Sentences with phrase «silence at the audience»

Not exact matches

I watched the audience at a fringe meeting in Manchester this week listen in sullen silence as one former cabinet minister, Dominic Grieve, told them it was impossible to tell if we might be better off in 30 years» time: all we could be sure of was that Brexit was «a sudden and profound shift», and therefore a huge economic risk in the short and medium term.

Ever since the movie Silence of the Lambs scared its audiences into a stress panic, psychological thrillers have been released at a phenomenal rate.

This point was rammed home to me as I sat in agonized silence, fingers sporadically jammed into my eyes, while audience members laughed at the latest shockingly boring Melissa McCarthy / Ben Falcone cringe machine.

«Breaking In» far too quickly devolves into unintentional laughs provided by the henchmen, complete with long stretches of near silence, affording the smart alecks in the audience the chance to half - shout, «She's gonna ELECTROCUTE him,» or «There's ONE IN THE CHAMBER» and «Shoot SHOOT» at the screen.

The A.V. Club caught a special sneak preview screening of Split at Fantastic Fest, where we described as a «Hitchcockian take on a Silence Of The Lambs serial - killer movie,» featuring Shyamalan's signature plot twists and turns — including one at the end that had our audience gasping and applauding — and anchored by McAvoy's virtuosic, if showy, performance as Kevin / Dennis / Hedwig / et al..

, Syd Garon (CEH15, Outstanding Graphic Design, Jodorowsky's Dune), Eugene Hernandez (Deputy Director, Film Society at Lincoln Center), Eric Hynes (Associate Curator of Film, Museum of the Moving Image), Jason Ishikawa (Head of International Sales, Cinetic Media), Steve James (CEH12 Winner, Outstanding Feature & Direction, The Interrupters), Kirsten Johnson (CEH17 Winner, Outstanding Feature & Cinematography, Cameraperson), John Kusiak (CEH12 Winner, Outstanding Score, Tabloid), Loira Limbal (Vice President, Firelight Media), Elizabeth Lo (CEH16 Winner, Outstanding Nonfiction Short Film, Hotel 22), Michal Marczak (CEH17 Winner, Heterodox Award, All These Sleepless Nights), Marilyn Ness (CEH17 Winner, Outstanding Feature, Cameraperson), Dan Nuxoll (Artistic Director, Rooftop Films), Bill Ross (CEH13 Nominee, Outstanding Direction, Tchoupitoulas; CEH16 Nominee, Cinematography, Western), Kelli Scarr (CEH09 Nominee, Outstanding Score, In a Dream), Mo Scarpelli (CEH16 Nominee, Spotlight Award, Frame by Frame), Jess Search (Chief Executive, The Doc Society), Signe, Byrge Sorensen (CEH16 Winner, Outstanding Feature Film & Production, The Look of Silence), Jean Tsien (Editor of CEH17 Audience Nominee Miss Sharon Jones!)

His craggy face and mellow baritone voice don't show signs of tiring audiences yet, and he has one quality few actors achieve at any age: He's eloquent in stillness and silence.

The metaphorical silence of Woody, and Krasinski's austere presentation of it, provides a vivid attention about what is not being spoken, and allows the audience to connect with the notion of not communicating in a relationship to the point of being silent (before Crowe later adds subtitles, at least).

In possibly one of the most embarrassing acts seen at an event we saw Usher sing and dance on stage shouting things like «Get up» to the audience while they sat there in silence.

Exhibitions of the artist at the gallery include Yves Klein: A Career Survey (2005) and Audible Presence: Lucio Fontana, Yves Klein, Cy Twombly (2013), which was accompanied by the first New York performance of Symphonie Monotone - Silence to a vast audience at the Madison Avenue Presbyterian Church in September 2013 to critical acclaim.

The reverent silence and uninvolved detachment that the Whitney audience provided, which I guess fits here — there are pews, after all, here in the screening space — whereas at Telluride, they were busting out laughing.

The historian Wraxall was distinctly sceptical: «Erskine successfully undertook to spurn at precedents... to appal or silence the judges themselves; to intimidate, convince or seduce the juries; to appeal from the understanding to the feelings... finally, to lead captive his audience, and to carry the cause that he defended or espoused, by extorting a sort of voluntary submission, sometimes yielded almost in defiance of evidence, facts, belief or conviction.»