Not exact matches
The
artist versus non-
artist results were however also
not statistically
significant, which is in line with previous research which revealed that experience - level didn't influence the stress reducing benefits individuals had while creating art.
By combining statistical and qualitative evidence about
artists in the Funk Zone today with relevant comparisons to other cities and reasonable, nonpartisan recommendations, «The Funk Zone: A Neighborhood in Transition» has made the first
significant independent claim to control the narrative about what the Funk Zone ought (and ought
not) to be.
And one more, regarding what would prove to be a
significant factory building operated by a company in the business of making wool clothes: «They were
not too fond of heating the building,» the
artist said — «which was their job.»
Selling through galleries — the only time, in my opinion, that an
artist should
not have ecommerce is if the
artist is represented by a gallery that doesn't want them to have it — and here's the important part — that gallery is bringing in
significant revenue for the
artist.
Any Rauschenberg completist knows that the Neo-Dadaist wasn't working alone when he made these — he was collaborating with his then - wife, Susan Weil, who is a
significant artist in her own right.
The booth takes a retrospective look at the an
artist who has been a
significant figure
not only to the West Coast scene, but also in the development of Post-War American painting.
Despite being one of the most
significant Latin American
artists of the twentieth century, Tarsila do Amaral (1886 — 1973) is
not well known in the United States.
We are one of the few local institutions that commissions new works by
artists, paying particular attention to
artists of note who have
not had a
significant exhibition in the Southeast.
Many of them are
significant figures, but
not widely known, such as scholar and social critic Harold Cruise (whose portrait graces the cover of the catalog);
artist Faith Ringgold; Ron Kajiwara, a graphic designer at Vogue magazine; and civil rights activists James Farmer and Hugh Hurd, who was also an actor.
The story of SoHo — which was transformed from a bohemian
artist's enclave to one of the most expensive zip codes in the country — has remained
significant not only because of the now - iconic artworks it helped produce: in just a few decades, the area has become a retail and restaurant capital with upscale homes and hotels.
It establishes the fact that the spider is my mother, believe it or
not» — Louise Bourgeois Spider III is among the most
significant and personal works created by Louise Bourgeois, an
artist whose career spanned over seven decades of remarkable productivity.
With particular strengths in colonial portraiture, the Hudson River School, American Impressionism, and the Ash Can School, also
not to mention the important mural series The Arts of Life in America by Thomas Hart Benton, the Museum relies heavily on its permanent collection for exhibitions and programming, yet also displays a
significant number of borrowed shows and works by emerging
artists.
The
artist's formal references were
not wholly introspect, however, with early twentieth century European modernism playing an equally
significant role.
She is the granddaughter of John Dunkley (1891 - 1947), considered a
significant «intuitive»
artist not only in his native Jamaica but in the broader history of the Caribbean.
Finally, an event that was
not an exhibition but was nevertheless a
significant occasion for the Atlanta community: On October 12, 2017, Atlanta Celebrates Photography presented a conversation between
artist Marilyn Minter and curator Michael Rooks.
Performa 09: Back to Futurism is
not only a gorgeous document of a remarkable biennial, but also an invaluable reference guide to the most
significant artists of our time, for art historians and fans alike.
(And I will parenthetically state that obviously there is a complication here: the visibility I seek is a dual one,
artist / writer, but in this I am
not alone and I have powerful predecessors in such polemically inclined visual
artists / writers as Barnett Newman, Ad Reinhardt, Robert Smithson, Adrian Piper, and Mary Kelly, to name just a few of many
significant artists / writers).
Two years later she was given a full - scale retrospective —
not at the Museum of Modern Art or the Guggenheim — but at the Whitney Museum of American Art, indicating that she was regarded as a
significant artist of the American school,
not a figure of international stature.
Visionaries: Creating a Modern Guggenheim will explore
not only avant - garde innovations from the late 19th through mid-20th centuries, but also the radical activities of six patrons who brought to light some of the most
significant artists of their day.
