Sentences with phrase «significant artists such»

With this exhibition, Astrup Fearnley Museet presents for the first time important works by significant artists such as Larry Bell, Ed Ruscha, Robert Irwin and John Baldessari, along with mid-generation artists like Charles Ray, Stanya Kahn and John Divola, and today's young aspiring artists, such as Jonas Wood, Brian Calvin and Nancy Lupo.

Chareau and his wife were keenly interested in contemporary art, and the exhibition reunites several pieces from their collection of paintings, sculptures, and drawings by significant artists such as Piet Mondrian, Amedeo Modigliani, Max Ernst, Jacques Lipchitz, and Robert Motherwell.

The Museum is also known for monograph shows of significant artists such as Camille Pissarro (1995); Marc Chagall (2013, 2001, and 1996); Chaim Soutine (1998); George Segal (1998); Adolph Gottlieb (2002); Amedeo Modigliani (2004); Eva Hesse (2006); Alex Katz (2006); Louise Nevelson (2007); Man Ray (2009); Maira Kalman (2011); Edouard Vuillard (2012); Jack Goldstein (2013); Art Spiegelman (2013); Mel Bochner (2014), and Florine Stettheimer (2017).

Not exact matches

Significant national artists, including Diego Rivera and José Clemente Orozco, will be featured, as well as international artists such as Josef Albers and Edward Burra, who were influenced by their visits to Mexico during the period.

By analyzing the vivid colors in paintings by such artists as J.M.W. Turner, Claude Lorrain, Alexander Cozens, and Edgar Degas, some scientists hope to say something significant about volcano - related cooling — and possibly human - induced pollution — over the past few centuries.

Alongside significant early works such as Me, Jesus and the Children (2001 — 2003)-- a photorealist painting of the artist's chest, overlaid with cartoon cherubs and floating speech bubbles — the exhibition features paintings from Colen's long - running «Gum» and «Trash» series.

Beginning with significant historical works from artists such as Richard Long, who was one of the first artists to make walking his art form, to Ana Mendieta, who carved and shaped her own figure into the earth and documented these private sculptural performances, to Michelangelo Pistoletto's performance, Walking Sculpture, in which he and a group of people walked a large newspaper ball down the streets of Turin, the exhibition will include works from all decades since the 60s and commission artists to create new work for 2017.

Many of them are significant figures, but not widely known, such as scholar and social critic Harold Cruise (whose portrait graces the cover of the catalog); artist Faith Ringgold; Ron Kajiwara, a graphic designer at Vogue magazine; and civil rights activists James Farmer and Hugh Hurd, who was also an actor.

Extensive travels through Europe in 1952 had a significant impact on Chimes's work and it was in the paintings of artists such as Giorgio de Chirico, Andre Breton and Henri Matisse, that Chimes found the affirmation of his own developing ideas that would soon lead to the earliest mature works included in this exhibition.

That year marks a significant shift in the ways the artist conceived of his work: He moved toward a poetical and animistic approach, suggesting more universal themes such as spirituality and mortality.

Baselitz revisits paintings such as The Great Friends and Finger Painting - Eagle in a dynamic process that virtually reinterprets the original versions» significant features, thereby transposing the artist's work into a more contemporary framework.

LeWitt, Nevelson, Pendleton extends Pace's ongoing series of group exhibitions that initiate conversations between artists working across time periods, geography, and media, following such significant exhibitions as Blackness in Abstraction (2016), Sol LeWitt and Zhang Xiaogang (2016), Alfred Jensen / Sol LeWitt: Systems and Transformation (2012), Light, Time and Three Dimensions (2007), Dubuffet and Basquiat: Personal Histories (2006); and Grids: Format and Image in 20th - Century Art (1979).

It deals with collecting the multiple narratives of artists difficult to classify because they have a very personal speech often linked to topics such as subjective memory, identity play autobiography, poetic senses... His themes of artistic settings are linked to individual symbols and a peculiar structure of their experiences, which has a very significant role in the works of contemporary artists in the IVAM collection as Robert Frank, Bruce Nauman, Christian Boltanski, Cindy Sherman, James Lee Byars, Juan Muñoz or Cristina Iglesias.

With this one significant transaction, paintings by artists such as Lyonel Feininger, Ellsworth Kelly, Agnes Martin and Frank Stella carried Simon's original core collection into the later 20th century.

Although all of the artists have donated works to help to support the magazine and the development of the art school, this exhibition has been carefully considered to reflect that which is current, significant and critical in contemporary painting, including abstract works by Thomas Nozkowski, Mali Morris and Phil Allen, and painters who have championed a figurative approach such as Chantal Joffe, Neal Tait and Dinos Chapman.

