The work was acquired through the Contemporary Art Society's Collections Fund, which was set up in 2012 to support the acquisition of
significant contemporary works for Contemporary Art Society museum members across the United Kingdom.
The scheme supports the acquisition of
significant contemporary works for Contemporary Art Society museum members across the UK.
The Contemporary Art Society's Collections Fund was set up in 2012 and is designed to support the acquisition of
significant contemporary works for Contemporary Art Society museum members across the UK, drawing together the knowledge and experience of private collectors with that of museum curators.
The Collections Fund was set up in 2012 by private philanthropists and is designed to support the acquisition of
significant contemporary works for our museum members across the UK, drawing together the knowledge and experience of private collectors with that of museum curators.
About The Collections Fund at Frieze The Contemporary Art Society's Collections Fund was set up in 2012 and is designed to support the acquisition of
significant contemporary works for Contemporary Art Society museum members across the United Kingdom.
The Contemporary Art Society's Collections Fund was set up in 2012 and is designed to support the acquisition of
significant contemporary works for Contemporary Art Society museum members across the UK.
This scheme supports the acquisition of
significant contemporary works for Contemporary Art Society museum members across the UK.
Not exact matches
The Guggenheim museum recently announced the finalists
for the Hugo Boss prize, which is worth $ 50,000 and given every two years to an artist whose
work «represents a
significant development in
contemporary art.»
Bas has exhibited
works in group exhibitions at
significant venues including «The Collectors», Nordic Pavilion, 2009 Venice Biennale (curated by Elmgreen & Dragset); KaDE, Amersfoort, the Netherlands; 6th Busan Biennale, Korea; Aspen Art Museum, Colorado; Haifa Museum of Art, Israel; Deste Foundation Centre
for Contemporary Art, Athens; Saatchi Gallery, London; the Whitney Biennial, Whitney Museum of American Art; The Moore Space, Miami; and Museum of
Contemporary Art, North Miami.
His
work has been included in
significant survey exhibitions including Manifesta 10, The State Hermitage Museum, St. Petersburg, Russia (2014), Fundamentals, the 14th International Architecture Biennale directed by Rem Koolhaas, Book
for Architects, La Biennale di Venezia, Venice, Italy (2014); the Berlin Biennale, Germany (2014, 1998), the British Art Show 5 and 7, UK (2000, 2010); the 3rd Moscow Biennale of
Contemporary Art, Russia (2009); the 51st and 53rd Venice Biennale, Italy (2005, 2009); Turin Triennial, Italy (2008); 55th Carnegie International, Carnegie Museum of Art, Pittsburgh, USA (2008) and the 2nd Ars Baltica Triennial of Photographic Art, Kiel, Germany (1999).
Though this art has been critiqued
for encouraging the Hollywoodization of the
contemporary art world, it has nonetheless awarded
significant and deserving
work and gains immense international attention.
A number of
significant benefit exhibitions followed: «Drawings, 1965,» simultaneously shown at Leo Castelli, Tibor De Nagy and Kornblee Galleries; a print exhibition at the Kornblee Gallery in 1967; the 1980 «Drawings» show; «Eight Lithographs,» published by Gemini G.E.L. in 1981, shown at Leo Castelli; the «25th Anniversary Exhibition,» jointly shown at Brooke Alexander and Leo Castelli in 1988; the «30th Anniversary Exhibition of Drawings» at Leo Castelli in 1993; «Prints» at Brooke Alexander in 1995; «Drawings & Photographs» at Matthew Marks Gallery in 2000; «Clarissa Dalrymple's Exhibition of Young Artists to Benefit the Foundation
for Contemporary Arts» at Bortolami Dayan in February 2006, «Posters: Exhibition and Sale to Benefit the Foundation
for Contemporary Arts» at Paula Cooper Gallery in December 2006, «Photographic
Works: Exhibition and Sale to Benefit the Foundation
for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture:
Works Donated by Artists to Benefit the Foundation
for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists
for Artists: 51st Anniversary Exhibition to Benefit the Foundation
for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65
Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation
for Contemporary Arts» at David Zwirner in December 2016 and January 2017.
The gallery's program includes: Estates of historically
significant Canadian artists, most notably many of the Painters 11 group who established Canada's international reputation
for modern abstraction in the 1950s including many of the Painters 11's immediate post-contemporaries who emerged predominantly in Toronto during the 1960s and 1970s, especially those hailing from the legendary Isaacs and Carmen Lamanna galleries; established senior artists
working in a wide range of media; recognized mid-career artists from Canada and Europe; and emerging international talents, particularly those exploring the boundaries of media, representation and interpretation within
contemporary art making.
Richard Serra is best known
for his enormous COR - TEN steel sculptures installed within gallery spaces, urban environments, and landscapes, and his
significant work has had an enormous influence on the
contemporary art world.
