Sentences with phrase «significant exhibitions during»

Significant exhibitions during her lifetime included the early São Paulo Biennials (1953 - 1967), the Second Pilot Show of Kinetic Work, curated by Guy Brett at the Signals Gallery, London in 1962; and a presentation at the Venice Biennale in 1968.
During the 1980's my early work was associated with «New Image Painting» and significant exhibitions during this period include a solo show, «Journeying in Search of Hidden Treasures» at the Ikon Gallery, Birmingham, UK, «Problems of Picturing» at the Serpentine Gallery, London and «Between Identity & Politics — A New Art», Gimpel Fils, London and New York.

Not exact matches

The archives of the Joan Mitchell Foundation include Joan Mitchell's personal papers, as well as significant family papers, photographs, exhibition records, interviews, published material, books from Mitchell's library, and other items collected during her lifetime.
These exhibitions were significant in that they demonstrated the role that art had during that time to a new generation of museumgoers and artists.
During his lifetime, Stone collected and presented exhibitions of historically significant art and artifacts spanning disciplines and mediums, and styles ranging from representation to abstraction.
Currently on view at The Hammer, Los Angeles is «Seeing Things Invisible» an exhibition coposed of works by Forrest Bess, a singular figure in American art who experienced significant recognition and painful isolation during...
During this period the Pavilion has hosted exhibitions by many of the most significant artists of the day, providing successive generations with one of the most important platforms for the showcasing of contemporary art to an international audience.
During the 1930s American galleries and museums mounted significant exhibitions of Surrealism in addition to publishing catalogues.
Mallary's work is now rarely shown, but during the 1950s and 1960s his paintings, reliefs and assemblages featured in several significant exhibitions.
Essays exploring three significant periods of experimentation in portraiture during the past century: the 1910s - 20s; 1960s, and 1990 — present have been prepared, respectively, by each of the three curators of the exhibition: Jonathan Frederick Walz, director of curatorial affairs & curator of American art, the Columbus Museum, Columbus, Georgia; Kathleen Merrill Campagnolo, independent curator and scholar, and Anne Collins Goodyear, co-director of the Bowdoin College Museum of Art.
During the past thirty years, Jones» work has been featured in significant group exhibitions, including Disparities & Deformations: Our Grotesque, Site Santa Fe (2004); Out of Actions: Between Performance and the Object at the Museum of Contemporary Art, Los Angeles (1998); Mapping at the Museum of Modern Art, New York (1994); and Choices at the New Museum of Contemporary Art, New York (1986).
One exhibition focuses on Raden Saleh and Juan Luna, two significant artists from Southeast Asia who were active in Europe during this period, and will be the first major survey of their works, drawing from collections around the world.
Though his absence precluded his inclusion in the landmark exhibition, Carreño is often appended to the Los Diez group given his significant contribution as a Cuban concrete artist during the decade.
During his years as curator of the Phillips Collection — where he started out as a guard — Mr. de Looper worked to promote Washington artists, instituted the first systematic inventory of the collection and organized a number of significant exhibitions.
Among the significant exhibitions that took place during this period were first shows for Alfred Maurer, John Marin and Marsden Hartley, second shows of Rodin and Matisse, and important shows for newer artists Arthur Carles, Arthur Dove and Max Weber.
It was in New York that Marcel Duchamp successfully exhibited his revolutionary work Nude Descending a Staircase (1912) after failing to garner any significant attention during the Paris exhibitions.
In the 1980s and 1990s Valenzuela participated in important solo and group exhibitions including Chile Vive at the Circulo De Bellas Artes, Madrid (1987)-- one of the most significant group shows of Chilean art held during the years of the Pinochet dictatorship.
One of the largest and most significant privately sponsored art exhibitions held during the Frieze Art Fair, «The Return» explores ideas of the sacred in art, design and contemporary thought, exhibiting rare and previously unseen works from the most prestigious international collections alongside today's most notable artists and designers.
Diane Stewart discussed Anderson's accomplishments during the exhibition's opening and the significant role Modernist artists hold in her art collection.
[22] As part of a series of exhibitions funded by the J. Paul Getty Foundation during the 2011 Pacific Standard Time initiative, the Museum of Contemporary Art San Diego held the most significant survey exhibition of perceptual art titled «Phenomenal: California Light, Space, Surface,» organized by the Museum's then curator Robin Clark.
The 29 year old Vito Schnabel has already made a lasting impact / notable impression on the American contemporary art market / scene since the tender age of 19, when he discussed the highly competitive Manhattan art market during his first significant / notable exhibition which featured paintings of American painter, Ron Gorchov.
Other notable presentations include 42 sculptures on a forest of plinths (Hauser & Wirth, London) and a stand dedicated to Abraham Cruzvillegas and Jimmie Durham (kurimanzutto, Mexico City)-- both of whom have significant exhibitions at London institutions during the fair.
There will also be a solo exhibition of current pieces by Jack Whitten, an artist whose work was included in significant shows during the Aldrich's first decade.
In addition, recent exhibitions — at LAMOCA in Los Angeles, the Guggenheim New York, and the Centre Pompidou in Paris — have recognized Chicago's output during that period as significant contributions to the direction and focus of Minimalism and, in particular, the sub-genre known as the Finish Fetish movement.
Currently on view at The Hammer, Los Angeles is «Seeing Things Invisible» an exhibition coposed of works by Forrest Bess, a singular figure in American art who experienced significant recognition and painful isolation during his life; and whose fame has waxed and waned since his death.
Despite the loss of separation and individuality of the two different subcultures during the machinations of the commodification of Culture, this particular Graffuturist group exhibition, as well as the previous two, are significant steps in acknowledging the sub-subculture of Progressive Graffiti, and then defining and maintaining an understanding of it within Graffiti culture and mass Culture.
Prints created by Austrian, German, and Swiss artists included in this exhibition reflect the dramatic shifts in taste in the arts during a time of significant cultural and political transformation throughout the German - speaking regions of Central Europe during the Romantic period.
There will also be a solo exhibition of current pieces by Jack Whitten, an established artist whose work was included in significant shows during the Aldrich's first decade.
Her eponymously titled Katharina Grosse, the artist's first gallery exhibition at Gagosian in New York, follows a series of recent, significant US public and private commissions, and includes works from several interconnected groups of untitled paintings produced during the past twelve months, plus new, cast metal sculpture.
Taking a cue from the Whitney's recent exhibition Sinister Pop (2012 — 2013) which opened with a gallery focused on depictions of women within Pop (by both female and male artists), this two - part course will spotlight women who made significant contributions to American art during the zenith of AbEx and Pop.
Though lauded by her contemporaries and featured in significant exhibitions and publications during her lifetime, her work remains little known.
The works in this exhibition, all from the Louis - Dreyfus Family Collection, span the entire spectrum of Grosz's achievement during his German years, the period he is generally agreed to have been doing his most significant work.
During this significant decade, the artist's career was solidified through important international exhibitions, and his work moved in innovative new stylistic directions.
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