(And I will parenthetically state that obviously there is a complication here: the visibility I seek is a dual one, artist / writer, but in this I am not alone and I have powerful predecessors in such polemically inclined visual artists / writers as Barnett Newman, Ad Reinhardt, Robert Smithson, Adrian Piper, and Mary Kelly, to name just a few of many significant artists / writers).

Galerie Lelong presents Chicago Invites Chicago, a group exhibition highlighting the richness of contemporary artistic practices within a city that has fostered significant artist groups such as Monster Roster and the Chicago Imagists.

Their creative initiatives have added a significant dimension to the prize, and the ABSOLUT Blank project has given three of the artists shortlisted for New Sensations the chance to make a new work, knowing that artists such as Andy Warhol and Louise Bourgeois were commissioned by ABSOLUT in a similar way.

It has a reputation for curating the most ambitious projects of many artist's careers, including Andy Goldsworthy and Jaume Plensa, as well as highly significant historical exhibitions, such as Isamu Noguchi, Barbara Hepworth and Eduardo Chillida.

Originally shown in 2000 at the Shanghai Biennale, this work connects to the artist's interest in reproducing and recontexualizing significant monuments throughout history, infused with visual clues that address themes such as colonialism and cultural reappropriation.

Other notable solo exhibitions explore significant artists working today, such as Salon 94's presentation of new works by MoMA - honored Pakistani sculptor Huma Bhabha, and the first four - decade survey of Joyce Pensato's work, presented by Petzel.

A gift of 47 paintings, sculptures and works on paper from collector, scholar and advocate Gordon W. Bailey, featuring such renowned 20th - century artists as Leroy Almon, Burlon Craig, Roy Ferdinand, Howard Finster, Bessie Harvey, Lonnie Holley, Ronald Lockett, Elijah Pierce, Herbert Singleton, Purvis Young and Thornton Dial, Jr. — This is Bailey's third substantial gift to the High since 2010 and further underscores his commitment to helping build the Museum's collection, which is recognized as one of the world's most significant public repositories of work by American self - taught artists.

It may be somewhat significant that most of these Midwest artists are teachers in various institutions, an indication that such support is vital to artists who don't live in large urban centers.

Bank of Sand, Sand of Bank is a particularly significant example of this impulse for the artist, who has also revisited sites such as the Colosseum, the Pentagon and Osama bin Laden's compound in Abbottaban, Pakistan.

Their collection, largely comprising monochromatic works by artists such as Joseph Marioni, David Simpson, and Florence Pierce, augments the Gallery's already significant holdings of abstract art by fleshing out key areas.

A significant group of paintings and sculpture by Joe Light, as well as individual works by artists such as Archie Byron, Mary T. Smith, Royal Robertson and Purvis Young, complement existing holdings by those artists.

There was also increased recognition for significant artists whose importance might have been overshadowed previously, such as 84 - year - old Sam Gilliam, whose abstract «color field» painting at New York's Mnuchin gallery sported a red dot sticker — meaning it was sold — early on.

The collection of portraits of Members of the Royal Academy include many iconic images of British artists including self - portraits by Reynolds and Gainsborough, as well as significant representations of artists such as Constable, Millais, Alma Tadema and Nolan.

Short essays on single artists and significant works punctuate each historical chapter, including texts and interviews by noteworthy writers such as Thelma Golden, Philippe Vergne, Thomas J. Lax, Lawrence Rinder, Christopher Bedford and others, on artists like Kara Walker, Mark Bradford, Lorna Simpson, Norman Lewis, Glenn Ligon, Theaster Gates, Clifford Owens, Jennie C. Jones, Julie Mehretu, and more.

The collection has particular strengths in works by European masters of modernism such as Alexander Rodchenko, August Sander and Albert Renger — Patzch; examples by Bauhaus principals Lazlo Moholy - Nagy and Gyorgy Kepes; and significant holdings by husband - and - wife, Dusseldorf artists Bernd and Hilla Becher.

This event considers the function of text, artist's writing and artistic language as departure points to explore the necessity of writing for a wide range of contemporary artists» working today such as Martha Rosler, Hito Steyerl, Jonas Staal, Cai Gu - Qiang, Miguel A. Lopez, Marion von Osten and the many others who emphasize the act of writing as either a significant part, or as the main site of their artistic production.

A significant number of artists in Asia took to such practices with gusto through the late 1980s and»90s, which may well have had less to do with rejecting a modernist paradigm (as it had been with the neo-avant-garde) and more to do with a proliferation of exhibiting conditions that favoured new media — that is, the space of the biennial.

For some artists, the action of eating itself holds significant to their works, such as feminist artist Judy Chicago's installation The Dinner Party (1974 — 1979), and the piles of candy in Felix Gonzalez - Torres» Untitled (Portrait of Ross in L.A.)(1991), which symbolized his deceased partner and brought attention to the AIDS crisis.

