Significant exhibitions during her lifetime included the early São Paulo Biennials (1953 - 1967), the Second Pilot Show of Kinetic Work, curated by Guy Brett at the Signals Gallery, London in 1962; and a presentation at the Venice Biennale in 1968.
During the 1980's my early work was associated with «New Image Painting» and
significant exhibitions during this period include a solo show, «Journeying in Search of Hidden Treasures» at the Ikon Gallery, Birmingham, UK, «Problems of Picturing» at the Serpentine Gallery, London and «Between Identity & Politics — A New Art», Gimpel Fils, London and New York.
Not exact matches
The archives of the Joan Mitchell Foundation include Joan Mitchell's personal papers, as well as
significant family papers, photographs,
exhibition records, interviews, published material, books from Mitchell's library, and other items collected
during her lifetime.
These
exhibitions were
significant in that they demonstrated the role that art had
during that time to a new generation of museumgoers and artists.
During his lifetime, Stone collected and presented
exhibitions of historically
significant art and artifacts spanning disciplines and mediums, and styles ranging from representation to abstraction.
Currently on view at The Hammer, Los Angeles is «Seeing Things Invisible» an
exhibition coposed of works by Forrest Bess, a singular figure in American art who experienced
significant recognition and painful isolation
during...
During this period the Pavilion has hosted
exhibitions by many of the most
significant artists of the day, providing successive generations with one of the most important platforms for the showcasing of contemporary art to an international audience.
During the 1930s American galleries and museums mounted
significant exhibitions of Surrealism in addition to publishing catalogues.
Mallary's work is now rarely shown, but
during the 1950s and 1960s his paintings, reliefs and assemblages featured in several
significant exhibitions.
Essays exploring three
significant periods of experimentation in portraiture
during the past century: the 1910s - 20s; 1960s, and 1990 — present have been prepared, respectively, by each of the three curators of the
exhibition: Jonathan Frederick Walz, director of curatorial affairs & curator of American art, the Columbus Museum, Columbus, Georgia; Kathleen Merrill Campagnolo, independent curator and scholar, and Anne Collins Goodyear, co-director of the Bowdoin College Museum of Art.
During the past thirty years, Jones» work has been featured in
significant group
exhibitions, including Disparities & Deformations: Our Grotesque, Site Santa Fe (2004); Out of Actions: Between Performance and the Object at the Museum of Contemporary Art, Los Angeles (1998); Mapping at the Museum of Modern Art, New York (1994); and Choices at the New Museum of Contemporary Art, New York (1986).
One
exhibition focuses on Raden Saleh and Juan Luna, two
significant artists from Southeast Asia who were active in Europe
during this period, and will be the first major survey of their works, drawing from collections around the world.
Though his absence precluded his inclusion in the landmark
exhibition, Carreño is often appended to the Los Diez group given his
significant contribution as a Cuban concrete artist
during the decade.
During his years as curator of the Phillips Collection — where he started out as a guard — Mr. de Looper worked to promote Washington artists, instituted the first systematic inventory of the collection and organized a number of
significant exhibitions.
Among the
significant exhibitions that took place
during this period were first shows for Alfred Maurer, John Marin and Marsden Hartley, second shows of Rodin and Matisse, and important shows for newer artists Arthur Carles, Arthur Dove and Max Weber.
It was in New York that Marcel Duchamp successfully exhibited his revolutionary work Nude Descending a Staircase (1912) after failing to garner any
significant attention
during the Paris
exhibitions.
In the 1980s and 1990s Valenzuela participated in important solo and group
exhibitions including Chile Vive at the Circulo De Bellas Artes, Madrid (1987)-- one of the most
significant group shows of Chilean art held
during the years of the Pinochet dictatorship.
One of the largest and most
significant privately sponsored art
exhibitions held
during the Frieze Art Fair, «The Return» explores ideas of the sacred in art, design and contemporary thought, exhibiting rare and previously unseen works from the most prestigious international collections alongside today's most notable artists and designers.
Diane Stewart discussed Anderson's accomplishments
during the
exhibition's opening and the
significant role Modernist artists hold in her art collection.
[22] As part of a series of
exhibitions funded by the J. Paul Getty Foundation
during the 2011 Pacific Standard Time initiative, the Museum of Contemporary Art San Diego held the most
significant survey
exhibition of perceptual art titled «Phenomenal: California Light, Space, Surface,» organized by the Museum's then curator Robin Clark.
The 29 year old Vito Schnabel has already made a lasting impact / notable impression on the American contemporary art market / scene since the tender age of 19, when he discussed the highly competitive Manhattan art market
during his first
significant / notable
exhibition which featured paintings of American painter, Ron Gorchov.
Other notable presentations include 42 sculptures on a forest of plinths (Hauser & Wirth, London) and a stand dedicated to Abraham Cruzvillegas and Jimmie Durham (kurimanzutto, Mexico City)-- both of whom have
significant exhibitions at London institutions
during the fair.
There will also be a solo
exhibition of current pieces by Jack Whitten, an artist whose work was included in
significant shows
during the Aldrich's first decade.
In addition, recent
exhibitions — at LAMOCA in Los Angeles, the Guggenheim New York, and the Centre Pompidou in Paris — have recognized Chicago's output
during that period as
significant contributions to the direction and focus of Minimalism and, in particular, the sub-genre known as the Finish Fetish movement.
Currently on view at The Hammer, Los Angeles is «Seeing Things Invisible» an
exhibition coposed of works by Forrest Bess, a singular figure in American art who experienced
significant recognition and painful isolation
during his life; and whose fame has waxed and waned since his death.
Despite the loss of separation and individuality of the two different subcultures
during the machinations of the commodification of Culture, this particular Graffuturist group
exhibition, as well as the previous two, are
significant steps in acknowledging the sub-subculture of Progressive Graffiti, and then defining and maintaining an understanding of it within Graffiti culture and mass Culture.
Prints created by Austrian, German, and Swiss artists included in this
exhibition reflect the dramatic shifts in taste in the arts
during a time of
significant cultural and political transformation throughout the German - speaking regions of Central Europe
during the Romantic period.
There will also be a solo
exhibition of current pieces by Jack Whitten, an established artist whose work was included in
significant shows
during the Aldrich's first decade.
Her eponymously titled Katharina Grosse, the artist's first gallery
exhibition at Gagosian in New York, follows a series of recent,
significant US public and private commissions, and includes works from several interconnected groups of untitled paintings produced
during the past twelve months, plus new, cast metal sculpture.
Taking a cue from the Whitney's recent
exhibition Sinister Pop (2012 — 2013) which opened with a gallery focused on depictions of women within Pop (by both female and male artists), this two - part course will spotlight women who made
significant contributions to American art
during the zenith of AbEx and Pop.
Though lauded by her contemporaries and featured in
significant exhibitions and publications
during her lifetime, her work remains little known.
The works in this
exhibition, all from the Louis - Dreyfus Family Collection, span the entire spectrum of Grosz's achievement
during his German years, the period he is generally agreed to have been doing his most
significant work.
During this
significant decade, the artist's career was solidified through important international
exhibitions, and his work moved in innovative new stylistic directions.