Not exact matches
Compared to other
silent films of the 1920s, with the undercranked action, overly emotive
acting, fantastic plots and theatrical make - up and costumes, «Napoleon» is years ahead of its time.
The smooth jazz score which punctuates the
film gives certain sections the feeling of a
silent movie, while the long awkward silences in the second
act are like a lighter, less absurdist variant on the work of Samuel Beckett or Harold Pinter.
He begins by exploring the director's early life and career in his native Hungary, revealing how Curtiz shaped the earliest days of
silent cinema in Europe as he
acted in, produced, and directed scores of
films before immigrating to the United States in 1926.
Its comparatively simple first
act remains a good example of how to apply the horror elements of the
Silent Hill games to
film with a degree of elegance and wit, and for a solid 35 minutes, it's an atmospheric
film about a mother whose deeply maternal desire to help her daughter inadvertently places her in danger, and the need for Radha Mitchell's Rose to find her daughter when she goes missing provides a cogent and palatable, if somewhat slight, emotional basis from which the proceeding action can spring.
The opening
act in Toronto feels like a standard indie comedy about (yet another) white male's arrested development, the piano - based score and aversion to dialogue feels indebted to
silent films, and once the
film transitions to the wilderness it goes into European arthouse territory (the title card doesn't appear until James ends up in BC, a choice that implies this is where the
film really begins).
In a youth
film culture that has embraced increasingly violent and sadistic horror
films, especially those that linger on
acts of inhuman brutality and excruciatingly endured mutilations (quite accurately dubbed «torture porn»), what's not to like about a
film about a
silent butcher who bludgeons the passengers of a late - night subway ride, preps the carcasses like slaughtered cattle and hangs them like sides of beef?
(Lest we forget, concern was raised before the
film came out about whether the largely
silent first
act of WALL - E would be a problem for audiences.)
The
film is at its best in the early going, during which the
acting - technique - obsessed Arthur and Maurice attempt to con their way to free food; a wordless opening credits sequence harkens back to the best
silent comedy, and one hilarious scene in a bakery is, as it turns out, the
film's premature highlight.
While Ben Affleck (Jay &
Silent Bob Strike Back, Pearl Harbor) does an adequate job as the corruptible attorney, it's really Jackson (Formula 51, Unbreakable) and a very good supporting cast that gives the
film a solid
acting foundation to be almost believable, with especially good performances by Sydney Pollack (Random Hearts) as the experienced, seasoned partner in the firm and Kim Staunton (Holy Man) as Jackson's wife.
Hail Caesar: yes, that's the title of the latest collaboration between Joel and Ethan Coen and George Clooney, who plays a
silent -
film star
acting in an epic set in ancient Rome.
Coen Brothers update: we reported that their new
film Hail Cesar, would feature George Clooney as a
silent film star
acting in an epic set in ancient Rome.
A remake of Browning's unfortunately lost
silent film London after Midnight, this version is rather incoherent, especially in the final
act.
In the video below, Miriam Toews talks about her experiences growing up in a Mennonite community and how
acting in Carlos Reygada's
film Silent Light impacted her novel, Irma Voth.
Miriam Toews talks about her experiences growing up in a Mennonite community and how
acting in Carlos Reygada's
film Silent Light impacted her novel, Irma Voth.
Unlike Epic Mickey, the sequel will feature voice
acting and Mickey will actually speak, departing from his
silent film era.
A pioneer in writing,
acting, and directing in the
silent film era, Buster Keaton's short
films are a major inspiration for Cvijanovic's paintings.
In 2007,
film critic Jonathan Romney described Starr's new
silent film Theda: «In a 40 - minute black - and - white
film Theda British artist Georgina Starr, best known for her series of works inspired by the 1965 thriller Bunny Lake is Missing, pays tribute to this stormiest of divas and undertakes an archeology of gestural art of the
silent - era actress (Theda Bara), drawing on the styles of several other now forgotten grande - dames, such as Barbara La Marr and Maud Allan... the
film is divided into three parts «prelude», «
act» and «epilogue»... but «prelude» is the real coup: in a long single take, Starr runs through the codified expressive repertoire of the Theda - era performer with such precision that any ironic distance evaporate.