This event considers the function of text, artist's writing and artistic language as departure points to explore the necessity of writing
for a wide range of
contemporary artists»
working today such as Martha Rosler, Hito Steyerl, Jonas Staal, Cai Gu - Qiang, Miguel A. Lopez, Marion von Osten and the many others who emphasize the act of writing as either a
significant part, or as the main site of their artistic production.
Considering them both to be transformative figures, Steinberg located a particularly
significant moment of transition in
contemporary art at large in Rauschenberg's Erased de Kooning Drawing from 1953, a seminal piece of conceptual gamesmanship that the artist created by asking Willem de Kooning
for an intricate layered
work of ink, graphite, crayon, and charcoal and then meticulously erasing it.
Between the Land and the Sea is the third in a series of exhibitions presenting limited editions and unique
works for sale, online and onsite, by Royal Academicians and other
significant contemporary artists.
This marks a
significant new development
for the charity, which marked its centenary in 2010, providing a social and
working environment
for the organisation's diverse networks and stakeholders, and a platform
for greater visibility and engagement in the organisation's mission to develop public collections of
contemporary art in the UK.
In January 2017, the institution announced a
significant new addition to its collection of American Art through the acquisition of 62
works by 22
contemporary African American Arts, including Thornton Dial's Blood And Meat: Survival
For the World (1992) and Lost Cows (2000 - 1), Joe Light's Dawn (1988), Jessie T. Pettway's Bars and String - Pierced Columns (1950's), Lonnie Holley's Him and Her Hold the Root (1994) and Joe Minter's Camel at the Watering Hole (1995) The
works are currently exhibited in Revelations: Art from the African American South, on view until April 1, 2018.
Together, these historical and
contemporary objects depict a visual narrative of the Northwest while providing insight to
significant works by artists such as Northwest School members Carl Morris, Morris Graves, and Mark Tobey, legendary Oregon artist C.S. Price, and the acclaimed Jacob Lawrence, who is best known
for depicting important moments in African - American history.
Other
significant solo exhibitions include Directions: Tim Hawkinson at the Hirshhorn Museum and Sculpture Garden, Washington, D.C., (2001) and Humongolous: Sculpture and Other
Works by Tim Hawkinson, organized by The
Contemporary Arts Center, Cincinnati and simultaneously on view at The Arnoff Center
for the Arts, Alice F. and Harris K. Weston Art Gallery, later traveled to the Akron Art Museum, Ohio; Center
for the Arts, Yerba Buena Gardens, San Francisco; Southeastern Center
for Contemporary Art, North Carolina; and John Michael Kohler Arts Center, Wisconsin (1996 - 97).
This course offers students the opportunity
for critical analysis of their
work from their instructors and peers, as well as in - depth discussions of
significant art historical texts and
contemporary criticism.
The gallery mounts six annual exhibitions, handles the acquisition and resale of
significant works by modern and
contemporary artists, builds collections, and sources art
for commercial and residential projects.
The
Contemporary Art Society has a history of placing important
works by most of the most
significant artists of the twentieth century in national and regional public galleries in the UK
for the first time — from Picasso to Hirst — continuing today with recent gifts of
works for example, by current Turner Prize nominees Luke Fowler and Elizabeth Price (see «Recent Gifts Currently Showing» below).
In «A new Live programme
for Frieze New York», Julie Belcove previews ASSEMBLY, the Adrienne Edwards - curated section
for galleries to «present performance -, sound - and time - based installation
work that addresses «
significant issues» of the
contemporary world».
Michael Dean, Mona Hatoum, Phillip Lai, Magali Reus and Cerith Wyn Evans have been nominated
for the 2018 Hepworth Prize
for Sculpture, a GBP # 30,000 biennial award which recognizes artists with a link to the UK who have made «a
significant contribution to the development of
contemporary sculpture» — the shortisted artists will show
work at the UK's Hepworth Wakefield gallery in October, with the winner announced in November.
Generations of Influence: 20th century movements and tribal art Building on Frieze's reputation
for showcasing modern artists and encouraging the growth of art collections across eras, this year's fair features a growing presence of galleries exhibiting
significant works from the 20th century alongside masters of
contemporary art.
While I'd love
for the Museum of Fine Arts, Houston to pass on one of its never - ending «once in a lifetime» opportunities to rent other museums» Impressionist collections, it's hard to see how San Antonio's interests don't include giving the city its first look at a
significant concentration of
works by the artist Green has argued made the most important painting of the 20th century — especially since SAMA's
contemporary collection includes painters such as Hans Hofmann and Richard Diebenkorn whom Matisse influenced.
The purpose of the initiative is to support the acquisition of
significant works by female artists
for Contemporary Art Society museum members across the UK.
