Hugo Gellert's proto - pop looking
silkscreens from 1943 are replete with visible squeegee marks and irregularities.
Shoults, who came to the arts center five years ago, was working toward the reaccreditation of the center when she dove into the inventory and came up wowed, first by a collection of
silkscreens from New York's famed Printmaking Workshop, headed up by Robert Blackburn, who produced work by Helen Frankenthaler, Jasper Johns and other top New York School artists.
What she found were original
silkscreens from the 1970s by Chicago printmaker and filmmaker Barbara Jones Hogu («Unite») and Nelson Stevens («Homer de Brave»), a member of the Chicago artists collective AfriCOBRA (African Commune of Bad Relevant Artists).
Therefore, it includes Andy Warhol's
silkscreens from the early 1960s associated with violence and death, the new form of painting that reflects the reality of the consumer society demonstrated in the works by Roy Lichtenstein, James Rosenquist or Tom Wesselmann, and Robert Longo's recasting of media images as subjective events.
Fleisher / Ollman will be debuting three new
silkscreens from Musson at Art Chicago later in the month, April 25th - 28th.
On view will be Josef Albers»
silkscreens from his «Formulation: Articulation» portfolio spanning 40 years.
He hired master printmaker, Rupert Jasen Smith, who worked with Warhol on the process of
silkscreening from inception to final image, hand pulling thousands of silkscreen prints.
Double Cubes in Grays and Colors Superimposed,
a silkscreen from 1989 highlights LeWitt's quintessential isometric cube, while Forms Derived from a Cube in Color from 1984 develops the motif of deconstructing and recombining the cube as a matrix for form and color.
And the Bruce High Quality Foundation had
a silkscreen from 2012, titled Hooverville and seeming to depict two homeless men sitting on a scale model of New York City while burning skyscrapers in a trash can for warmth, go for well above its $ 200,000 to $ 300,000 estimate when it fetched $ 425,000 — a particularly impressive feat for the collective's evening - sale debut.
This iconic
silkscreen from the early 1990's encapsulates many of the contradictory themes inherent in her work; is this an image of child play or something more sinister?
The show, curated by SFMOMA's Gary Garrels, features works by Chuck Close, Andy Warhol (a Liz Taylor
silkscreen from the early»60s), Ellsworth Kelly, Agnes Martin, Roy Lichtenstein and other biggies.
Late Summer Flowers is a beautiful
silkscreen from one of the great living American masters of our time, Alex Katz.
Still others, like Renascence,
a silkscreen from 1962, appear to be totally abstract.
♦ Thomas Ammann Gallery: two large - scale works by the artist collective Bruce High Quality Foundation, as «Olympia,» a unique
silkscreen from 2014 and measuring 72 by 108 inches and framed by slender and lit neon tubes, sold in the region of the $ 200,000 asking price.
The gallery also sold a Barbara Kruger
silkscreen from 1988 that had an asking price of $ 550,000.
There are other works (interestingly, many of which spring from the word «train») that retain their ambiguity through abstraction, such as the intensely blue, self - explanatory «AS THE CROW FLIES (the distance between my studio and the Drawing Center (3666 miles) drawn on scale 1/1, 5900000 lines of 39.37 inch» (2014) by Kris Van Dessel; the colorful, hard - edge monoprint
silkscreen from the artist known as HENSE, «Shape» (2014); and Carl Fudge's black - and - white woodcut «Bricklayer 1» (2014).
Not exact matches
Many customers, especially universities (which order a lot of sweatshirts for
silkscreening), are part of a «clean clothes» campaign: they order only
from companies that are perceived to run safe and fair offshore facilities.
and the surprisingly beautiful, delicate renderings of oversize beetles and anatomically accurate human organs
silkscreened dresses made of recycled and organic cottons and bamboo
from Field Day Wearables.
Supplies: mason jars, Martha Stewart metallic glass paint, Martha Stewart
silkscreen snowflake stencils, a paint dauber
from Martha Stewart (not pictured), Mod Podge, foam brush, tea lights & salt I am in love with the Martha Stewart
silkscreen stencils.
Matt Coomber takes a look at the «The New Order»
Silkscreen art print
from Star Wars: The Last Jedi courtesy of Zavvi.com
Light reflecting off the silver
silkscreened bands jumps out
from the image at certain vantage points, and at others nearly disappears, but the implications of the artist's position, as embedded in these works, require thought.
«This is a poster by an artist I don't know, but I'm very interested in psychedelic imagery right now,» he said of a fantastical blue - and - pink - streaked
silkscreen poster by Tadanori Yokoo,
from 1971.
By pairing the first - an abstract painting whose flat forms are schematic and derived
from markings observed on a soccer field with the second - a
silkscreened canvas depicting a nearly identical painting photographed at an angle, Uglow creates a visual experience charged with the potential of both abstraction and representation.
The canvas and blocks provide information about qualities of the object that are missing
from the
silkscreened image, while the angled image of the photo -
silkscreen exhibits properties that are both similar to and different
from those of the painted object.
Of course,
from Rauschenberg and Warhol on many artists have used a variety of transfer techniques including
silkscreening and photo emulsion to realize paintings.