Be sure
not to miss booths by Blain Southern from London and Berlin; Galleria Continua from San Gimignano, Beijing, Les Moulins and Havana; Gagosian from New York, Beverly Hills, San Francisco, London, Paris, Rome, Athens, Geneva and Hong Kong, featuring a vibrant contemporary program; Galerie Lelong from Paris, representing prominent contemporary
artists and estates from the United States, Latin America, Europe, Asia, and Australia; Pace Gallery from New York, Palo Alto, Paris, London, Hong Kong and Seoul, a leading contemporary art gallery representing many of the most
significant international
artists and estates of the 20th and 21st centuries; Galerie Perrotin from New York, Paris, Hong Kong, Tokyo and Seoul; and David Zwirner from New York; among others.
The Ashmolean Museum's major survey of American
artists is
significant not only for the novel focus it brings to interwar art in the USA, but also for the number of paintings included that have never before been to the UK — 17 of which haven't previously left the States.
The market for African - American art has heated up considerably in the past 15 years, and if the DIA waited much longer to get in the game, it would
not be able to afford substantial works by the famous
artists it needs to fill
significant gaps in its collection.
Now, we will come full circle in mounting this
significant retrospective in Sharjah, a city that was
not only a site of intense artistic production for the
artist, but also a place he greatly enriched through his teaching and community activities.
It may be somewhat
significant that most of these Midwest
artists are teachers in various institutions, an indication that such support is vital to
artists who don't live in large urban centers.
Impossible to dismiss, Andre's experiments with word and text deserve collation and careful attention,
not only because they cast
significant light on his work in three - dimensions, but also because they supply a fascinating insight into his sensibility as an
artist.
At several places in the building, the Hamburger Bahnhof currently exhibits an
artist whose work and life can
not be separated from one another — a painter, an actor, a writer, a musician, a drunkard, a dancer, a traveller, a charmer, an enfant terrible and self - producer — in short, an «exhibitionist» as he called himself and an
artist who today is considered one of the most
significant of his generation.
It took an
artist's mentality to recognize what was going on, and it was often left to Marion Gray to record these events that other photographers didn't have the foresight to regard as
significant.
We are one of the few local art organizations that commission new works, paying particular attention to
artists of note who have
not had a
significant exhibition in the Southeast.
The sturdy froth of color and texture that comprises his images creates a «glancing, immaterial quality,» an impression
not of the world as it is, but as it is remembered.1 While the
artist finds that «the subject matter of (his) pictures is often established in one sitting,» he may take up to three years to complete a painting, even one as profoundly simple as After Corot (1979 - 1982).2 Hodgkin's process of recollection is related to that of the master mnemonist, Marcel Proust, whose all - over attention did
not discriminate between the most
significant details of memory and the most obscure.
Mexican
artists did
not embrace surrealism in
significant numbers, for which Breton never forgave them (or the country, for the assassination of Trotsky in August 1940).
«The maturity of the late works of
significant artists does
not resemble the kind one finds in fruit,» Theodor Adorno once wrote.
It seems that the notion of nomadism doesn't refer solely to the
artist recent body of work, but also represents a
significant autobiographical connotation.
Not to toot our own horn, but there have been some pretty exceptional
artists featured in the past editions of the MFA Annual competition of New American Paintings, many of whom have gone on to achieve
significant international success.
Wilke has also participated in a large number of
significant group exhibitions including the forthcoming exhibition Virginia Woolf: an exhibition based on her writing, Tate St Ives (2018); Delirious: Art at the Limits of Reason, 1950 - 1980, Met Breuer, New York (2017); Body Talk, Rose Art Museum, Waltham (2017); Feminist Avant - Garde of the 1970s, ZKM, Karlsruhe (2017), travelling to Stavanger Art Museum, Norway and The Brno House of Arts, Brno (2018); I Remember
Not Remembering, Scottsdale Museum of Contemporary Art (2017); The Beguiling Siren is Thy Crest, Museum of Modern Art in Warsaw (2017); Performing for the Camera, Tate Modern, London (2016); Revolution in the Making: Abstract Sculpture by Women, 1947 - 2016, Hauser & Wirth & Schimmel, Los Angeles (2016); Americana: Formalizing Craft, Perez Art Museum, Miami (2013); Aquatopia: The Imaginary of the Ocean Deep, Nottingham Contemporary (2013); Human Nature, Los Angeles County Museum of Art (2012); Naked Before the Camera, Metropolitan Museum of Art, New York (2012); Elles: Women
Artists from the Centre Pompidou, Seattle Art Museum (2012); The Body as Protest, Albertina Museum, Vienna (2012); Ourselves, Australian Centre for Contemporary Art, Melbourne (2012); The Original Copy: Photography of Sculpture, 1839 to Today, MoMA, New York and elles@centrepompidou, Centre Pompidou, Paris (2010).
