The attendant 5.1 DTS - HD MA track proves that Zemeckis is still capable of turning on the afterburners with regards to mixing set - pieces (there's an almost musical quality to the Blitz
as bombs clobber the subwoofer and hails of gunfire flank the viewer), yet when I think of
Allied, I think of its restrained use of score — much of the music is diegetic — and of how Zemeckis finds a remarkable number of variations in the sound of the air around Max and Marianne's loaded
silences.
I may make an
ally list in the future, but our voices
as Indigenous Peoples are often
silenced on this issue, so we need to be able to make our voices heard and have our own space to come together,» [Ed.L.D.