Inspired by Johns's imagery, Barnhart also created for the workshop a lithographic stone and an etching plate and lent a c. 1900 Fuchs and Lang press and printing materials
from etching needles and plates to inks and a
silkscreen.
From Megan Marrin & Tyler Dobson's Postkartenständer (Postcard Stand, 2014), on which photo - realist selfie paintings were offered as postcards stacked among kitschy tourist views, to Allora & Calzadilla's Contract (SWMU 10)(2015), a huge
silkscreen of the lush, tourist brochure - style palm trees printed over a Warholish sweep of grey paint (a sign of the
silkscreen medium itself), representation was shown helplessly submitting to the production which makes it visible.
Quilt # 7 2011 Fabric treated acrylic, spray paint, cotton, and
silkscreen on repurposed quilt
from 1860s 86 x 70 inches
For his latest collection, Diamond Dust, Simon has taken iconic images
from the hallowed archives of legendary English photographer Terry O'Neill and translated them into diamond dust
silkscreen prints for the first time in history.
These
silkscreens and his larger video project Blind, both conceived
from reappropriated stills, speak to our image - immersed present while still glorifying the mood and imagery of film noir and a rich cinematic past.
(1) The nine prints on view
from the 1960s, 70s and 80s, demonstrate his mastery through lithography, etching,
silkscreen, and woodblock, and further illuminate his extensive exploration of line and mark making.
Crimson Expanse
from Lithic Habitats Installation, 2012,
silkscreen on fabric, hand - upholstered cushions, dimensions variable.
All of these works are surrounded by
silkscreened idyllic landscapes printed in bright monochrome colors derived
from postcards collected during her childhood.
Spanning acrylic and oil paintings, gouache and paper collages, patchworks made
from fabrics and paint,
silkscreens, and colored pencil drawings, this show brings together an expansive group of two - dimensional works to explore the relationship between painting and drawing.
Drawing
from images of tattered street advertisements whose strata peek through one another, Ivcevich begins by manipulating his canvas» surface with tie - dye and
silkscreen techniques.
Even dedicated fans of his work have inevitably faltered at one or another of his forking paths over the past twenty years, while Bradley, on the other hand, shifts gears without pause:
from starkly minimalist to gestural abstract paintings with stops in between,
from discomfiting assemblage sculptures to boldly graphic
silkscreens, and
from jagged, sometimes comic drawings to obdurate geometric sculptures.
The silver - wigged ghost of downtown Manhattan, Andy Warhol, haunts the Merseyside banks at Liverpool's Tate (to 8 Feb) with
silkscreens that appear to prefigure our age of narcissistic selfies; while cult film - maker David Lynch's paintings at Middlesbrough's MIMA (to 26 Mar) prove he is indeed a visitor
from some dead cool retro - otherworld.
On view June 18: — Everything you are I am not: Latin American contemporary art
from the Tiroche deLeon Collection — threeASFOUR: Tree of Life — Bradley Theodore — Mana Urban Arts Project presents How and Nosm: At the Center of It All Special programming: — In Search of The Truth presented by Cause Collective — 2PM to 4PM: Drop in to Gary Lichtenstein Editions on Mana's 2nd floor for an encaustic demonstration with Leslie Giuliani, followed by a
silkscreen demonstration with Gary Lichtenstein.
In this 1984
silkscreen, Pop art forefather Robert Rauschenberg collages together imagery
from excavation sites, parking lots, and stormy seas, alltogether creating a chaotic snapshot of American life.
Two Pyramids, Four Colors (Red) and Two Pyramids, Four Colors (Blue),
silkscreen prints
from 1986, are stunning examples of the artist's trademark exploration of three - dimensional geometric shapes.
These works, several of which will be on view, take the form of
silkscreen prints depicting a variety of figures and objects
from consumer culture.
Dulwich Picture Gallery Andy Warhol: The Portfolios 20 June — 16 September 2012 Stunningly beautiful early
silkscreen prints
from The Bank of America Collection.
He quickly developed a distinctive but nuanced style that incorporated all manner of mass - produced imagery,
from Campbell's soup can logos to photos of celebrities, using his famous
silkscreen technique.
The present exhibition includes Standard paintings
from the mid-1990s and Portrait (s) of a Standard
from 2000, the latter, large - format
silkscreens depicting the Standard (s) at an angle.
The Memory Doors comprise of
silkscreen prints of photographs
from the 1920s to 1970s mounted on antique wooden doors salvaged
from traditional Chinese houses being torn down in the Shanxi Province.
However, in the final, editioned
silkscreens, the Marx Brothers» faces are depicted in the same vertical row, but with added mirrored rows of the brothers, transitioning
from outline to distinct faces.
Below: Dill's I was Born with a Veil, 2003,
silkscreen, fabric, thread, 90 x 45 inches (image
from the gallery website)
In the project John John, Pacifico Silano sources imagery of John F. Kennedy Jr.
from vintage tabloid magazines and newspapers, reworking their content and meaning through
silkscreen, monotype, and photo - collage.
Randomly cut
from fabric
silkscreened with Rauschenberg's photographs, each necktie in the edition of 480 is unique.
Coming
from the enveloping, glittery phenomenon of Nick Cave's «Until,» in Building 5, you'll step into Rauschenberg's installation of
silkscreens on panels, «A Quake in Paradise (Labyrinth).»