Many UK
artists feel forced to forego potentially
significant exhibitions in public galleries because, in the majority of cases, they don't receive a fee.
In 2004, The Three M Project was conceived and developed together with the Museum of Contemporary Art, Chicago, and the Hammer Museum in Los Angeles, to jointly commission, exhibit, and acquire important works of contemporary art by
artists whose work has
not yet received
significant recognition.
Connections and Context features
significant recent acquisitions, some of which mark the introduction of
artists new to the Museum's collection, as well as works that have
not been shown in the Museum's current building in Water Mill (which opened November 2012).
But his question wasn't wrong per se — it just didn't have much to do with the achievement of his exhibition, which takes a more interesting, less expected tack: Garrels asked six abstract painters working in the United States to «select one or two of their own recent paintings to be shown with works by other
artists who have had a
significant impact on their thinking and the development of their own work.»
And yet this
artist, one of the most
significant German painters of the past 20 years, can make boredom look like a rigorous, if
not delirious experiment.
Newly acquired and
not before exhibited works by established and
significant American
artists like Julie Mehretu, Glenn Ligon, Rachel Harrison and Mark Bradford are also included in the exhibition.
The
artists celebrated
not only the appearance of the dealers, collectors and museum people on the 9th Street, and the consequent exposure of their work but they celebrated the creation and the strength of a living community of
significant dimensions.
Among his most
significant themes are: the relationship between art and language (as in the film La Pluie, in which water runs down pages erasing the text written by the
artist); the status of the work of art and of criticism in the museum (il Musée d'art moderne — Département des Aigles of 1968 is a museum in which some of the works exhibited are accompanied by the warning «This is
not a work of art»); and the play between reality and fiction.
Senga Nengudi is a sculptor and performance
artist who hasn't received
significant attention until now, despite having made provocative work since the «60s, sometimes in collaboration with big - name
artists like David Hammons (whom she actually shared a studio with at some point).
The studio visit is one of the most intimate, sensitive, and otherwise emotionally fraught encounters in the art world, when an
artist welcomes a
significant visitor — a collector, curator, journalist, or the like — into their creative sanctum sanctorum and both sides try, desperately,
not to screw it up.
Produced over a quarter of a century beginning in 1964, the maquettes offer a unique view into the sculptor's creative process: some illustrate the origins of compositions for monumental works, while others document ideas
not realized ultimately in large scale or provide fascinating examples of early sculptural ideas that underwent
significant transformation as they emerged as full - scale sculptures in the exhibition chronicle Arneson's evolution as an
artist and the development of his freewheeling creativity and prodigious imagination.
This small retrospective at Mark Borghi
not only shows the creative path from drawing to painting, it also offers insights into what made the
artist's contributions
significant.
The award does
not impose any restrictions on age, media or nationality, instead BALTIC's ambition is to offer all four nominated
artists an unparalleled, step change opportunity to make a
significant new presentation with mentoring from some of the most exciting and experienced contemporary
artists today.
The ideal Emerging
Artist would be out of school (
not a student) and would
not yet have achieved
significant recognition for his or her work.
In Hepworth's case the most
significant comparisons are with the truly great abstract
artists: you can
not seriously set her works alongside those of Brancusi, Kandinsky, Mondrian, Pollock, Rothko or Richard Serra.
The year 1945 is
significant to the show
not because this is when Krasner married Jackson Pollock, but because during the seven years that follow both
artists developed their abstract style.