In
the silent echoes of the desert, they decide to test the rifle... but the bullet goes farther than they thought it would.
Not exact matches
I strolled its vast spaces long before most tourists arrived, at a time so
silent that each
of my steps
echoed off its graceful walls.
Her final indelible cry — «Shulem, Shulem, Shulem,» uttered in a firm, serene tone
of voice, as if she either required some particular assistance or deemed it important to have my attention —
echoed that day and for many days after, along with my helplessly hopeful response to
silent eyes that saw only what mortals can not: «What do you want?
To
echo the words
of William Wilberforce, «Let it not be said that I was
silent when they needed me.»
The ability that some people have to use
echoes to determine the position
of an otherwise
silent object, in a similar way to bats and dolphins, requires good high - pitch hearing in both ears, according to new research from the University
of Southampton.
One
of the truly iconic images in
silent cinema, the stunt has
echoed down the ages, most notably in Back to the Future.
The moment
echoes a scene in Get Out where Chris (Daniel Kaluuya) is unknowingly being appraised by a group
of people who are secretly about to place bids on his body at a
silent auction.
Alas, the only reverberations we hear come from the
echoes heard in the cavernous depths
of a theater filled with mostly
silent patrons restlessly, and fruitlessly, waiting for something funny to occur worth laughing at.
From the cacophony
of the Amazon to the
silent beauty
of the Andes,
echoes of this experience will resound long after the trip is over.
According to the critic, the «painterly actions»
of the artist «creates what I can only describe as a mute intensity, a sort
of silent scream that
echoes back through Modernism's own war torn history.»
Echoing the poetic take on social issues found in many works here, Disguise (2015) by Yang Zhenzhong follows the slow movements
of factory workers costumed in white theater masks, turning their daily routines into a
silent opera.
Exhibitions she has co-curated include: Introducing «
ECHO» (The Function Room, 2014);... all
silent but for the buzzing... (Royal College
of Art, 2014); Adjacent Practice Colliding Daily (Acme Project Space, 2013); iCON: Consuming the American Image (2011), and Topography in Translation: Navigating Modern Chinese Landscapes (Herbert F. Johnson Museum
of Art, 2010).
However, this is not truly a
silent film: carefully deployed sound effects — such as
echoing footsteps or birds chirping — produce a distinctly synchronized relationship between sound and image that was unheard
of prior to the advent
of «the talkies.»
The result was, that over a few decades, the narrow roads that once
echoed to the sound
of workers walking the 8 or so miles to and from their 6 am to 6 pm shift, gradually fell
silent.