Sentences with phrase «significant number of contemporary artists»

Currently, there is a significant number of contemporary artists, inspired by the color field aesthetics in a myriad of ways.

Not exact matches

A number of significant benefit exhibitions followed: «Drawings, 1965,» simultaneously shown at Leo Castelli, Tibor De Nagy and Kornblee Galleries; a print exhibition at the Kornblee Gallery in 1967; the 1980 «Drawings» show; «Eight Lithographs,» published by Gemini G.E.L. in 1981, shown at Leo Castelli; the «25th Anniversary Exhibition,» jointly shown at Brooke Alexander and Leo Castelli in 1988; the «30th Anniversary Exhibition of Drawings» at Leo Castelli in 1993; «Prints» at Brooke Alexander in 1995; «Drawings & Photographs» at Matthew Marks Gallery in 2000; «Clarissa Dalrymple's Exhibition of Young Artists to Benefit the Foundation for Contemporary Arts» at Bortolami Dayan in February 2006, «Posters: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Paula Cooper Gallery in December 2006, «Photographic Works: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and January 2017.

Hancock's work has also been included in a number of significant group exhibitions, including Juxtapoz x Superflat, curated by Takashi Murakami and Evan Pricco, Pivot Art + Culture, Seattle, WA (2016 - 17), Statements: African American Art from the Museum's Collection, Museum of Fine Art, Houston, TX (2016), When the Stars Begin to Fall: Imagination and the American South, The Studio Museum in Harlem, New York, NY (2014), Radical Presence: Black Performance in Contemporary Art, Contemporary Arts Museum Houston, Houston, TX (2012), The Best of Times, The Worst of Times: Rebirth and Apocalypse in Contemporary Art, Kiev International Biennale of Contemporary Art, Armory, Kiev, Ukraine (2012), Wunderkammer: A Century of Curiosities, Museum of Modern Art, New York, NY (2008), Darger - ism: Contemporary Artists and Henry Darger, American Folk Art Museum, New York, NY (2008), Political Nature, Whitney Museum of American Art, New York, NY (2005), Whitney Biennial, Whitney Museum of American Art, New York, NY (2002), Whitney Biennial, Whitney Museum of American Art, New York, NY (2000).

Wilke has also participated in a large number of significant group exhibitions including the forthcoming exhibition Virginia Woolf: an exhibition based on her writing, Tate St Ives (2018); Delirious: Art at the Limits of Reason, 1950 - 1980, Met Breuer, New York (2017); Body Talk, Rose Art Museum, Waltham (2017); Feminist Avant - Garde of the 1970s, ZKM, Karlsruhe (2017), travelling to Stavanger Art Museum, Norway and The Brno House of Arts, Brno (2018); I Remember Not Remembering, Scottsdale Museum of Contemporary Art (2017); The Beguiling Siren is Thy Crest, Museum of Modern Art in Warsaw (2017); Performing for the Camera, Tate Modern, London (2016); Revolution in the Making: Abstract Sculpture by Women, 1947 - 2016, Hauser & Wirth & Schimmel, Los Angeles (2016); Americana: Formalizing Craft, Perez Art Museum, Miami (2013); Aquatopia: The Imaginary of the Ocean Deep, Nottingham Contemporary (2013); Human Nature, Los Angeles County Museum of Art (2012); Naked Before the Camera, Metropolitan Museum of Art, New York (2012); Elles: Women Artists from the Centre Pompidou, Seattle Art Museum (2012); The Body as Protest, Albertina Museum, Vienna (2012); Ourselves, Australian Centre for Contemporary Art, Melbourne (2012); The Original Copy: Photography of Sculpture, 1839 to Today, MoMA, New York and elles@centrepompidou, Centre Pompidou, Paris (2010).

Whiting has had a number of awe - inspiring solo exhibitions with Plus Gallery since the early start of his career back in 2004, and has gone on to become one of the more significant, focused and successful artists functioning both in the public and collector realms of contemporary art.

The exhibition opens out to survey a number of significant artists whose work is predominantly concerned with the refugee crisis that faces contemporary society.

The German collector of Turkish origin owns a collection numbering more than 15,000 objects by contemporary artists as significant as Banksy, KAWS, ZEVS, Shepard Fairey — OBEY, Daniel & Geo Fuchs, Audrey Kawasaki, FUTURA or JR..

Showing a number of contemporary artists, as well as representing several estates of historically significant artists, the gallery confronts the canonical dialogue between modern and contemporary art through exhibitions that feature artists working in multiple disciplines including painting, photography and sculpture.

«And it remains one of the most significant contemporary art events in the calendar, not just because of the scale of the event itself but because of the increasing number of people who come form all over the world, whether that is professionals, critics, curators, other artists, dealers and collectors as well as the international visitors over the following six months.»

An exhibition of both iconic and lesser - known works from some of the most significant and compelling artists of the last 50 years, Open This End: Contemporary Art from the Collection of Blake Byrne traced a number of intertwined narratives in the history of recent art.