The museum is especially noted
for organizing important exhibitions of
contemporary art that are locally relevant and internationally
significant, including the first surveys of Vija Celmins (1980), Chris Burden (1988), and Tony Cragg (1990), as well as early exhibitions of seminal
work by Lari Pittman (1983), Gunther Forg (1989), Charles Ray (1990), Guillermo Kuitca (1992), Bill Viola (1997), Iñigo Manglano - Ovalle (2003), and Catherine Opie (2006).
20th - Century Art Contextualizing
Contemporary Work: Building on Frieze's reputation for showcasing modern artists, this year's fair features a growing presence of galleries exhibiting significant works from the 20th century alongside masters of conte
Contemporary Work: Building on Frieze's reputation
for showcasing modern artists, this year's fair features a growing presence of galleries exhibiting
significant works from the 20th century alongside masters of
contemporarycontemporary art.
Significant works by leading
contemporary artists can now be seen in regional museums across the country,
for example:
Their acclaimed Collection of nearly 5000
works is best known
for its modern British art — including the largest and most
significant body of
work by Eric Ravilious (1903 - 1942)-- and a growing collection of international
contemporary art.
For this exhibition, the artist has created a
significant new body of
works including
contemporary interpretations of The Four Horsemen of the Apocalypse.
The exhibition features
works drawn primarily from the Museum's
significant contemporary Latin American collections, presenting important paintings, sculpture, installations, and other
works side - by - side
for the first time.
In addition to the new exhibition model, the biennial will commission site - specific
works that focus on the 1980 Gwangju Uprising, and the Pavilion Project,
for which the Palais de Tokyo, the Helsinki International Artist Program, and the Philippine
Contemporary Art Network will stage satellite exhibitions at historically
significant locations across the city.
Significant exhibitions and projects that have featured Gunn - Salie's
work include: Simon Castets and Hans Ulrich Obrist's 89 - plus project,
for which he participated in the 89plus programme with Obrist at the 2014 Design Indaba in Cape Town; Making Africa: A Continent of
Contemporary Design, which travelled to the Vitra Design Museum and Guggenheim Museum Bilbao (2015); What Remains is Tomorrow, the South African Pavilion at La Biennale di Venezia (2015); and the 19º Festival de Arte Contemporânea Sesc Videobrasil (2015).
His credited
work includes two
significant publications — one with curator Jens Hoffmann
for his book «Show Time» (Thames & Hudson), examining the history of
contemporary art exhibitions and another with artist / composer Mark Mothersbaugh to accompany Mothersbaugh's traveling retrospective (organized by the Museum of Contemporary A
contemporary art exhibitions and another with artist / composer Mark Mothersbaugh to accompany Mothersbaugh's traveling retrospective (organized by the Museum of
Contemporary A
Contemporary Art, Denver).
He has had an exciting year, his
work was selected
for the 2016 Wisconsin Triennial, an exhibition showcasing
significant themes being addressed by
contemporary artists, and he received the prestigious Joan Mitchell Foundation Grant
for Painters and Sculptors.
The
work of Kate Clark (Sculpture» 01) is featured on the cover of the exhibition catalogue
for Late Harvest, an exhibition at the Nevada Museum of Art that juxtaposes
contemporary art made with taxidermy with historically
significant wildlife paintings.
The Museum of
Contemporary Art San Diego has a
significant history with Tara Donovan, both in showing her
work early and major patronage in acquiring her
work for its collection.
The Museum of
Contemporary Art San Diego has a
significant history with Tara Donovan, both in showing her
work early and major patronage in acquiring her
work for the collection.
One of the most
significant contemporary artists, she achieved international recognition with such key
works as Everyone I Have Ever Slept With 1963 - 95 (1995, destroyed 2004) and My Bed (1998)
for which she was shortlisted
for the Turner Prize and is currently on display at Tate Britain alongside
works by Francis Bacon.
Throughout 2012,
Contemporary Art Society Consultancy
worked with the panel to set up the framework
for this
significant public art programme.
Outside London, Glasgow is the second international market
for critically engaged
contemporary art in the UK, but the infrastructure
for selling critically engaged market is largely undeveloped outside London, although there is a
significant market
for sales of domestic
work.
Last year, the
Contemporary Art Society acquired a
significant work by Natalie Dower
for the Mead Gallery, University of Warwick Art Collection.
For the last ten years the gallery has bought
contemporary works including some
significant moving image
works including those by artists Henry Coombes and Torsten Lauschmann.
His
work has been featured at several
significant institutions with recent solo exhibitions at PLATEAU, Samsung Museum of Art, Seoul (2016); Ullens Center
for Contemporary Art, Beijing (2015); and Museum Boijmans Van Beuningen, Rotterdam (2014).
At a time of
significant art cuts it is essential that the
Contemporary Art Society continues its
work for the benefit of audiences everywhere.
In this respect, the choice of artist was
significant: van Warmerdam's
work has appeared at the Venice Biennale, the Kwangju Biennial, and Documenta X, and she has also had solo shows at the Vienna Secession and the Museum
for Contemporary Art in Zurich.