Kagge's collection holds dozens of works each by important artists such as Raymond Pettibon, Sergej Jensen, Assume Vivid Astro Focus, Olafur Eliasson and Klara Lidén, and a significant number of central works by artists such as Wolfgang Tillmans, Dan Attoe, Ceal Floyer, Ann Cathrin November Høibo, Adriana Lara, Kirsten Pieroth and Tauba Auerbach.

Conversely, the work of German artists was presented in New York, with breakout exhibitions at galleries such as Barbara Gladstone, Metro Pictures, Luhring Augustine and other significant venues.

In a poster project in which FIFA has selected 23 artists around the world to make posters themed on football, life in Brazil, and festivals, Kawashima's work has been chosen along with that of such historically significant artists as Jean - Michel Basquiat and Keith Haring.

The wall text one confronts at the onset before catching even a glimpse of any of the works on display insists the artist's importance as one of the most significant modern artists from post-Independent India and situates her cosmopolitanism by citing influences such as Kazimir Malevich and Paul Klee alongside traditional Islamic art.

There were also significant examples of work by well - known artists such as Mike Kelley's Compound Eye (1982 - 3) at Franklin Parrasch, and other highlights for us included the solo presentation of Jamie Davidovich at Henrique Faria, Kiki Kogelnik at Simone Subal, Etienne Martin at Galerie Bernard Bouche, and the combination of works from across different time periods at Taka Ishii.»

Rothko / Sugimoto extends Pace's ongoing series of two - artist exhibitions that initiate dialogues between artists working across time periods, geography, and mediums, following such significant exhibitions as de Kooning / Dubuffet: The Women (1990); Mondrian / Reinhardt: Influence and Affinity (1997); Bonnard / Rothko: Color and Light (1997); Willem de Kooning and John Chamberlain: Influence and Transformation (2001); Dubuffet and Basquiat: Personal Histories (2006); Josef Albers / Donald Judd: Color and Form (2007); and Ad Reinhardt and Tony Smith: A Dialogue (2008 — 9).

Artists such as Bowling, Gilliam, Pindell and Whitten as well as Barbara Chase - Riboud, Al Loving and Virginia Jaramillo, have all had significant solo presentations across the Frieze and other fairs in the last three years.

Together, these historical and contemporary objects depict a visual narrative of the Northwest while providing insight to significant works by artists such as Northwest School members Carl Morris, Morris Graves, and Mark Tobey, legendary Oregon artist C.S. Price, and the acclaimed Jacob Lawrence, who is best known for depicting important moments in African - American history.

On his emergence in the mid-1980s, with deceptively simple sculptures of everyday objects such as sinks and beds, this New York artist was quickly acknowledged as one of the most significant of his generation.

Utilizing the classical technique of chiaroscuro, Opie's subjects — including culturally significant figures such as fashion designers Kate and Laura Mulleavy of Rodarte, artist Kara Walker, and director John Waters — are posed in front of a black drop cloth and theatrically lit, intimately dramatizing the details of the face and body.

Over a very short period, since its establishment in 2011 Faurschou Foundation has profiled itself as a significant art institution with solo exhibitions of artists such as Ai Weiwei, Cai Guo - Qiang, Louise Bourgeois, Shirin Neshat, Gabriel Orozco, Danh Vo and Bill Viola.

The collection comprises over 500 works of art, of which 350 are by the most significant and important artists of the modern British era — such as Barbara Hepworth, Edward Burra, Elisabeth Frink, Lynn Chadwick and Eduardo Paolozzi.

The represented artists are included in worldwide biennials and significant museum collections and exhibitions such as La Biennale di Venezia, the Kochi - Muziris Biennale in India, Whitney Museum of American Art, Museum of Modern Art in New York and the Neue Nationalgalerie in Berlin, among others.

Today the gallery continues to represent both historically significant artists, and an upcoming generation of artists such as Vincent Ganivet, Shilpa Gupta, and Nick Van Woert.

The significant gift includes masterpieces by artists such as Albrecht Dürer, Rembrandt van Rijn, Édouard Manet and Giorgio Morandi, among many others, and multiple works by Hendrick Goltzius and Honoré Daumier.

In interacting with the work over a significant period of time, we felt that that the most compelling way to structure the exhibition was to expose the common threads that run throughout this material: formal constructs such as grids / fields, verticality, pictorial imagery, and repetitive sequences; content such as color as subject, element as subject, interest in early American history (particularly that of Massachusetts), discourse about other artists and art; and relationships to the history of poetry.

Also on view Hard Truths: The Art of Thornton Dial — on view at NOMAfrom Feb 24 to May 20 — highlights Dial's significant contribution to the field of American art and shows how the artist's work speaks to the most pressing issues of our time - including the war in Iraq, 9/11, and social issues such as racism and homelessness.