recent paintings to be shown with works by other artists who have had a significant impact on their thinking and the development of their own work.»

The award does not impose any restrictions on age, media or nationality, instead BALTIC's ambition is to offer all four nominated artists an unparalleled, step change opportunity to make a significant new presentation with mentoring from some of the most exciting and experienced contemporary artists today.

But how do you know if an artist is (or will be) considered historically significant?

While I'd love for the Museum of Fine Arts, Houston to pass on one of its never - ending «once in a lifetime» opportunities to rent other museums» Impressionist collections, it's hard to see how San Antonio's interests don't include giving the city its first look at a significant concentration of works by the artist Green has argued made the most important painting of the 20th century — especially since SAMA's contemporary collection includes painters such as Hans Hofmann and Richard Diebenkorn whom Matisse influenced.

Susan Landauer's «The Advantages of Obscurity: Women Abstract Expressionists in San Francisco» is remarkable for its assertion that in the Bay Area, women artists did not suffer from significant gender - based discrimination and that they, like their male counterparts, ironically benefited from the relative paucity of galleries and patronage for contemporary art on the West Coast.

Déjà Vu - Do is from the artist's Ethnic Heritage Group, a series of thirty - seven sculptures that examine the doll figure both as a ubiquitous toy for children and as an idol that personifies something (or someone) significant and esteemed within a culture.

2011 • World premiere of Death Disco Dancing by Marcel Dzama, live scored performance and Q&A with artist • Raincoats: Adventures, featuring an artist talk with the band and a 5 day exhibit presenting a collection of photos, clippings, and drawings • Two significant and complementary exhibits And no one was around and Did It make a sound, which gathered over 40 artists such as Richard Kerr, Connor Willumsen, Richmond Lam, the Publié / Autopublié collective, and more!

How do artists respond to gallery spaces is also not a new story, but since the world has become full of art spaces of all sorts it is significant to highlight that.

If this intriguing exhibition doesn't add a great deal to our understanding of Doig's art, it shows that the most significant figurative artist of our time is still very much in the game.

I did some significant exhibitions such as Pandora's Sound Box for PERFORMA 09 which was a survey of conceptual artist Braco Dimitrijevic.

One of the most significant Korean artists of the twentieth century, Yun was born in Miwon - ri, Chungcheongbuk - do, Korea and received his BFA from the School of Fine Arts at Hongik University, Seoul in 1957.

Do you think that surface qualities or surface incident seen in the art of the first generation or Abstract Expressionism prevent a significant point of departure for artists today — or that activity on the surface is coming to be significant again?

This important reappraisal is testament to the fact that just because certain artists are left out of the historical record does not mean they did not produce historically significant work.

As well as writing, she curated many significant shows such as «Women Artists: 1550 — 1950» in 1976 at the Los Angeles County Museum of Art; «Courbet Reconsidered» in 1988 at the Brooklyn Museum (which included the first public display of Gustave Courbet's L'Origine du monde [The Origin of the World], 1866) and, in 2007, for the opening show at the Brooklyn Museum's Elizabeth A. Sackler Center for Feminist Art, «Global Feminisms: New Directions in Contemporary Art».

Although many artists did experience a significant drop in total sales volume in 2009, as the overall art market responded to global financial crisis, many female artists were able to quickly rebound, as the Post-War and Contemporary market saw consistent growth in the past two years.

Brazilian artist Rivane Neuenschwander's solo show at the New Museum in New York will offer a welcome opportunity to see a significant presentation of her work from the past 15 years; and the prospect of the 29th Bienal de São Paulo, curated by Moacir dos Anjos, is enticing.

I was interested in showing artists that I loved but who others didn't think were particularly significant.»

Of those artists who did travel to the Levant and North Africa, many went with the idea of plein - air painting, although this became much more convenient following the invention of the collapsible tin paint tube in 1841 by American painter John Rand - an event which had a significant impact on the development of Impressionist landscape painting with its focus on capturing the momentary light at a scene.

Other significant artists, such as Johann Christian Dahl, Georg Friedrich Kersting, or Philipp Otto Runge, do not even come close.

«One of the things we try to do in the museum is show the development of a very significant artist.

However, there were significant artists in other parts of the world who, years before this, were exploring the conceptual nature of art (and I don't mean Duchamp).

The artist's touch is always visible in this type of painting, even when the paintings are done with spray guns, sponges or other objects... Painters were creating, in significant numbers, works that were visually beautiful...»

Spanning the past twenty years, «Don't Axe Me» will provide one of the first opportunities to thoroughly examine the complex formal and thematic concerns of one of the most significant artists to emerge since the mid-1990s.

The most radical thing an artist can do now, he claimed was «to paint with oils on canvas».2 A revival of painting by Collishaw and Hirst (who is included in Painting Now) indicates the significant cultural shift away from the gaudy consumerism and nihilism that artists of the 90s once championed.

Being the founding director of Franklin Furnace, one of the significant spaces of that period, and an artist connected with the Downtown New York scene, how do you feel about this nostalgia?

Since his death in 1979, his work has been celebrated in numerous exhibitions; significant recent museum group exhibitions include Abstract Expressionist New York at the Museum of Modern Art (2010); From the Margins: Lee Krasner and Norman Lewis (2014, curated by Norman Kleeblatt) at The Jewish Museum (NYC); Postwar - Art between the Pacific and Atlantic, 1945 - 1965, (2016, curated by Katy Siegal and Okwui Enwezor) at the HausDerKunst (Munich); The Color Line: African American Artists and the Civil Rights in the United States (2016, curated by Daniel Soutif) at Musée du Quai Branly, Paris; and Abstract Expressionism, curated by David Anfam for the Royal Academy of Arts, London, England (2016).

Yet I do think that abstract expressionism and the movements that reacted to it in the 60s attracted far more attention from the general public than the equally significant work of representational artists who were painting during that period, creating work that evolved naturally from earlier tradition where AbEx and other later movements appeared to be more radical leaps.

What failed to happen is more significant than what ultimately did happen — the fact that very good artists like Keith Piper never found mainstream acceptance, for instance.